Beatslicing for non-electronica/dance/hip hop/etc.

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rockstar_not wrote:2. Change T's tempo to match the loop's length in bars (T will tell you how long a loop is in seconds - do the Beats per Minute conversion from there with a simple calculator - enter in this for the tempo in T and it should match up with the length of the loop at a bar marker.
This bit is easier if you use Tracktion's "auto tempo" feature:

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Speaks for itself really..

:D

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rockstar_not wrote: 3. Blow up the loop so that you can see the detailed waveform and when major transients occur.
press F4 and then z for that... :-)

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<napolean>Sweet!</napolean>

Many thanks to Scott, platinumears, and jens. This tutorial was very helpful.

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Ya, for me too!

Thanks!

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If you're slowing things down and get gaps, this can work suprisingly well:

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Quickest way is to <CNTRL> drag a copy of the slice so that it buts up against the next one, and then slip edit the start of the copy to create a suitable overlap. Then just press "auto crossfade". 8)

If you are covering up a reverb tail or cymbal decay it might be worth dropping the gain of the copied clip by a couple of db in its properties panel.. although it can sometimes add a nice pumpy sort of ambience if you don't! :)

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..and just to prove the point:

Original 107 BPM drum loop, with reverb.

Slowed down to 80 BPM

I just followed the steps above without making any attempt to choose the best edit points, or adjust the gains of the copied slices.. took about 5 minutes! It could be much improved with a little more time of course..

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Awesome tips guys!
If you have requests for Korg VST features or changes, they are listening at https://support.korguser.net/hc/en-us/requests/new

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I just took a loop that was 80 bpm and ramped the tempo over 10 bars or so up to 125 bpm and it sounded great. It was a simple pattern but a lot of the time that's all I need. Manually doing it this way seems easier actually than a lot of apps that are supposed to make it easy, and you don't need to deal with another interface. Of course, I still want a built-in beat-slicer, but at least I have a free option from within Tracktion (and T2, I guess I'll go ahead and upgrade now).

Another thing is that you could take these slices into the sampler and then play them there as well, recording snares maybe. Create a drum kit on the fly :) I do this in Live4 with Impulse, using Live's drum machine with snippets of loops.

It is cool that you can put reverb just on the snare hits, etc. Again, cool tip, thanks!
If you have requests for Korg VST features or changes, they are listening at https://support.korguser.net/hc/en-us/requests/new

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Thanks for the interesting info. I have found the nicest way of manipulating beats is in Reason with REX2 files and the sampler. My aim here would not be a drum machine or loops, but constructing the beats in an MPC-way I guess.

I would have liked to have seen REX 2 support in T2. But I noticed that the new Steinberg Halion Player Vsti supports import of REX2 files. Does anyone have Halion 2 and know how good its support of REX2 is? I would like to be able to move the individual slices around, change the actual audio file being referenced at a particular slice, and also route each slice to different effects. Also, does Halion work in Tracktion??
I know the beat slicing can be done manually as described, which is good to know.

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braj wrote:Of course, I still want a built-in beat-slicer, but at least I have a free option from within Tracktion
Give the Zero-X BeatCreator demo a spin
http://www.beatcreator.com

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platinumears wrote:If you're slowing things down and get gaps, this can work suprisingly well:
Many, many thanks for yet another great tip. Any tips for taking an 80 bpm loop and going up to 120? I tried this last night and the clips overlapped quite a bit.

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chardin wrote:
platinumears wrote:If you're slowing things down and get gaps, this can work suprisingly well:
Many, many thanks for yet another great tip. Any tips for taking an 80 bpm loop and going up to 120? I tried this last night and the clips overlapped quite a bit.
there are two tricks you can apply...
(sometimes a combination of them works best)

- you can make the clips shorter (drag)and use a fade instead of their own amplitude-envelope

- you can make them shorter by time-stretching (alt+drag) them a bit (use the default setting where the pitch gets changed (resampling) depending on how short the overlapping is you probably won't notice the change in pitch




-

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ahhhh - this is more like the RMS forum we know and love

:hug:

if i have time over the weekend i'll post some screengrabs of my timestretch/tempo problem - it's nothing to do with prefab loops btw :wink:

although, reading this thread has given me a couple of ideas for solutions, in which case, thanks already!

:D

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clueless wrote:ahhhh - this is more like the RMS forum we know and love
Think its a coincidence that Ron didn't post in this one? :roll:

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shhh... :scared:

:hihi:

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