Ooooh, Note Expression!ooohhh2 wrote:Nah, i bet it was this :chacka wrote:Yeah, the other 1%.AdmiralQuality wrote:I thought he used a human beat-box.
Hans Zimmer Loves Zebra
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AdmiralQuality AdmiralQuality https://www.kvraudio.com/forum/memberlist.php?mode=viewprofile&u=83902
- Banned
- 6657 posts since 10 Oct, 2005 from Toronto, Canada
- KVRAF
- 5817 posts since 8 May, 2008 from ssssskipping ......... I left you there
Yeah, I note the sleepy expression in his eyes.AdmiralQuality wrote:Ooooh, Note Expression!ooohhh2 wrote:
- KVRAF
- 2930 posts since 29 May, 2009 from New Zealand
- KVRAF
- 9600 posts since 17 Sep, 2002 from Gothenburg Sweden
I thought the most important lesson was that he thought he should choose one synth and stick to that and really learn it. Though that is kind of ironic considering his rig.
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- KVRAF
- 1888 posts since 13 Aug, 2011 from Berlin
Yes, very interesting. Even in the light of the fact that Hans is not limited in any way what he could choose to use. And that Moog Modular is rediculously BIG!!! His comparisson between the two is remarkable.jupiter8 wrote:I thought the most important lesson was that he thought he should choose one synth and stick to that and really learn it. Though that is kind of ironic considering his rig.
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- KVRist
- 498 posts since 9 Jul, 2008
Can't find part two on youtube, might have to pass on this because Germany seems to have a deep seated hatred for buffering.
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- Pick Me Pick me!
- 10251 posts since 12 Mar, 2002 from a state of confusion
That is not sleepy.. that is focus. Got to have your game face on when making such emotive musics!GeorgeZ wrote:standalone wrote:Yeah, I note the sleepy expression in his eyes.AdmiralQuality wrote:Ooooh, Note Expression!ooohhh2 wrote:
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- Pick Me Pick me!
- 10251 posts since 12 Mar, 2002 from a state of confusion
chacka wrote:Yes, very interesting. Even in the light of the fact that Hans is not limited in any way what he could choose to use. And that Moog Modular is rediculously BIG!!! His comparisson between the two is remarkable.jupiter8 wrote:I thought the most important lesson was that he thought he should choose one synth and stick to that and really learn it. Though that is kind of ironic considering his rig.
Perhaps it is a direct result of dealing with his rig for so long. And now there are kabillions of synthesizers out there. It makes sense to pick a deep synth and stick with it.
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- Banned
- 22457 posts since 5 Sep, 2001
[DELETED]
- KVRAF
- 8081 posts since 9 Jan, 2003 from Saint Louis MO
- KVRAF
- 26983 posts since 3 Feb, 2005 from in the wilds
Interesting... Some of the vocal stuff Howard did with Zebra is surprisingly good.ttoz wrote:no actually he said the entire movie score was really an electronic score with only a little bit of orchestra.pdxindy wrote:I imagine that to be 99% of the synth soundsariston wrote: And I didn't know about the 99% part... interesting. I thought there was a lot more orchestra on the Inception soundtrack.
and then said that thing was 99% zebra.
Well there you go. Time to investigate my zebra again.
Zebra is superb! Great sound quality and vast sonic range!
- KVRAF
- 3878 posts since 28 Jun, 2009 from Wherever I lay my hat
You mean, aside from most of us here?foosnark wrote:Do you know who else loves Zebra?
Well, unlike other companies, Urs doesn't go out begging for endorsements from teh awsum DJs, which is a brave and ultimately smart move IMO. Just imagine T-Pain promoting Zebra... it'd be enough to make me delete my copy permamently.
The fact that Hans Zimmer is so vocal about Zebra is really kind of an anomaly and a testament to his excitement about it. In the end, though, I don't need anyone to tell me how good it is.
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- KVRAF
- 5200 posts since 17 Aug, 2004
You guys all forget one VERY important thing. Hans use Zebra yes but all these Zebra sounds are developed by Howard (also here on KVR) exclusively for his movies.
If i understood it correctly Hans is torturing Howard until Howard produce what is in Hans imagination. Quite nice job i can say
If i understood it correctly Hans is torturing Howard until Howard produce what is in Hans imagination. Quite nice job i can say
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- KVRAF
- 1667 posts since 2 Apr, 2006 from Studio City, California
I think the most pertinent absolutely real part to me was that he - Hans Zimmer (and Danny Elfman also) have repeatedly commented how difficult it is to write for film, with the tight deadlines and all. Can everyone imagine how "interesting" it would be to have the Director or Editor of a gazillion dollar film looking over your shoulder critiquing YOUR composition as YOU write it? Most of the composers I work with freak out if I change even a few note expressions to fit the film's mood. A lot of confidence is needed in YOUR musical ability to be successful under those circumstances and put out soundtracks like a Hans Zimmer.
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