G or A?

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duncanparsons wrote:
C00kie wrote:...ABACAB by Genesis.
I was lead to believe that it was to do with the song structure, but could never quite work it out.. but it obviously wasn't a proper transposition, as it should be GAGBbGA to preserve the intervals...
Song structure, hmmm, maybe as well!! I was tempted to have the Bb in there, but it is very definitely a full and mot a minor third interval there.

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duncanparsons wrote:I was lead to believe that it was to do with the song structure, but could never quite work it out.. but it obviously wasn't a proper transposition, as it should be GAGBbGA to preserve the intervals...
ah yes, but Bb is a B, right :wink:

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sjm wrote:
duncanparsons wrote:I was lead to believe that it was to do with the song structure, but could never quite work it out.. but it obviously wasn't a proper transposition, as it should be GAGBbGA to preserve the intervals...
ah yes, but Bb is a B, right :wink:
ooh...

Clever...

Subtle..

Otherwise it would be GAGHGA, and that starts to sound a little too much like a popular Queen ditty from a year or two later.. maybe that's what they took as their inspiration..!

:D

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duncanparsons wrote: ooh...

Clever...

Subtle..

Otherwise it would be GAGHGA, and that starts to sound a little too much like a popular Queen ditty from a year or two later...
:lol: :lol: :lol: :lol: :lol: :lol:

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nothing against G, but I much prefer A

well actually I'm holding back about G

better stop here
5 twelve

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if you ever get to a concert to hear the orchestra tuning up, it's an 'A'

hear it enough and even a pitch-challenged person like myself can find it

maestro used to sing 'give me an 'A'
440 hz
very nice round number
Question: How does an orchestra tune and what note does it tune to?
Answer: When the concert time actually begins, generally the lights dim and the concertmaster/concertmistress walks o­nstage, bows, and then faces the orchestra. At this time, the oboist plays an "A," and then musicians begin to tune in a predetermined order. Sometimes it starts with the strings and then goes to the winds and brass, at other times it may involve three or four "A's" starting with the winds, brass, lower strings, and then the upper strings (violins and violas). The "A" is the traditional pitch to tune to (although in bands, they often tune to a "Bb"). The actual pitch of the "A" (measured in Hertz or cycles per second) has greatly changed over the years, but most modern orchestras tune to an "A" set at 440 Hertz or somewhere between 438 and 445 Hertz. Baroque players, however, can tune much lower (often as low as 415 Hertz) because pitch rose greatly since the Baroque period.

Question: Do all orchestras tune the same way?
Answer: It is standard throughout all modern orchestras to tune to the oboe (primarily because of tradition, but it is said that the oboe is the least flexible instrument after the piano).

fascinating thread
http://www.harpcolumn.com/bboard/q-and- ... _id=000167

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"That's a beautiful piece you're playing..."

"Aaaaw, right. It's a piece I've been working on for the last 6 months or so. Very subtle and serene. All focused around a D minor - which is like 'the saddest chord of all'. Listen to it, it's just like Daaaaaaaa...."

"But it really is a pretty piece. So smooth and emotional. Do you have a name for it?"

"Ahhh, yeh - Lick My Love Pump"

:lol: - Rob Reiner and Chris Guest should be inducted to the Rock 'N Roll Hall Of Fame just for that segment alone! :hihi:

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Steven West wrote:"That's a beautiful piece you're playing..."

"Aaaaw, right. It's a piece I've been working on for the last 6 months or so. Very subtle and serene. All focused around a D minor - which is like 'the saddest chord of all'. Listen to it, it's just like Daaaaaaaa...."

"But it really is a pretty piece. So smooth and emotional. Do you have a name for it?"

"Ahhh, yeh - Lick My Love Pump"

:lol: - Rob Reiner and Chris Guest should be inducted to the Rock 'N Roll Hall Of Fame just for that segment alone! :hihi:
ha ha agreed

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A, like, totally rules.

Proof you want? Here: find me a synth with a "G392" switch. No? Now find a synth with an "A440" switch. Hah. QED. A. Always A. Oh yeah.

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I think meffy solved that case, and to add doesnt everyone tune to a=440? eh eh

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don't forget that A is the relative minor of C, thus as the key of C is the only perfect major key A is the only perfect minor key (just white keys).
:wink:
The highest form of knowledge is empathy, for it requires us to suspend our egos and live in another's world. It requires profound, purpose‐larger‐than‐the‐self kind of understanding.

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Well, a lot of people actually tune to "E". (Does anyone remember guitars?) My father even has an old Vox guitar amp with a built-in "E" signal generator. Just slide a little switch on the back, and a nice steady E pitch is generated.


:D
McLilith

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Oops, I see wrench was there before me... heh... well, I still says that if it hasn't a switch on yer Moog, it ain't worth ensconcing in yer future generations' proto-tech folklore. Harr, that I says. A.

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sjm wrote: FYI, german-speakers DO use H (don't ask me why)
[...]
I find it nuts :D
It is. Very.
On the other hand, someone was able to compose something using only "BACH".
There are 3 kinds of people:
Those who can do maths and those who can't.

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Sascha Franck wrote:It is. Very.
On the other hand, someone was able to compose something using only "BACH".
now all it does is confuse my music discussions :(

I've lost track of the number of times I've felt it necessary to explain what I meant when outlining my latest song's chord progression.
:x

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