I meant, describe the specific limits currently in Zebra. There is not much you cannot do in Zebra. In general with u-he synths, because of the depth that is there, often what looks like a limit is not really a limit. I've seen various users say this or that cannot be done, but there often is a way to do it.chilly7 wrote:When i am working on a song and i come to limit of a synth which does not let me to creat exactly sound i want unfortionaly it does not happan if i write on a Uhe forum: Uhe add one more mapng generator to Ace. And next day Uhe releases patch with another maping generator.pdxindy wrote:
Describe what more you would want...
So because this does not hapen i think it will be very waisly to have more then you need so you do not come to a point when you creativity is limited by instruments.
Not to mess GUI extra staff could be held in sub menys so if you do not need that you will never see it.
U-he FM synth?
- KVRAF
- 26983 posts since 3 Feb, 2005 from in the wilds
-
- KVRist
- 276 posts since 12 Nov, 2011
What are Zebra's supposed failings when it comes to FM synthesis anyway? Too few OPs or an inability to create some of the classic FM algo arrangments? Something else entirely?
https://www.yamahasynth.com/forum?contr ... ent&id=376
https://www.yamahasynth.com/forum?contr ... ent&id=376
- KVRAF
- 4197 posts since 23 May, 2004 from Bad Vilbel, Germany
The ambulobes are too limited for silly7knowix wrote:What are Zebra's supposed failings when it comes to FM synthesis anyway? Too few OPs or an inability to create some of the classic FM algo arrangments? Something else entirely?
- KVRAF
- 3475 posts since 25 Apr, 2011
New title for an albumHoward wrote:The ambulobes are too limited for silly7knowix wrote:What are Zebra's supposed failings when it comes to FM synthesis anyway? Too few OPs or an inability to create some of the classic FM algo arrangments? Something else entirely?
-
david.beholder david.beholder https://www.kvraudio.com/forum/memberlist.php?mode=viewprofile&u=159839
- KVRAF
- 1914 posts since 13 Sep, 2007
Late to the party but this url is good: https://www.u-he.com/cms/bazille 
Last edited by david.beholder on Sun Aug 21, 2016 11:18 pm, edited 1 time in total.
Murderous duck!
-
Arrested Developer Arrested Developer https://www.kvraudio.com/forum/memberlist.php?mode=viewprofile&u=278287
- KVRian
- 677 posts since 8 Apr, 2012
Howard,Howard wrote: The ambulobes are too limited for silly7
i slightly remember once there was a thread about dx7 sounds and zebra, when you pointed to the fact that the carrier has to have the capability of doing FM.
Does this mean that in Zebra (with 4 OSCs and 4 FM modules) the algorithms 24, 25, 31, 32 can't be done?
What about some of the other algorithms that involve feedback?
p.s. a tutorial about this would be great; or the patch-templates for the possible algorithms.
- KVRAF
- 4811 posts since 21 Jan, 2008 from oO
JamWide - a cross-platform Ninjam client for DAWs
- KVRAF
- 4197 posts since 23 May, 2004 from Bad Vilbel, Germany
I suspect only those algorithms that have feedback across 2 or 3 operators (algorithms 4 and 6) can't be done in Zebra. I reckon that 24, 25, 31 and 32 are possible.Arrested Developer wrote:Does this mean that in Zebra (with 4 OSCs and 4 FM modules) the algorithms 24, 25, 31, 32 can't be done? What about some of the other algorithms that involve feedback?
There was a thread all about this, but not the above link. Found it...
viewtopic.php?f=31&t=359503
-
- KVRist
- 276 posts since 12 Nov, 2011
Some interesting stuff in those threads. Sometimes it's easy to forget how much work goes into the finer details of synthesis and instead focus too much on the raw sound of oscillators, filters etc.
- KVRAF
- 4141 posts since 11 Aug, 2006 from Texas
The only reason I can see for matching 1:1 all algorithms in classic FM synths is to attempt at copying patches over numerically. With the versatility of Z2 my intuition tells me you can re-create all those sounds (and more) with the collection of sound generators we already have today.
It's usually my lack of skill that prevents the sound creation rather than Zebra itself. When I come back months or years later it always feels like I have one of those "duh, how simple" moments and the synth almost gets out of the way. Maybe that's just familiarity but I've found it's one of the few tools I go back to again and again.
It's usually my lack of skill that prevents the sound creation rather than Zebra itself. When I come back months or years later it always feels like I have one of those "duh, how simple" moments and the synth almost gets out of the way. Maybe that's just familiarity but I've found it's one of the few tools I go back to again and again.
Feel free to call me Brian.
- KVRAF
- 26983 posts since 3 Feb, 2005 from in the wilds
That is what I expect too. One Osc can by itself do so much sonically that would take multiple simple FM osc's to accomplish.bmrzycki wrote:The only reason I can see for matching 1:1 all algorithms in classic FM synths is to attempt at copying patches over numerically. With the versatility of Z2 my intuition tells me you can re-create all those sounds (and more) with the collection of sound generators we already have today.
