u-he

shanecgriffo · Post by **shanecgriffo** » Thu Sep 30, 2010 11:37 am

ok, anyone who already has zebra in a song (as you mentioned ) wont need it!
so anyway,.. can i have a copy?

Cyforce · Post by **Cyforce** » Thu Sep 30, 2010 11:40 am

Urs wrote:Every 100th application wins a free license of ACE as well!

Through this you will now surely get more visits by your loved DHL

djsubject · Post by **djsubject** » Thu Sep 30, 2010 11:43 am

Cyforce wrote:
Urs wrote:Every 100th application wins a free license of ACE as well!
Through this you will now surely get more visits by your loved DHL

Howard · Post by **Howard** » Thu Sep 30, 2010 11:44 am

Urs wrote:
Howard wrote:
Urs wrote:Every 100th application wins a free license of ACE as well!
So if I send you my application (say) 200 times, I stand a pretty good chance of getting a free ACE, right?
Yes. The postage will exceed the price for ACE though. Furthermore, incomplete applications don't count, and enclosed CDs will first need to be judged by nieces and nephews.

Snail-mail only? I was actually thinking of sending you 200 e-mails from my 200 different e-mail addresses (with different subject lines), each including scans and WAVs of my dance-trance music embedded in the mails. No?

Lotuzia · Post by **Lotuzia** » Thu Sep 30, 2010 11:44 am

Howard wrote:
sauli wrote:This is the most polite way to say "f**k off!" I have ever seen.
Great job, love it
+1

I was about to send my details too but fortunately saw that I'm not aged between 32,5 and 44,6, moreover my social security number doesnt end with a 6 or a 8, and my first name doesnt begin within an [T,X] interval.

Also in 2005 I noticed a bit of aliasing in the upperrange of a Lead I designed on a track ( Though I didnt actually play this lead in the upper range, but well I'm afraid a lot of people did suspect the trick )

Add to this that I've recently lost contact with the Malaisian and Estonnian translators whom I was hiring for the local version of a ghost magazine I edit ( but my mother reads it too !) to gain this kind of deals

Well I think I might be screwed this time for endorsement

LtZ

surfingo · Post by **surfingo** » Fri Oct 01, 2010 9:40 pm

the only thing i can do is flying planes

JPTinAshland · Post by **JPTinAshland** » Fri Oct 01, 2010 9:52 pm

Urs wrote:
Nielzie wrote:Which of course shouldn't be a problem if you are a reasonably successful artist anyway..
Problem is, some artists feel "entitled" to a free copy. The new u-he Artists Endorsement Programme gives them a chance to enlighten me about their entitlement.

The new u-he Artists Endorsement Programme also makes sure that all "entitled" endorsed artists are only among other "entitled" artists. Thus no "entitled" artists is "belowered" by the presence of an artists in the programme who is not "entitled".

This is a brilliantly hilarious way of handling the "stars" out there... :-)

Great solution, Urs - I agree with the others - paying the ridiculously low fee of $199 for Zebra is much less hassle... Unless you have lots to prove, that is...

It's amazing as to what hoops people's egos will propel them to jump through, all for the sake of feeling "special", and "apart from the pack"...

Congrats, and I hope you get lots of "artists" submitting through your hoops... :-)

-JT.

Urs · Post by **Urs** » Sat Oct 02, 2010 8:46 am

The funny thing is that I have been denying NFRs for famous people for years, and virtually none of them have then ever bought my stuff. I have used very polite answers, harsh answers, subtle ones and what not. Many insist that getting NFRs is "common use in the industry".

Thankfully there are other ones. One famous person who would actually deserve a ton of free copies is Hans Zimmer. He and his colleagues however are the ones who bought like tens of licenses, without ever blinking. And still I get credits on CD booklets, invitations to press screenings and even, uhm, even vintage synthesizers.

In fact, it's rather him endorsing me. Which is good. And more famous & successful people should IMHO endorse the developers behind their favourite tools.

Urs

GeorgeZ · Post by **GeorgeZ** » Sat Oct 02, 2010 8:52 am

Urs wrote:...more famous & successful people should IMHO endorse the developers behind their favourite tools

Been saying that for years, yet the industry has manoeuvred it the other way around. Now the artist using the tool is being exalted, as if they're greater than the "creator", which imho is utter bullcrap.

I mean, it's a two way street, but there's usually very little traffic back to the dev / maker (even more so in software).

rob_lee · Post by **rob_lee** » Sat Oct 02, 2010 9:04 am

Urs wrote:The funny thing is that I have been denying NFRs for famous people for years, and virtually none of them have then ever bought my stuff. I have used very polite answers, harsh answers, subtle ones and what not. Many insist that getting NFRs is "common use in the industry".

Thankfully there are other ones. One famous person who would actually deserve a ton of free copies is Hans Zimmer. He and his colleagues however are the ones who bought like tens of licenses, without ever blinking. And still I get credits on CD booklets, invitations to press screenings and even, uhm, even vintage synthesizers.

In fact, it's rather him endorsing me. Which is good. And more famous & successful people should IMHO endorse the developers behind their favourite tools.

Urs

Yeah Urs

I just think there's too many pricks in the industry these days with way too much money thinking they can get stuff for nixxy hehe.
My message to these people would be *Your loaded now cough up ya tight bastards*

You should have a sticky to name and shame these so called famous cockheads.

A bit of fame goes to ones head you know... very true

Rob

GeorgeZ · Post by **GeorgeZ** » Sat Oct 02, 2010 9:09 am

Ye, I don't get that... You're loaded now ("if you're as famous as you say"), so pay for it Mr. Bigshot

Urs · Post by **Urs** » Sat Oct 02, 2010 9:15 am

rob_lee wrote:I just think there's too many pricks in the industry these days with way too much money thinking they can get stuff for nixxy hehe.

Well, I assume that these are still rather black sheep. I have come to know many, many famous people in person and hardly found any prick inbetween. I actually found many famous people to be very normal persons.

Actually, it's often the "entoruage" who's being pricky (I come with the star therefore I am).

Urs

standalone · Post by **standalone** » Sat Oct 02, 2010 9:17 am

Urs wrote:The funny thing is that I have been denying NFRs for famous people for years, and virtually none of them have then ever bought my stuff. I have used very polite answers, harsh answers, subtle ones and what not. Many insist that getting NFRs is "common use in the industry".

Thankfully there are other ones. One famous person who would actually deserve a ton of free copies is Hans Zimmer. He and his colleagues however are the ones who bought like tens of licenses, without ever blinking. And still I get credits on CD booklets, invitations to press screenings and even, uhm, even vintage synthesizers.

In fact, it's rather him endorsing me. Which is good. And more famous & successful people should IMHO endorse the developers behind their favourite tools.

Urs

I'm in this industry since 30 years ago and I can't say that this surprises me. the percentage of twats has always been rather low between real artists (or professionals, as you wish) and incredibly high between wannabes.

I'm happy to know in which category Hans Zimmer falls. I had no doubt about this.

rob_lee · Post by **rob_lee** » Sat Oct 02, 2010 9:18 am

Urs wrote:
rob_lee wrote: Actually, it's often the "entoruage" who's being pricky (I come with the star therefore I am).

Urs

Very true Urs

Rob

rob_lee · Post by **rob_lee** » Sat Oct 02, 2010 9:20 am

standalone wrote: I'm happy to know in which category Hans Zimmer falls. I had no doubt about this.

This guy is an exception IMO pure genius,simple as that.

Rob

u-he

KVR Audio

u-he Artist Endorsement Programme