Hi Squids,Squids wrote:It's funny. I do all this work to make a video and you guys are talking about the format!Anyone actually watch it?
What parts did you guys like in particular? Did you pick up any useful tips? Did anyone see it and rush out to buy it? Did anyone who already owned it get something out of the video?
I hope it was useful.
I did appreciate your hard work, and yes it was impressive to see and hear you getting those great sounds out of Miro. I bought Miro a couple of months back, and so you don't have to convert me to the product, but what I am more interested in is a tutorial as to how to get the most out of the package.
I am impressed by the quality of, say, those Larry Ortega pieces, and I think you play part of one during your video. There is obviously the skill in those pieces that are purely musical - about composition and orchestration techniques - but what interests me is how to get those things out of Miro. We do not have MIDI versions of the demos to break them down and check out what Larry Ortega is actually doing with Miro.
What would be on my shopping list is a tutorial showing how and why you select a particular articulation and mould it into the right sound to fit into a musical idea. When I open Miro I am confronted by lots of different choices about the samples I can use, and I can spend hours just playing around with them, when a little bit of advice from the experts might short-circuit all that learning curve and make me more productive.
So, are there any plans for some more in-depth tutorials about how to use Miro for some real music projects? After all that is why we buy Miro, is it not?
Mike

