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Thought the link worked when I prepared the post... :scared:
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DSP with attitude

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Last edited by Midiworks on Mon Jan 16, 2006 12:18 pm, edited 5 times in total.
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DSP with attitude

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Reading more carefully the last 3 pages (but having not heard Rene's efforts - and slowly dling BURNY's clip) here are my thoughts:
1. Rene made the clips available
2. Fritz didn't like the results
3. Rene didn't like the results but he thinks that the problem lies in my original recording but being a polite guy didn't want to say more about it

I have no problem with Rene don't liking the raw DI sound of my Tokai but as he's more experienced than me with hi gain sounds I have the right to think that after playing for more than 20 years (not counting the years I played classic guitar) I am probably more experienced with clean, crunchy or in general classic rock-blues tones. Dont get me wrong either Rene but believe me the guitar I used to record the clip plays abso-f**king-lutely beautiful even with my cheap Bravo and of course even better with plexis, boogies, bassmans, super reverb etc so I think that when you say that it wouldn't sound good through those THDs its a wild and most probably plain wrong guess.

@Fritz: sorry buddy but I think that my all maple neck Tokai screams more than the average rosewood neck Fender Strat (however I dont know which exactly Strat is in the picture you posted). I could have used my '92 Levinson Strat (rosewood neck) for those clips but I think the Tokai sound is more vintage. Now for the heavy stuff I got another EMG-24fret-neck through body axe ;)
If I go insane, please don't put your wires in my brain
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Just listened to BURNY's clips and they're not bad at all. The sound is similar to what I can get with the ampsims I have available (simulanalog, Boogex, Cortex, some freebie standalone version of AT1 etc.). Care to share the details BURNY?
If I go insane, please don't put your wires in my brain
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zeoy wrote: I have no problem with Rene don't liking the raw DI sound of my Tokai but as he's more experienced than me with hi gain sounds I have the right to think that after playing for more than 20 years (not counting the years I played classic guitar) I am probably more experienced with clean, crunchy or in general classic rock-blues tones. Dont get me wrong either Rene but believe me the guitar I used to record the clip plays abso-f**king-lutely beautiful even with my cheap Bravo and of course even better with plexis, boogies, bassmans, super reverb etc so I think that when you say that it wouldn't sound good through those THDs its a wild and most probably plain wrong guess.
A clip just for the fun of what can be done:

Pride_fritzed.mp3

So far concerning this is poorly played, poor guitar, etc. :roll:
Guess the amp!
zeoy wrote: @Fritz: sorry buddy but I think that my all maple neck Tokai screams more than the average rosewood neck Fender Strat (however I dont know which exactly Strat is in the picture you posted). I could have used my '92 Levinson Strat (rosewood neck) for those clips but I think the Tokai sound is more vintage. Now for the heavy stuff I got another EMG-24fret-neck through body axe ;)
Na, your guitar is OK. I was merely commenting about Rene complaining about your playing and therefor the result being poor. I only posted a random Strat photo with the comment that Rene should play a guitar himself and not complain about some "clips" not being up to the expectations and therefor he has no chance to make it sound good. And THAT is rediculous to me. But we had that before.

BTW, my Xmas amp clip is up again.


Best wishes, FRitz
In the end will be the word.
Check out some of my music at www.fritzmetal.de

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Hey zeoy,
your clip in general is ok. ;)
The difference is, that I listen to it 100s of times in a loop
while tweaking the engine...
Know each note and every attack you played.

The best way to record such things is to play at the same time through a amp,
(POD or VST or whatever)
but only record the dry/DI.

Than you can get a feeling for what you play,
and the results are much more dynamic.
This dynamic than again will drive the amp. ;)

Thanks
:)
Rene
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DSP with attitude

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fritzman wrote: Guess the amp!

POD

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prizo wrote:
fritzman wrote: Guess the amp!

POD
Which amp there is your guess? You seem to know the POD ...
In the end will be the word.
Check out some of my music at www.fritzmetal.de

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No, we seam to know you ! :D :lol: :wink:
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DSP with attitude

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LOL @ Midiworks.

No idea what model.. I dont use clean ones.

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No you don't know me too well.

It's not the POD.

Boah , surprise ... :-o :shock: :hihi: :love: 8)
In the end will be the word.
Check out some of my music at www.fritzmetal.de

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Here are 5 small clips of some kickass HiGain tones.

Oooh
Aaah
Nice
Yeah
Booyaa

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They're pretty good, but I don't hear anything different that what we can already achieve with what we already have. I don't mean that as a slam, I just mean that I was expecting something "different" since you had convinced me that I don't know what hi-gain means anymore. Instead (and I'll repeat just to be clear), they're good, but not anything different than what I already expect from "hi-gain". So I guess I DO know what hi-gain means still, after all. ;)

Part of the reason they sound good relates to the way the bass drum, layering, and technique factor in. It's hard to tell how decent the actual tone is without hearing the riffs in isolation without being layered. That's what I'd be more interested in hearing.

In recordings, I've always maintained, the "quality" of the tone isn't as important as the way it's approached, and I think you illustrate this point excellently-- the songs are good and heavy not only because of the guitars, but because of the other instruments and the way the guitars play against each other and against the other instruments. It's well-done, and shows that a complete song is worth more than an isolated tone.

But, in the interest of having a proper basis of comparison, I'd like to hear the tones seperately and without production techniques. "Naked", if you will. ;)

Good on ya' for "putting up" rather than "shutting up", and I hope my post makes it clear that I'm not cutting those samples down at all. They're good!

Greg
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Lunch Money wrote:They're pretty good, but I don't hear anything different that what we can already achieve with what we already have.
And that is where your "inexperience" .. or "disinterest" ,for a better word, with hi gain sounds shows.

I have yet to hear a sim sound like that, whether in a full band mix or not.

A couple of those clips have the guitars in isolation.

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pirzo play me the HiGain2 intro with the same feel and attiude.
Dry DI and I show you. :D
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DSP with attitude

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