The lost chord

Chords, scales, harmony, melody, etc.
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tamahome wrote:E7 then. Get AP-Tuner, and flatten the D's 31 cents and the G# 15 cents. :)
Sorry this response is so late, but this is interesting advice. could you elaborate why? Is this a known interesting combination? Don't know that much about how cents work..but i do tweak them randomly from time to time.
"You must not only aim aright, but draw the bow with all your might."

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This is known as a harmonic 7th chord in just intonation or microtuning. You get an exact frequency ratio of 4:5:6:7. The individual notes are 1/1, 5/4, 3/2, and 7/4.

Check out Willie Mcblind's first track for chords like this:

http://cdbaby.com/cd/williemcblind

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tamahome wrote:This is known as a harmonic 7th chord in just intonation or microtuning. You get an exact frequency ratio of 4:5:6:7. The individual notes are 1/1, 5/4, 3/2, and 7/4.

Check out Willie Mcblind's first track for chords like this:

http://cdbaby.com/cd/williemcblind
thanks for clearing that up for me :)

cool cd as well
"You must not only aim aright, but draw the bow with all your might."

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coquillo wrote:Could this be what you're looking for?

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..that is indeed one mother of a chord!

Doesn't it get used in some Wagner or Stravinsky...

DSP
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The mother chord comes from Nicholas Slominksy's 1947 publication "Thesaurus of melodic scales and patterns" Slominksy says the idea was first introduced by Austrian musician Fritz Klein in 1921, in a compostion called "Die Maschine".

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