Actually, TRacktion is quite nifty isn't it......
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- KVRAF
- 10815 posts since 26 Nov, 2004 from UK
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- 22457 posts since 5 Sep, 2001
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- KVRAF
- 3364 posts since 16 Feb, 2004 from atop a katamari
sorry ttoznoz!
(he who was impressively helpful on this very forum a little while back, if memory serves me correctly
)
Snap BY isn't something that is implemented specifically in T1. i'm not a priveliged T2er but there is a workaround that was discussed on the forum a week or two ago; the beginning of the selection is what snaps to the bar/measure (depending on the zoom).
the way to easily move a clip that does not start in a 'snap' location across by a bar is to create a small midi clip just before it. if you select both the one you care about and the new dummy clip, you can move them and the snap will be enforced on the left-most piece.. that way the bit you want gets snapped relative to where it was, rather than the snaplines.
of course, this might not be what you're talking about, and in which case i apologise.
(he who was impressively helpful on this very forum a little while back, if memory serves me correctly
Snap BY isn't something that is implemented specifically in T1. i'm not a priveliged T2er but there is a workaround that was discussed on the forum a week or two ago; the beginning of the selection is what snaps to the bar/measure (depending on the zoom).
the way to easily move a clip that does not start in a 'snap' location across by a bar is to create a small midi clip just before it. if you select both the one you care about and the new dummy clip, you can move them and the snap will be enforced on the left-most piece.. that way the bit you want gets snapped relative to where it was, rather than the snaplines.
of course, this might not be what you're talking about, and in which case i apologise.
Kick, punch, it's all in the mind.
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- KVRAF
- 6740 posts since 25 Mar, 2002 from sheffield, england
How to do what? Easiest way to get started is to right-click an existing filter, and "wrap this filter in a new rack"
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- KVRAF
- 4644 posts since 28 Nov, 2002 from Chicago
likewise thenttoz wrote:set up multi out instrplatinumears wrote:How to do what? Easiest way to get started is to right-click an existing filter, and "wrap this filter in a new rack"
* stick the filter on a track. Right-click/wrap this filter in a rack.
* Copy the new rack filter to as many tracks as you want outputs.
* select each rack in turn, and look at the properties panel at the bottom of the screen. Note the "left/right output comes from" boxes. Select from teh list the vst outputs (they should be named accordingly) that you want to hook to this track.
for mono outputs, just hook the output to both left and rigth channels.
* You're done.
Someone shot the food. Remember: don't shoot food!
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- KVRAF
- 6740 posts since 25 Mar, 2002 from sheffield, england
The way I like to think of it is to seperate the rack itself (the modular area where you set up your routing) from the rack filters which sit on tracks (which just route audio and MIDI to and from the rack).
You can have many rack filters feeding / receiving from one rack, which makes multi-outputs, and aux sends possible.
You can have many rack filters feeding / receiving from one rack, which makes multi-outputs, and aux sends possible.
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- KVRAF
- 3364 posts since 16 Feb, 2004 from atop a katamari
one important thing to bear in mind is that a named rackfilter always refers to one instance. if you make a rackfilter called "ARGLEfilt" then copy it onto all your tracks, the stuff happening on all the tracks goes thru the same instance of whatever lives in the rackfilter. similarly, each rackfilter instance will send the same output out to their track outputs.
this is what you'd do to sort out a multi-output instrument...
wrap the plugin as a rackfilter.
open the rackfilter to edit it; if you'd wrapped it it should have the correct number of PLUGIN outputs already connected up to separate RACKFILTER outputs.
you can have the multi-out plugin live inside the rackfilter, and have various rackfilter instances on each track to represent the different output groups.
each track on the edit has two channels. when you put a rackfilter instance on a track, you get to choose which of the rackfilter's ins/outs are used in the track's connections. click the rackfilter instance (the wedgeblock that is on the track) and look at the properties panel; this is where you select the routings.
If you're using a synth that has two pairs of stereo outputs, then the rackfilter will have four outputs.
put one instance of the RF on one track, and another on a second track.
on the first track, you want to recieve the 'top' stereo pair. so, with the instance selected, you set the track to recieve output from the first two outputs. then, go to the second instance (on the other track), and tell it to recieve output from the second two outputs.
now, you can treat each track as if it were a separate source, and put whatever effects you fancy on them separately.
alternatively, you can just cable up your effects in the rack filter itself.. just drag a filter into the rackfilter edit screen and connect the outputs/inputs up as you fancy. then, once you've got all your effects paths sorted, cable the ends of all the chains to the rack filter's stereo outputs and they'll all be mixed together and come out on the one track.
this is what you'd do to sort out a multi-output instrument...
wrap the plugin as a rackfilter.
open the rackfilter to edit it; if you'd wrapped it it should have the correct number of PLUGIN outputs already connected up to separate RACKFILTER outputs.
you can have the multi-out plugin live inside the rackfilter, and have various rackfilter instances on each track to represent the different output groups.
each track on the edit has two channels. when you put a rackfilter instance on a track, you get to choose which of the rackfilter's ins/outs are used in the track's connections. click the rackfilter instance (the wedgeblock that is on the track) and look at the properties panel; this is where you select the routings.
If you're using a synth that has two pairs of stereo outputs, then the rackfilter will have four outputs.
put one instance of the RF on one track, and another on a second track.
on the first track, you want to recieve the 'top' stereo pair. so, with the instance selected, you set the track to recieve output from the first two outputs. then, go to the second instance (on the other track), and tell it to recieve output from the second two outputs.
now, you can treat each track as if it were a separate source, and put whatever effects you fancy on them separately.
alternatively, you can just cable up your effects in the rack filter itself.. just drag a filter into the rackfilter edit screen and connect the outputs/inputs up as you fancy. then, once you've got all your effects paths sorted, cable the ends of all the chains to the rack filter's stereo outputs and they'll all be mixed together and come out on the one track.
Kick, punch, it's all in the mind.
