great work.
-ugo
After buying Daniel's Classic Moog Banks I now question my need for the Arturia Mini-Moog. May still get Ohmforce/GMedia's Mini Monster when it comes out, but CM will hold me for a long while.ABSTRACT wrote:I knew these were going to be good but I was still blown away by these soundsI knew Rhino could "do" analogue but I never realised (
)it could do it this well. My advice (for what it's worth
) to anyone sitting on the fence about buying Rhino2 and any of Daniel's banks is don't waste any more time and burn some plastic
It's becoming a cliche to say this about VSTi's but, truly, this could be the only synth you'll ever need, and reverse-engineering Daniel's patches is like a master class in sound engineering. Wow, gushy...
i see also that vision of Rhino, it has a synth engine capable to invade perfectly the rompler/workstation area and expand very much the beautiful sounds it can do already.I wanted something more flexible than a ROMpler and Halion didn't cut it, either.
Thats great!. I would vote for more "musical patches" (in the sense of a defined tonal and a bit less abstract sound). Im not saying that the actual Rhino patches are not great, but it seems to me that are mainly focused to the atmospheric/ambient/fx sounds.Suggestions for new sounds are always welcome and the wavestation/LA area is where "Textures" is heading.
Too bad you do not live around Orlando. There is a nice synth museum there. I hear you can reserve time and sample the instruments.daniel wrote:Robert, I sent out some requests for prices on Oberheim gear but have yet to hear a reply. I can't spend out more than I'll make off a bank so finding a good deal is essential. Perhaps I'll find somebody locally I can rent one from. My progress will be posted.
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