I was just experimenting with that yesterday. Make a 4bit version out of certain sounds, apply some filtering afterwards, you can get very interesting sounds from that.
Peter
I can explain that fairly easily. When you write music in the electronic style, you tend to be working with the possibility of most available timbres, including those of degraded sounds. You also tend to emphasize timbres electronically produced, i.e. those that cannot be had outside of the electronic/computer world.Beardedone wrote:Not familiar with those but still don't see why degrading audio quality is desirable.
Here's a link, http://www.nin.com/Beardedone wrote: NIN????
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