I recommend this test for anyone sceptical about Acustica tech. Try using a combination of various "LINE" and "MIC" preamps from, for example, Blond, all over your mix (every channel). Gainstage as normal -18dB into them but don't change the volume coming out of them. Then export one version with them all turned on, and export a version with them all turned off.Digivolt wrote: Thu Jun 23, 2022 2:16 pmYou can put them in Plugin Doctor to see they are doing "something" it's just that something isn't perceivable for yourself (I don't always hear a difference either to be fair but I wouldn't say it's doing nothing at all)
Load the exports into a good A/B comparison tool like Mastering the Mix 'Expose', close your eyes, hold the down arrow key for a few seconds to auto-cycle between them, then stop. Now, with your eyes still closed, push playback (Space) and you don't know which version you are listening to. Then push the down arrow key to cycle between A/B, and listen closely for the differences.
You will hear a difference, but even over twenty channels it is still subtle. So I understand someone could be sceptical that the preamps "do nothing" - individually, it often seems like that is the case. Some are more coloured (frequency response) than others, more roll-off etc - but many of the harmonics generated are SUPER subtle. Infact they might barely poke above the simulated noisefloor (hiss) of other analog modelled plugins.
