Not sure if it has been said in this thread before, but the tip that has helped me the most (as I tend to over mix/produce myself) is to always work in context of the mix. I almost never solo channels anymore, I work on them with the other channels playing instead. I apply this technique to nearly any process. EQ, compression, reverb, stereo/panning effects and so forth.
For me this is the ultimate remedy for the "tweaking a sound for 30 minutes on solo, to find out it doesn't work in the mix"-problem. It seems to have taken my mixes to a whole new level of cohesion, in addition to saving me truckloads of time. YMMV of course.
help.. I'm the worlds worst "over-mixer"
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help.. I'm the worlds worst "over-mixer"
2012-06-14T14:02:45+00:00
Lately I'm realizing that over mixing is my most serious hinderence to producing good completed tracks. I want those types of mixes where everything sounds like it has it's own space carved out perfectly, so I get pretty brutal with the eq's early on in the production process, however, I usually end up losing momentum because I'll be screwing with the snare for 30 minutes and then at the end of this It doesn't even sound good. I also like the sound of layered drums that have lots of organic and subtle modulation to them (idm kind of stuff), but im left scratching my head at how to get that sound with losing momentum. Here are some questions that come into my head.
-How often do you find yourself boosting or cuttin by more than 6 db?
- What part of the production process do you apply most of your eq and compression? What about bus routing and sends?
- Is it totally pointless that I sometimes end up with really long effect chains? (like 6+ effects)
One other thing I''m confused about. I always read articles about having everything eq'd to have its own place I the mix, but how much is too much? It's confusing to me because Ive listened to many classic jazz recordings that sound so great and I'm guessing thy didn't eq at all. Also, I'll run contemporary electronic songs thru a band pass filter and I hear the snare and kick and bass throughout the entire frequency spectrum! Louder in some parts to be sure, but It's hard for
e to understand how seperated things should be, and how much of the 'secondary' freqs should be heard. I think I over eq a lot, because things often end up sounding harsh.
Ok thanks for reading, any help would be greatly appreciated, I'm a little disheartened atm. :help:
stillshaded
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