Akai Pro MPC Key 61, firmware 2.10 leaks new MPC keyboard sampler workstation

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bmanic wrote: Tue Jul 27, 2021 7:59 pm I've been fighting ignorance. Hence the banging of the drum. People seem to be so easily impressed by simple hardware numbers or this and that.. without actually knowing what makes a synthesizer a synthesizer or a dedicated sampler a proper dedicated sampler. Even users that only rely on presets, will in fact benefit from all the tiny bells and whistles of a synthesizers or samplers capabilities due to 3rd parties being able to create better preset/sample packs. Thus the "tiny" details matter.

So if somebody throws out hyperbole, I will respond so as to leave a record of actual facts and to temper the hyperbole. The current MPC product lineup, while pretty damn awesome, are very far from perfect and definitely not in the same category as something like a Korg Kronos.

Then again, we are speculating on a yet not released product. Who knows, maybe AKAI will deliver version 3.0 of the firmware at the time of the 61 Key launch and it'll indeed be as capable.. but I wouldn't count on it. The Kronos is a Kronos due to many different reasons and features.. pretty much none of these something that AKAI has ever explored before so the comparison is probably quite silly. Hence the original reply.

The Kronos is great but there are things the MPC does better that has nothing to do with synthesis. If you are sequencing other hardware the MPC is just better suited for that. You get more tracks than the Kronos (though I believe the Kronos has more audio tracks) and you can connect as many devices to the machine as your USB hub allows. The MPC can record more simultaneous tracks than the Kronos and with the recent update if you connect it to an audio interface you can do as many as 8 tracks (the Kronos does 4 if I'm not mistaken).

The sample editing in my opinion is superior on the MPC. Not only do you get more loop modes, but with the recent updates you now have a tail that you can add to the sample. You have things like lazy chop. On top of all the sample editing functions the MPC has while the Kronos' sampler editing features are relatively rudimentary in comparison. If sample slicing or mangling is your thing the MPC has more features and is easier to use than the Kronos imo. The MPC let's you chop your sample as you sample into the machine. The Kronos doesn't do that (nor will it likely ever as that is not its focus).

I understand sample synthesis is your thing but that's not really important to everyone and trying to paint the MPC as weaker than the Kronos in the sampling area is ignoring what it does exceptionally well (sample editing).

The MPC is not a "Kronos killer" however with the features it has in-terms of sequencing and sampler editing, and number of tracks, CV etc it absolutely curb stomps the Kronos. It just depends on what you are looking for out of a workstation.
Studio One // Bitwig // Logic Pro // Ableton // Reason // FLStudio // MPC // Force // Maschine

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Why is it being compared to Kronos?
I just don't see the comparisons.
Duh

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bungle wrote: Fri Jul 30, 2021 5:07 am Why is it being compared to Kronos?
I just don't see the comparisons.
The Kronos (Korg workstations in general) are used for production by a lot of people (the early aughts were just basically Korg workstation sounds). I don't think the two should be compared but it's just an inevitable because not everyone understands that the reason people but a Kronos isn't for it's sampling features, or it's sequencing features etc. People buy it for the sounds. The engines it has. However what the MPC keyboard would do is call into the question the concept of a workstation in general. Traditionally workstations are these monolothic, usually expensive sound machines. A good price and with the features the MPC does have would be good enough for a lot of people who may have had their eye on a traditional workstation.

It would at least push others into the market (you know NI would come out with one). Traditional workstation makers may have to lower prices, or actually innovate in the space (which really hasn't happened in a while). I'm not saying the MPC keyboard would do that, it would have to be successful for that to happen, but just having another player doing something different in the space would hopefully be enough to move the needle.
Studio One // Bitwig // Logic Pro // Ableton // Reason // FLStudio // MPC // Force // Maschine

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So no comparison then, thought so.

NI can't afford to have another failure standalone.
Duh

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bungle wrote: Sun Aug 01, 2021 1:15 am So no comparison then, thought so.
For some not even the new Nautilus compares to Kronos
- less physical panel controls
- hammond drawbars only on touchscreen

etc

I think apoclypse nailed it in his comment....

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• How many arpeggiators does it have? None... WTF ??? Really AKAI ?? :?

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Kronos, Nautilus, Fantom, K2700, Montage, MPC Key 61
I've been thru them all... looking for the perfect setup for playing live.
All have some great features...
All have some features that are "head-scratchers".
Most folks could make any of them work... but there are compromises (weaknesses) in all.
What matters is how those strengths/weaknesses match up against your needs.

If you grab a MPC Key 61 expecting it to be a 1:1 improved version of Kronos, you'll be disappointed.

