Entrance:

Open the door:

The nervous center:




From the other side:


Some artsy gear porn:









And just how does the new studio sound? It sounds fantastic. All the acoustic treatments paid off big time-everything sounds detailed, accurate, dynamic, and natural. The biggest difference I've noticed is in the low frequencies. In some of my favorite jazz vocal tracks (by Lisa Ekdahl), the double bass used to sound too prominent and boomy in just about any car stereo, home stereo, or even the same set of Klein + Hummel O 300D's in a different room, but now they sound perfectly balanced and articulate. This is kind of sad because you then realize that a vast majority of the population will never hear music on a good system in a good environment, and they will listen to music that doesn't sound like how the original mastering engineer meant for it to sound their entire lives. Currently with two computers running the studio is at low-30's db in ambient noise, and when the computers are off it's about mid to high 20's. If I put the computers in an ISO like I plan to, the studio should stay at about high 20's.

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