In college, after taking a course on modern music, I would walk around campus--the buildings, forests, parking lots, etc-- and then stand still for 4'33" to frame a new performance a couple times a day for a while.ghettosynth wrote:Ok people, if you want to get my attention here, you need to be at this level of creative! I guess we can't all be geniuses.kylie wrote:way too digital, if you ask me. someone mentioned vintage silence, and that's the route to take nowadays. I mean, adding a true! vintage analog non-sounding filter with a steampunk like permament mute button that cannot be unlocked gives a real feeling of what I'd call an artistic silence creation process. and for true variation I'd even go that far to chop the whole track it into slices of 3s (that's 91 independent slices, boy) and rearrange them in a completely different order!ENV1 wrote:A true artist would take the best 2-Osc synth money can buy, set both Oscs to Square and then offset the wave of Osc2 by 50%.
Only this way its truly synthesized silence...
remember, he is really serious about that.
One night, I woke up and framed the experience of my roommate plowing his girlfriend on his creaky bunk bed. It was the worst 4'33" performance I have witnessed.