When released, our local GC got three in stock. By 3pm that day, all three were gone (I got the last). My cost out the door (including tax) was a little over $1600.
My background is more of a keyboard workstation/synth user (vs being a longtime MPC user).
As such, I was expecting to be underwhelmed by the new "plugins/sounds".
Much to my surprise, the C7 Grand (once tweaked) can hold its own vs my go-to Montage CFX acoustic piano patch... or the Kronos/Nautilus Italian Grand, or the K2700.
Fantom's V-Piano is static/artificial sounding.
Next, I tweaked an Electric Piano to use on Stay With Me. I was surprised that I liked the resultant sound better than what I'd been using on Montage.
Next, I wanted to tweak an B3 organ to use on Feel's Like The First Time.
Was able to achieve a slightly distorted B3 sound that I (again) liked better than what I'd been using on Montage. The exception here is that the MPC Key 61's Leslie Speaker effect is terrible. If Akai (AIR or whoever is developing the included "plugins") get that Leslie sorted, the organ plugin could absolutely hold its own vs Kronos, Montage, K2700, and Fantom.

Speaking of the K2700, it's UI would have been considered bad design 15 years ago (compared to the original Fantom). The MPC Key 61's UI (the new plugins in particular) is IMO light-years better. It's quick/easy to use. It feels like you're tweaking a current generation VST plugin.
Fantom's UI is pretty nice. Kronos UI is starting to feel a bit long-in-the-tooth.

An amazing feature of MCP Key 61 is it's ability to auto-sample.
Setup the parameters... start the process... come back in a few minutes... and you have a playable sound.
Many MPC users use mono synth sounds for bass/melodies/etc.
What's not so amazing is that MCP Keygroups have no "note-priority" feature.
So... mono synth parts won't play/articulate like the synth being sampled.
Say you hold an A and you go for the D above it for a hammer-on type effect.
When you release the D, the A note is not retriggered (meaning you hear silence).
That is one of the major head-scratchers.
That... and the fact that the keyboard features nice Aftertouch... yet Keygroups won't let you assign Aftertouch to control LFO amount. The only parameter available for Aftertouch is Filter Cut-Off.

I'm keeping the MPC Key 61... as it has a lot going for it (especially for the cost).
It's not a workstation killer... but it stands on it's own.
Not exactly a workstation
Much more than just a MPC
Amazing... and a bit frustrating
Samples have to load into RAM (so there's no seamless/immediate patch changes).
You can load many things in the 4GB of RAM (same amount as Kronos)... and switch Sequences to seamlessly switch patches... but it's a workaround.
Kronos squeezes a lot more out of that 4GB... because it disk-streams samples.
If MPC Key 61 had disk-streaming, it would greatly expand capability.
Right now, you can load up to 8 plugins simultaneously.
As far as polyphony, that won't be much of an issue for most folks.
I was able to layer Acoustic Piano, Electric Piano, Vocal Pad, and Synth Pad (quick mock-up of the sound I use for Here I Go Again)... with no voice-stealing issues. With Fantom, I run out of polyphony. Fantom 88's Aftertouch takes almost brute-force to engage. If you don't have RSI issues, if you use Aftertouch with Fantom-8, you will.

Everyone's expectations/needs are different.
The perfect workstation... like the perfect DAW application... (at least for me) doesn't exist.
In the end, it's not really about being perfect... but being able to be productive.
I was able to prepare a 1.5 hour set (everything I needed) for a show opening for Sonic Slam... and did so in maybe 3 days (nothing to finished).
I was then able to load the entire 1.5 hour set into a single project (all in that 4GB RAM)... so I could immediately/seamlessly switch sounds.
That's what convinced me to keep the MPC Key 61.
I'm hoping Akai realizes they need to enhance the Keygroup "synth engine".
It doesn't have to compete with Omnisphere... but the basics (mono synth behavior) need to be there.
Jim Roseberry
Purrrfect Audio
www.studiocat.com
jim@studiocat.com

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I don't use the Arp feature... but there is a very basic implementation.
The MPC is super easy to sequence "linear" or shorter "looped" sections.
Jim Roseberry
Purrrfect Audio
www.studiocat.com
jim@studiocat.com

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If you're talking Arps... in the modern sense of being able to play drum parts, bass parts, guitar parts, etc... then no... the MPC can't do that.
Jim Roseberry
Purrrfect Audio
www.studiocat.com
jim@studiocat.com

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lfm wrote: Sun Aug 01, 2021 3:36 am
bungle wrote: Sun Aug 01, 2021 1:15 am So no comparison then, thought so.
For some not even the new Nautilus compares to Kronos
- less physical panel controls
- hammond drawbars only on touchscreen

etc

I think apoclypse nailed it in his comment....
Had a Nautilus 73, couldn't stand the keybed.
Love Kronos 88's keybed (probably my favorite of all 88-key controllers)
IMO, Nautilus' first acoustic piano patch (the layer of Dry/Ambient piano samples) sounds terrible... at least when played from the onboard keybed. Sounds muddy... lack of clarity
Connect a Montage 7... and it (IMO) sounds/plays better.
Jim Roseberry
Purrrfect Audio
www.studiocat.com
jim@studiocat.com

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I hope they update a full lineup

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