Are you?dreamvoid wrote:Really, who do you think you are trying to patronize others who you don't know?gas pump wrote: Your brain and eyes can all play tricks on you, especially when you're dealing with audio. I'm not going to get all scientific on you, but you've got a lot to learn about human emotion and reaction through their senses. Something can look perfect, but it may not sound that way. I suggest you take step away from your aide and crutch, and you will find out how useless you would be on an analog console.
I think we're all interested and talking about real music, songs. Not short clips and collages.
I have a long record of compositions and productions for TV, radio, promotions etc. My works got international awards for broadcast and classic productions. I had analog consoles, ditched them for digital ones. I was one of the first in Europe who had DMC1000 desks in his studio (at the the same time as Trevor Horn). Some of the recent commercial productions I did were composing and producing for premium camera maker Leica (with Marilyn Manson appearing) and mixing for Sennheisers global spots introducing an Ambeo device. For all this I used analysers in several stages of production as usual. I understand to use my eyes, brain, ears, emotions and all that. That brought me to the conclusion analysers are very valuable tools, like dynamic meters, phase correlators, bit meters etc.

