On Virus you can set the smoothness of morphing between the waves in a table with the interpolation parameter. You can also use FM, PM and RM on them. Further the formant and grain modes are very expressive and there's little like them in software. Massive's formant mode is similar but not as pleasing.Shiek927 wrote:
Looking at the above video as a reference, you undoubtedly can't get in like Xfer Serum and really change up each individual waveform in the set (or in other words, the "wavetable"). You instead just turn the knob and move through each individual waveform in the set.
Viper|1.2.2 update with bugfixes and new skin
-
- KVRian
- 553 posts since 24 Feb, 2005 from Prana
“Somebody said to me, ‘But the Beatles were antimaterialistic.’ That’s a huge myth. John and I literally used to sit down and say, ‘Now, let’s write a swimming pool.’ ”
-
- KVRAF
- 35671 posts since 11 Apr, 2010 from Germany
Yeah, i think Wolfram Franke was responsible.PietW. wrote:The wavetables of the virus TI come from Waldorf employees.Touch The Universe wrote:Where would one find those original waves?
A quick Google search will let you find them, as Serum wavetables.
-
- KVRian
- Topic Starter
- 1238 posts since 29 Sep, 2004
Yes I have seen some Virus waveforms online but I never tried them. However, I dont know if people have sampled them correctly. The Virus has a DC offset filter at the end of the signal chain which means it cuts off some low frequencies. If people just simply sample the waves that the Virus outputs, they are sampling filtered waveforms which will not sound exact. The correct way is to reverse the process by boosting those low frequencies with an EQ and then save your waves like that. You can do this if you have a Virus by choosing a low note which you want to sample. Then set the classic osc to a saw. If you look at it with an oscilloscope, you can see that the saw is a little bit bent (and the more bent it will be the lower you go in frequency), because the fundamental harmonic is a bit quieter hence the DC filtering. Then add a parametric EQ, and boost the low end with a low shelf, and play around with the filter bandwidth and gain amount, until the saw in the oscilloscope is straight. Then you know that now the output is "correct". Then you can turn the saw to the waveforms and start recording and sampling.
http://www.adamszabo.com/ - Synths, soundsets and music
-
- KVRian
- Topic Starter
- 1238 posts since 29 Sep, 2004
I have set it at 89€. Its think its a great price for what it can do, and free future updates
http://www.adamszabo.com/ - Synths, soundsets and music
-
- KVRian
- Topic Starter
- 1238 posts since 29 Sep, 2004
Ti, but since many of the oscillator modes I didnt make yet, its more closer to the Virus C
http://www.adamszabo.com/ - Synths, soundsets and music
-
- KVRAF
- 2770 posts since 3 Dec, 2006
It may be a bit steep for an intro price?adamtrance wrote:I have set it at 89€. Its think its a great price for what it can do, and free future updates
What about us that has supported you in the past and bought Jp6k?
And in $?
-
- KVRian
- 553 posts since 24 Feb, 2005 from Prana
I understood him as referring to Virus.egbert101 wrote:Not sure how many of those features will be in Viper though.jivamukti wrote: On Virus you can set the smoothness of morphing between the waves in a table with the interpolation parameter. You can also use FM, PM and RM on them. Further the formant and grain modes are very expressive and there's little like them in software. Massive's formant mode is similar but not as pleasing.
“Somebody said to me, ‘But the Beatles were antimaterialistic.’ That’s a huge myth. John and I literally used to sit down and say, ‘Now, let’s write a swimming pool.’ ”
- KVRAF
- 12522 posts since 21 Mar, 2008 from Hannover, Germany
Wolfram once told me (when i talked with him during Musikmesse) that he offered help but that Access did not really want the help.chk071 wrote:Yeah, i think Wolfram Franke was responsible.PietW. wrote:The wavetables of the virus TI come from Waldorf employees.Touch The Universe wrote:Where would one find those original waves?
I had owned a Virus TI Mk1 desktop from 2006 until 2015 and personally i liked the wavetables in Waldorf synths more than those in the TI.
Ingo Weidner
Win 10 Home 64-bit / mobile i7-7700HQ 2.8 GHz / 16GB RAM //
Live 10 Suite / Cubase Pro 9.5 / Pro Tools Ultimate 2021 // NI Komplete Kontrol S61 Mk1
Win 10 Home 64-bit / mobile i7-7700HQ 2.8 GHz / 16GB RAM //
Live 10 Suite / Cubase Pro 9.5 / Pro Tools Ultimate 2021 // NI Komplete Kontrol S61 Mk1
-
- KVRAF
- 35671 posts since 11 Apr, 2010 from Germany
It even says on his Facebook "About" page that he was involved in the Virus Ti development though: https://www.facebook.com/pg/frankemusicgermany/about/Ingonator wrote:Wolfram once told me (when i talked with him during Musikmesse) that he offered help but that Access did not really want the help.chk071 wrote:Yeah, i think Wolfram Franke was responsible.PietW. wrote:The wavetables of the virus TI come from Waldorf employees.Touch The Universe wrote:Where would one find those original waves?
And, according to Moogulator from the german Sequencer.de website, he did the wavetables for it.
-
- KVRian
- 886 posts since 14 May, 2014
With regards to my original question, I think I better understand
. The Classic OSC has, not just the classic waveforms, but a number of waveforms that you can bend and shape ala Reveal Sound Spire. Alongside that are Wavetable OSC's which are a completely separate thing which is the offering that is currently not available alongside the Grain and Formant modes.
-
- KVRian
- 977 posts since 12 Jan, 2013 from Foolish Shepherd
@adatrance
Couple of months u shout here about not talking about crack audio and here we go in your thread your are not responding to the ti wavetables that post here in your thread.
You are so true person.
Couple of months u shout here about not talking about crack audio and here we go in your thread your are not responding to the ti wavetables that post here in your thread.
You are so true person.
