Your next guitar?

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hibidy wrote:It really looks great! When are you going to go check it out?
next time I go to New Hampshire, I actually just got back an hour or so ago from shopping and getting gas. It's not really far from here but with gas prices where they are at I try to combine trips. Probably Friday after I pick my daughter up will be the next logical time slot.

I saved 12 cents a gallon today by waiting to go to NH, the gas station is directly across the street from the grocery store my wife prefers. So I drop her off, get gas and then go back and nag her non stop that she's taking too long ;)
The highest form of knowledge is empathy, for it requires us to suspend our egos and live in another's world. It requires profound, purpose‐larger‐than‐the‐self kind of understanding.


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I've had more then a few gibson hollow bodies incl 135, 175 and a 335, they were fair. not great just fair. There is only one gibson I will ever think about adding to my collection and that is a Howard Roberts Fusion III. It would come after several other guitars. My favorite box of all time is a Ibanez George Benson followed by a Godin Kingpin (model 1 not 2)
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When I was a teenager, I had a Japanese-made Epiphone Sheraton that was fantastic. It and the BB King 355 are the two best semi-hollows I've played.

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My best ever semi-hollow archtop is a Raven West
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Mine is a more standard tobacco sunburst not the one pictured.
Dell Vostro i9 64GB Ram Windows 11 Pro, Cubase, Bitwig, Mixcraft Guitar Pod Go, Linntrument Nektar P1, Novation Launchpad

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Uncle E wrote:When I was a teenager, I had a Japanese-made Epiphone Sheraton that was fantastic. It and the BB King 355 are the two best semi-hollows I've played.
Many moons ago I had a blonde Sheraton and it was stunning :love: but I stupidly part ex'd it for I forget what in my local music store. I called in a few weeks later and spotted a blonde Sheraton hung up on the wall with a new price tag, but I thought it looked familiar so had a quick look under the scratchplate where I'd put my ID, and lo and behold it was my guitar. The cheeky cnuts were selling a used guitar as new
RIP Black Tom and Beckett. They weren't just cats, they were MY cats, the best cats ever.

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Hink wrote:........ but with gas prices where they are .......

.....I saved 12 cents a gallon today ........
Spare a thought for us in New Zealand that pay US dollar approx $6.45 for a gallon of Regular.
I was ok about the gas prices you have there, I'm just a few days back from a San Antonio to Key West return and places in between look see.


From an Argentinian luthier here in NZ

For Sale $1800 NZ dollar

- One-piece sculpted wenge body. Shellac and wax finish.
- 22 frets.
- 25 inch scale length.
- Wenge and maple glue-in neck with ebony fretboard.
- Bone nut and inlay dots on side of fretboard.
- Schaller roller bridge.
- Dual hot-rodded Humbuckers. (Parallel/single coil/series toggle switch for each)
- Unique screwless, fully shielded access cavity

The concept behind this guitar was to build a simple but elegant luxury solid body instrument - especially designed with recording in mind.

It has selectable stereo/mono/stereo(reverse) output with parallel/single coil/series switching on each of the pickups. The volume pot is actually a blend pot for balancing the output signals in stereo mode or dialing in the desired blend in mono mode.

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too much on for this to be a priority

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fateamenabletochange wrote:
Hink wrote:........ but with gas prices where they are .......

.....I saved 12 cents a gallon today ........
Spare a thought for us in New Zealand that pay US dollar approx $6.45 for a gallon of Regular.
I was ok about the gas prices you have there, I'm just a few days back from a San Antonio to Key West return and places in between look see.


From an Argentinian luthier here in NZ

For Sale $1800 NZ dollar

- One-piece sculpted wenge body. Shellac and wax finish.
- 22 frets.
- 25 inch scale length.
- Wenge and maple glue-in neck with ebony fretboard.
- Bone nut and inlay dots on side of fretboard.
- Schaller roller bridge.
- Dual hot-rodded Humbuckers. (Parallel/single coil/series toggle switch for each)
- Unique screwless, fully shielded access cavity

The concept behind this guitar was to build a simple but elegant luxury solid body instrument - especially designed with recording in mind.

It has selectable stereo/mono/stereo(reverse) output with parallel/single coil/series switching on each of the pickups. The volume pot is actually a blend pot for balancing the output signals in stereo mode or dialing in the desired blend in mono mode.

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too much on for this to be a priority
that is beautiful, love the stereo...definately the way to go for recording :love:
The highest form of knowledge is empathy, for it requires us to suspend our egos and live in another's world. It requires profound, purpose‐larger‐than‐the‐self kind of understanding.

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Looks like attention to detail

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fateamenabletochange wrote:- One-piece sculpted wenge body. Shellac and wax finish.
My 100% wenge J-Bass is an RnB machine. Its tone is thick, smooth, and naturally compressed in such a way that popping and slapping never sounds abrasive on it.
- Wenge and maple glue-in neck with ebony fretboard.
I love how the neck is glued all the way down to the bridge. That's a concept I've been wanting to try.
The concept behind this guitar was to build a simple but elegant luxury solid body instrument - especially designed with recording in mind.
That's not so luxury of a price compared to what else is out there and I'd buy it in an instant if the USD were where it used to be. At the current conversion of $1,389USD, it's impressive.

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Hink the ESP/LTD semi hollows are hard rock/metal machines with a hole in them really. Nice necks and probably feel like what you are already used to already, Stock pickups are own brand but fairly decent. All the Ibanez artcore stuff i have tried have had naff electronics IMO and (Pending if you like the look or not course) they look good at a distance, BUT up close urgh cheap but with no 'charm' to save 'em. Course that is only my point of view and i have not tried the one in the picture you posted man.

Eric has his finger on the trigger again ;) Looks like a guitar Warick would make if they did not do Framus. Admittedly the price seems very good i agree but no floyd although i know they are not everyone's first choice :hihi:

Im flat broke for awhile so window drooling only :(

All the best to all as always :D

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yeah, I'm going to hold off on the semi hollow body...the ibby did not do it for me at all and in fact I only played it for about two minutes (if that). It felt okay in my hands but the sound was just not there...sorry I forgot to post this earlier (I forgot)
The highest form of knowledge is empathy, for it requires us to suspend our egos and live in another's world. It requires profound, purpose‐larger‐than‐the‐self kind of understanding.

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Uncle E wrote:When I was a teenager, I had a Japanese-made Epiphone Sheraton that was fantastic. It and the BB King 355 are the two best semi-hollows I've played.
Like that ? :hihi:
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1983 MIJ Sheraton, stock except for (old) Classic 57/+ PUs and knobs.
It's wonderfully warm for bluesy tones, but at the same time a bit tighter in the bass than a 335, due to the maple sandwich neck.
Best action I've ever seen on any guitar yet, though I set it up a bit higher nowadays, on purpose
Hardware was gold originally, fortunately it has worn off nicely, now we're talking.
And you're correct, this is a serious guitar. :love:
Cheers,
susiwong

Sorry, bad pic :oops: , not much of a photographer.
Wood grain and three piece abalone inlays actually look stunning in person ...
Last edited by susiwong on Thu Apr 14, 2011 12:10 am, edited 1 time in total.

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tapper mike wrote:My best ever semi-hollow archtop is a Raven West
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Mine is a more standard tobacco sunburst not the one pictured.
Now that's a beauty ! :love:
Even the purple can't let it down ...
Cheers,
susiwong

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The solid body version is pretty too.

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Last edited by tapper mike on Thu Apr 14, 2011 12:28 am, edited 1 time in total.
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