What's your coolest song parts of all time

Anything about MUSIC but doesn't fit into the forums above.
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Kriminal wrote:The distorted 303 line in Bang On! by the Props :evil:
Oh yeah! That's elicited the response "it's a bit harsh" more than once!

On a Prodge tip, I love the way Smack... kicks in with that massive kick and cymbal thing he does - after 12 bars instead of the expected 16. Genius.

Favourite bassline - 'Massage-a-Rama' by the Lounge Jays (aka. Gerald and 808 state) - bouncy as hell.

Second favourite bassline - Warhead by Krust. Especially the Ram Trilogy version. Never was a track better named.

Oh, and when the sub-bass drops in LFO or Mentok 1 by LFO. That was one of those moments when you're glad to be in the same room as a big soundsystem.

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a secret track on Prodigy's album, Music for the Jilted Generation.

After track 6 (Speedway), there is a hidden ambient track that i think is the most beautiful electronic ambient ever made. you should give it a listen if you havent heard it.

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1. the double bass mayhem on the song "One" by Metallica
2. "Crazy Train" by Ozzy - aye, aye, aye......
3. the beginning of Korn's "Blind" to the part where it kicks in - f**king great.

lates

t-willy

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1.Dark was the night,cold was the ground.
Blind Willie Johnson.(any part of it)

2.Like a rolling stone
Bob Dylan (snareshot intro)

3.Bruised orange.
John Prine (soprano sax outro)

strange but true.
anthomp

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Deep Purple, Child in Time, the instrumental middle part

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the first minute of 4:33 by John Cage is sublime

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That bit in the movie Flash Gordon where Dale Arden says "Who can save me now?", there's a drum roll and Freddie Mercury & Queen go "Flash! Ahh Ahh".

Image

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Kriminal wrote:Drums at the start of Blue Monday 8)
Ah yes, marvellous.

Anyone heard the drums at the start of "The Way I Feel" by Robert Plant? Blew my speakers with that one once...
Three shall be the number of the counting

And the number of the counting shall be three.

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The subtle little guitar part Keith Levine stuck on PIL's 'Under The House'. Also this high pitched riff he does on PIL's 'No Birds'. Just an amazing guitarist that gets some of the most haunting riffs of all time for me. :)

Those, and the continuity between Kraftwerks 'Computer World' and 'Pocket Calculator' songs. That spacing is probably the most brilliant I've ever heard. :D

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the break in Massive Attack's 'rising son'

the solo in Gary Numan's 'cars'

2nd vote for intro to Korn's 'blind'

the middle part of panacea's 'motion sickness'

the chorus in clint mansell's 'we got the guns'

the break in slayer's 'raining blood'

the tympanies in celtic frost's 'to mega therion'

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Timbre wrote:the first minute of 4:33 by John Cage is sublime
Nice one.... :wink:

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Ixox wrote:
Timbre wrote:the first minute of 4:33 by John Cage is sublime
Nice one.... :wink:
actually I always thought it really started kicking after that bit.....

just found this midi file

http://interglacial.com/~sburke/pub/mid ... _4m33s.mid

:lol:

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sickle666 wrote:


the break in slayer's 'raining blood'
Awaiting the hour of reprisal! :lol:



The powerchords bit from 'search and destroy' by the stooges. Listening to it now as I await 'mi bitches' to spirit me away to watch the Engerland...

And the beginning of bigmouth strikes again by the smiths, always reminds me of something, makes me larf! :lol:

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donkey tugger wrote:The powerchords bit from 'search and destroy' by the stooges.
Oh HELL yes! :D

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They should probably write a seperate article on just the best song INTROS, but anyway...

Probably one of my all-time favorites is Sly's Sing a Simple Song, the part when they build up and break back into the main groove, the chic doing the "yeah-ee, yeah-ee, yeah, yeah!" yell puts a shiver down my spine every single time.

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