Suno Studio Launch as new DAW entrant

[BertKoor]

Wonder if it can turn a really bad singer to a good one. Asking for a friend

For that we have A.I.totune

[jens]

Can one of you guys maybe help me please? I wrote a new song today and the chorus has the following chords:
A#maj, Cmaj, Gmaj, dmin - what key is that?

Depends.. ist it maj7? If not, then it's mostly Bb Lydian/D Minor. Only the Gmaj is (probably) borrowed from C Major (borrowed chord scales follow the way of most common chords of the chord changes normally)

Yes, it depends indeed. It might perhaps be considered a Bebop scale (same eight notes) but for that the chords are actually wrong; It might perhaps be some Japanese scale, but then again other chords would be used. It's difficult to say and would probably indeed depend on the melodic progession that is going on over the chords. For me it's inconsequential anyway though; except that it probably isn't something AI would be coming up with.
But then again that would be a daft reason to use such a chord progression, however weird things like that come absolutely naturally to me because I simply quickly get bored with - compositionallly - conventional stuff. But I still like to turn it into something that sounds rather easy to the ears.

And the thing about AI is that it feasts on a lot of the more generic music that is being produced being fairly similar.

[Starbright]

Can one of you guys maybe help me please? I wrote a new song today and the chorus has the following chords:
A#maj, Cmaj, Gmaj, dmin - what key is that?

Depends.. ist it maj7? If not, then it's mostly Bb Lydian/D Minor. Only the Gmaj is (probably) borrowed from C Major (borrowed chord scales follow the way of most common chords of the chord changes normally)

Yes, it depends indeed. It might perhaps be considered a Bebop scale (same eight notes) but for that the chords are actually wrong; It might perhaps be some Japanese scale, but then again other chords would be used. It's difficult to say and would probably indeed depend on the melodic progession that is going on over the chords. For me it's inconsequential anyway though; except that it probably isn't something AI would be coming up with.
But then again that would be a daft reason to use such a chord progression, however weird things like that come absolutely naturally to me because I simply quickly get bored with - compositionallly - conventional stuff. But I still like to turn it into something that sounds rather easy to the ears.

And the thing about AI is that it feasts on a lot of the more generic music that is being produced being fairly similar.

The scary thing is I thought so too, but actually it's kind of decent. I did some tests to see what I'm up against:
1. it can automatically detect timing fluctuations and follows it (most of the time)
2. it can blend different styles in a strangely "good" and sometimes weird manner.
3. it can transform bad singing into something astonishing decent - good (I used a demo I did when I was sick as hell)
4. it automatically detects lyrics from a voice recording up to 60 -80% (which is actually kind of usefull for improvisational songwriting)
5. it can change vocal scat solo into a trumpet solo (wtf)

Overall I think it's in the hands of the user.
The only thing where it sucks is lyrics at now (except for country and vanilla pop songs). I mean I can still produce better than it, but it's reallly impressive, but for me as a musician pretty boring right now.
Though the instrument transforming system it has (you still have to use some workarounds) is pretty useful. As said earlier: I'm conflicted...