The 24D looks amazing - comes with some POCO fx as well as the io's.pw wrote:Well, it also looks good, and has exactly what I need and not a thing more, but I can't find any real user comments on the pre-amps. The dedicated Hi-Z inputs are a great addition too.Genetic_Junk wrote:I'd be inclined to try out the TC Electronics Konnekt8.
http://www.tcelectronic.com/Konnekt8
Sorry I can't give any first hand experience
Recommendations?: Firewire Sound with *quality* mic pre-amp
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- KVRAF
- 37509 posts since 14 Sep, 2002 from In teh net
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- KVRAF
- Topic Starter
- 1527 posts since 3 Apr, 2002 from desolation row
yeah, it really does look great. At only $200 more than the konnekt 8 (sweetwater prices), has has an extra 4 analog ins and the TC effects. Maybe I will go for this one. Any experience with the DSP?aMUSEd wrote:The 24D looks amazing - comes with some POCO fx as well as the io's.pw wrote:Well, it also looks good, and has exactly what I need and not a thing more, but I can't find any real user comments on the pre-amps. The dedicated Hi-Z inputs are a great addition too.Genetic_Junk wrote:I'd be inclined to try out the TC Electronics Konnekt8.
http://www.tcelectronic.com/Konnekt8
Sorry I can't give any first hand experience
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- KVRist
- 339 posts since 16 Aug, 2004
I'd definetely NOT get the konnekt 24- it's about the most un-intuitive interface i've ever used, though the pre-amps are OK.
The Firebox has a very good price-quality ratio, but if you're willing to spend more, you can get better.
If you really have to get a portable solution, MOTU Traveler might be what you need, although i don't like the sound of the pre's at all. Another thing is, it is portable, but that doesn't mean it functions well in all circumstances- it's relatively sensitive to cold and hence condensation which make it go SHHHH : -)
The RME stuff is imo ok, but it's not really the pre's that are best- nice converters, very flexible in routing (although that's for the ff800 which i own) and a clean interface.
But at the end of the day, the best pre's for the price are, imo the Onyx's- in fact, i have a 800R hooked up to a fireface with ADAT, and i onlly use the fireface's pre's when i need more than 8 channels...
If you're into film recording, the timecode option in the fireface might be interesting.
The Firebox has a very good price-quality ratio, but if you're willing to spend more, you can get better.
If you really have to get a portable solution, MOTU Traveler might be what you need, although i don't like the sound of the pre's at all. Another thing is, it is portable, but that doesn't mean it functions well in all circumstances- it's relatively sensitive to cold and hence condensation which make it go SHHHH : -)
The RME stuff is imo ok, but it's not really the pre's that are best- nice converters, very flexible in routing (although that's for the ff800 which i own) and a clean interface.
But at the end of the day, the best pre's for the price are, imo the Onyx's- in fact, i have a 800R hooked up to a fireface with ADAT, and i onlly use the fireface's pre's when i need more than 8 channels...
If you're into film recording, the timecode option in the fireface might be interesting.
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- KVRAF
- 37509 posts since 14 Sep, 2002 from In teh net
In what way? Do you mean the way the control panel is laid out ot the FX? (MINT was supposed to be as intuitive as you can get)Panda wrote:I'd definetely NOT get the konnekt 24- it's about the most un-intuitive interface i've ever used, though the pre-amps are OK.
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- KVRist
- 339 posts since 16 Aug, 2004
Yeah i know. But i was using it at a mate's yesterday and i really didn't get along with the FX part and how the presets are used. In fact finally i just turned them off and left it at that.aMUSEd wrote:In what way? Do you mean the way the control panel is laid out ot the FX? (MINT was supposed to be as intuitive as you can get)Panda wrote:I'd definetely NOT get the konnekt 24- it's about the most un-intuitive interface i've ever used, though the pre-amps are OK.
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- KVRAF
- Topic Starter
- 1527 posts since 3 Apr, 2002 from desolation row
Can you explain a bit more why it is un-intuitive?Panda wrote:I'd definetely NOT get the konnekt 24- it's about the most un-intuitive interface i've ever used, though the pre-amps are OK.
Also, you compared the pre-amps to other stuff?
How is your Onyx for stability/drivers etc? Have you used the Onyx Satellite as well?
Thanks.
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- KVRian
- 831 posts since 7 Sep, 2004
...sounds sh.t
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- KVRian
- 732 posts since 4 Jun, 2005
I tried the Satellite briefly and didn't like it conceptually. But it seemed to work smoothly.pw wrote:How is your Onyx for stability/drivers etc? Have you used the Onyx Satellite as well?
Thanks.
The onyx 400f has been stable for me, but the drivers are flawed, and Mackie has been very slow to update them. I'm on the beta driver and firmware now and haven't had trouble for a while...I had had to mess with the registry though.
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- KVRian
- 974 posts since 10 May, 2003
I got this one yesterday and man, this interface is good. You do have to update the firmware and drivers from the site, but after that is has been flawless. It's also very portable, has inserts and can be used as a standalone (SPL)preamp. Preamps sound VERY good. The latest drivers are also XP64-bit compatible, but no Vista-drivers as of yet.orange wrote:ill second the terratec phase x24 has superb drivers and very good quality from the spl preamps!
i used for about 1,5 year now and i have no complains at all!!
Cool thing
.Buy Darling Sister's new album "Rise and fall" now! Just send a pm or an email. Visit our myspace page on www.myspace.com/darlingsister for songsamples.
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- KVRist
- 63 posts since 27 Sep, 2006 from NOLA
Your first post said your requirements were a quiet laptop, a good stereo mic and 2 good quality preamps. Your last post said a budget of $500. At this price, you won't get anything you'll want to listen to more than a few times. It sounds like you're recording acoustic instruments in a live room (quiet laptop) stereo mic and clear preamps. What you want is a laptop with no fan and 2 drives, a Royer SF12 and a Millenia HV3, not much change from $6,000.00. You already mentioned a very good alternative - the Zoom H4 which is remarkably good - I have made orchestral 2trk insurance recordings, where I formerly used a Panasonic DAT, which are remarkably close to the multi-track main recordings. I have also recorded a string 4tet with a pair of Neumann 183s into the H4 which are lovely. It takes a 2 Gig SD card and can record at 24bit96k, but I prefer 24/48, for 2 hours worth. The H4 is silent in operation, ultra-portable and takes 2 xlr mics instead of the built-in cardioids, all for $250. If you're recording grunge/metal then get a Firebox(199) into a pawn shop dell($100) and Behringer omnis on a long mic stand ($99).