SynthMaster 2.0.3.3 - Post bugs here!

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Uhm, maybe I've mistaken the names. The wave editor, and those additions you've talked about earlier :P
Just let its Sound do the talking: http://www.synthmaster.com/

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rectus_dominus wrote:Uhm, maybe I've mistaken the names. The wave editor, and those additions you've talked about earlier :P
Ah yes, as soon as I'm done with fixing the EQ and the chorus I'll go ahead and finish the waveform editor features.
Works at KV331 Audio
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kv331 wrote:About envelope behavior in Mono+Legato mode: Should we reset envelopes to the beginning of attack section if a note was previously playing and it was in sustain state?
I checked out some other synths and also SynthMaster 1.0. It looks like the envelope does not reset to the beginning if there was a note playing already when a new one was pressed. Will fix it asap tonight.

Bulent
Works at KV331 Audio
SynthMaster voted #1 in MusicRadar's "Best Synth of 2019" poll
SynthMaster One voted #4 in MusicRadar's "Best Synth of 2019" poll

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Ah, I remember a serious problem now!
Changing switched parameters only apply to newly played notes. Like when I bash 4 notes then trying to change the filter type, nothing happens.
Just let its Sound do the talking: http://www.synthmaster.com/

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rectus_dominus wrote:Ah, I remember a serious problem now!
Changing switched parameters only apply to newly played notes. Like when I bash 4 notes then trying to change the filter type, nothing happens.
That's how it is designed. Some discrete parameters like filter type are only read when a new note is pressed.

It's a feature, not a bug :D
Works at KV331 Audio
SynthMaster voted #1 in MusicRadar's "Best Synth of 2019" poll
SynthMaster One voted #4 in MusicRadar's "Best Synth of 2019" poll

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Whoa then make a switch to do it otherwise...
I always have to restart things when trying to adjust the second filter of a huge pad. :D

And enlighten me why it is designed that way, please. :D
Just let its Sound do the talking: http://www.synthmaster.com/

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kv331 wrote:
kv331 wrote:About envelope behavior in Mono+Legato mode: Should we reset envelopes to the beginning of attack section if a note was previously playing and it was in sustain state?
I checked out some other synths and also SynthMaster 1.0. It looks like the envelope does not reset to the beginning if there was a note playing already when a new one was pressed. Will fix it asap tonight.

Bulent
Hi Bulent Sorry I was busy with the release of our NI Massive extension bank last days.

Well you're right, and I thought I described it rather precisely in the last posts.

In Mono/Legato : If a note was playing already, the new note plays from the Envellope point the previous note has reached (ie sustain if it was in sustain stage, but also Attack -in case of delayed attack- or Decay as well. Only the release stage can be ignored)

Same for n+1 notes, it the previous note was not released when they are hit

As opposed to "pure" Mono Mode : Enveloppe is reset to initial stage each time a new key is hit.

Well here are the limits of words to describe things. :shrug: A simple drawing would certainly have been more easy to understand.

LtZ
http://www.lelotusbleu.fr Synth Presets

77 Exclusive Soundbanks for 23 synths, 8 Sound Designers, Hours of audio Demos. The Sound you miss might be there

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Thanks Laurent! I think I just didnt carefully read what you explained before, it's my bad :(

Anyhow will fix it tonight!
Works at KV331 Audio
SynthMaster voted #1 in MusicRadar's "Best Synth of 2019" poll
SynthMaster One voted #4 in MusicRadar's "Best Synth of 2019" poll

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rectus_dominus wrote:Synthmaster needs in-built EQ, compressor, proper chorus/reverb, ability to do different kinds of delay, distortion, and a master filter. And one important thing is: It needs to offer effect routing. It matters if I put that EQ in front of the Chorus or behind it...
Of course filling these requests take a lot of time and effort... :S
Why a master-filter? Easy-Control -> Controlling Filters of Layer 1 & 2 ^^ For such tasks they are made

build-in-EQ - bulent says some days ago he work on it :)

different kinds of delay? mhm perhaps with streo-split and low/high damp alà korg mdx(simple & small but extremly effectiv)

distortion - oh yes togehter with bitcrusher

reverb - the halls of the build in reverbs are really nice, but some more kinds would be good... plate, church, arena etc :D

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Why master filter? I like using a LP Filter1 and a BP/NP Filter2 for my ambientic pluck sounds. If I change either, it will sound crazy. Yeah you're right, it isn't that important for people other than me. But I just need it :D

The reverb is a kind of confusing for me. Those 2 high cut freqs? :D
Just let its Sound do the talking: http://www.synthmaster.com/

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rectus_dominus wrote:Why master filter? I like using a LP Filter1 and a BP/NP Filter2 for my ambientic pluck sounds. If I change either, it will sound crazy. Yeah you're right, it isn't that important for people other than me. But I just need it :D

The reverb is a kind of confusing for me. Those 2 high cut freqs? :D
The filterbank is for that purpose. You'll be able to see the filter response as well. Basicly it's a parametric EQ so to speak.

I'm currently rewriting the chorus, and hopefuly tonight I'll release it. BTW I am adding a new parameter for the Chorus: Stereo Width. With that parameter you'll be able to change the panning of the delayed signals, so basicly on the stereo panorama you'll have, from left to right:

left input left output right output right input

When Stereo Width is zero the outputs will be panned to the center. When it is max, they will be panned hard left/right.
Works at KV331 Audio
SynthMaster voted #1 in MusicRadar's "Best Synth of 2019" poll
SynthMaster One voted #4 in MusicRadar's "Best Synth of 2019" poll

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Ah, fine ;)
I'm moving into my dorm tomorrow, so for some time I won't be around. I have to see if it's worth to take the PC with me there :D
Just let its Sound do the talking: http://www.synthmaster.com/

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I'm done with the chorus implementation and hopefuly the new release is coming tonight.

Next, it's time to fix the filterbank, and maybe the Reverb:

The reverb algorithm is non-stantard as it has parameters like Width & Distance.

Based on the room size, width & distance, the early reflections are calculated using physical equations. So that's what makes the Reverb in SynthMaster non-standard.
Works at KV331 Audio
SynthMaster voted #1 in MusicRadar's "Best Synth of 2019" poll
SynthMaster One voted #4 in MusicRadar's "Best Synth of 2019" poll

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Hi Bulent,

Dont know if I'm alone, but I do have hard times to get a decent global volume for many instruments : The final volume is very low/weak.

Did anyone experienced the same problem ?

As we dont have headroom in the Oscillator, or Layer, or Global volume level the only turnarounds I found until now are :

1/ Using filter volume parameters, even when filter is not "active" ( but any drive only settings will affect the sound)

2/ Increase the number of unisson voices in the Layer page (although its not needed for the patch in se)

Possible solution : I think it might be far better if the global patch volume had some headroom available (something like 10db would be enough. ie like if the current global default level was actually 75% of the hoped future max level (ie the default volume would be the same than now, except the volume know will be somewhere between 50/75%, still preserving volume)

ANd second one : Seems that the second layer is not working in mono mode :shrug:

Cheers,

Laurent
http://www.lelotusbleu.fr Synth Presets

77 Exclusive Soundbanks for 23 synths, 8 Sound Designers, Hours of audio Demos. The Sound you miss might be there

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Lotuzia wrote:Hi Bulent,

Dont know if I'm alone, but I do have hard times to get a decent global volume for many instruments : The final volume is very low/weak.

Did anyone experienced the same problem ?
I experienced that problem too. If you turn filter drive to 0 the volume is very low, same for low cutoff frequencies.
Ingo Weidner
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