analog > the real deal.
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- KVRAF
- 7540 posts since 7 Aug, 2003 from San Francisco Bay Area
FWIW, I have a Model 11 Evil Twin Bandpass Filter. It has impressed me more than just about any filter I've ever heard, including both hardware and software.
Incomplete list of my gear: 1/8" audio input jack.
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- KVRian
- 943 posts since 15 Mar, 2005
i like the demo urs! sounds coolUrs wrote:Try this with only 5 analogue synths (it's 5 patches of Zebra and nothing else)martian wrote:personally i dont get this analog sound quality fanaticism many have on here.
these sounds are in line with what i like too. they also show how analog sound is different things to different people, i think you can break down people into a few groups.kuniklo wrote: But what if the music I want to make is nothing at all like that and more like:
http://www.ear-group.net/seq_nooverdrive.mp3
http://www.buzzclick-music.com/PWM_sample.mp3
http://www.ear-group.net/6dB_FM.mp3
For these kinds of sounds the real deal sounds to me to have a bit of extra sparkle I don't hear in the digital emulations.
1. people who equate analog to that dry rough sound (mostly breaks/dnb/experimental genres?) illustrated by examples 1 and 3. it doesnt help this group that most vst demos/presets dont showcase those timbres, since 90% of vst presets/demos are trance and classic emulation orientated, with smoother, lusher, effected timbres.
2. people who love analog for how clean, natural and analytically 'perfect' it can sound when pushed into high freq wierdness. shown in sound example 2.
3. then most people who like analog for pure, musical, warm tones not shown in kuniklos examples.
personally i like sounds with all those qualities and im very satisfied with what i get out of good software.
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- Banned
- 1842 posts since 4 Aug, 2004 from just right here
analog synths are a lot clearer, but you do have to play around whith them.
- KVRian
- 1394 posts since 6 May, 2005 from Michigan, USA
I was briefly flirting with the idea of snagging a relatively inexpensive analog synth on eBay like a Matrix 6 or a Juno 6 just to indulge myself in a small taste of analog nostalgia. But after getting Michael's sound sets and Howard's new one, I just can't see going to the bother when Z2 is satisfying enough for me in that sonic area. The Z2 patches may not sound exactly like the analog hardware, but they sound good enough on their own merits that I can't muster up enough passion about the distinction for it to really matter that much to me.
Granted, I'm not an analog connoisseur by any means - I haven't owned an analog synth in over 15 years, and I'm one of those weird types who gets more excited by hearing a wavetable sweep than a resonant analog filter sweep (I think it's partly the non-conformist in me...the fact that so many people have been ga-ga over analog for the last 10-15 years has often been enough to make me want to go the other way).
Granted, I'm not an analog connoisseur by any means - I haven't owned an analog synth in over 15 years, and I'm one of those weird types who gets more excited by hearing a wavetable sweep than a resonant analog filter sweep (I think it's partly the non-conformist in me...the fact that so many people have been ga-ga over analog for the last 10-15 years has often been enough to make me want to go the other way).
http://www.davidvector.com
New album, Chasing Fire, out now on Amazon, iTunes, etc.
Bandcamp: https://davidvector.bandcamp.com/releases
New album, Chasing Fire, out now on Amazon, iTunes, etc.
Bandcamp: https://davidvector.bandcamp.com/releases
