dance based on Anne Sexton's book of twisted fairy tales: Transformations.
we call it Deviations. cos transformations sounds self helpy.
Tix @ www.barnevelder.org

umm, sorry.

I can see wanting to learn about classical structures for noise/experimental music. It makes sense to me. Experimental music doesn't have to be unstructured by definition. Even if you don't employ classical structures verbatim, it may lead to giving you ideas/inspiration on the different ways to structure your music. Plus you have to remember that a lot of 20th century experimental music came from the academia and can be found in the classical section of most music stores anyway.funkadil wrote:One of my friends is the complete opposite. He is hugely into noise and experimental type of music but for some reason he wants to take music theory classes. He wants to know about song writing and traditional song structures even though he never creates any music that would rely on it anyways.
haha i hear that. Notice how EVERY artist they interview revolutionized all music?herodotus wrote: But the top award goes to the people who write record reviews at Rolling Stone.
thats true though. American southern rock culture of the 80's had a big boom there for some reason (seriously)Yagushi wrote:Didn't Lady J recently say something to the effect of mullets being considered a "sacred rock hairstyle" in Thailand?
I can just imagine going to a temple in Phuket and bowing down before the almighty "Kentucky Waterfall"!![]()
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And without even messing their hair up!!!!Chase wrote:haha i hear that. Notice how EVERY artist they interview revolutionized all music?herodotus wrote: But the top award goes to the people who write record reviews at Rolling Stone.
or writing any musicherodotus wrote:And without even messing their hair up!!!!Chase wrote:haha i hear that. Notice how EVERY artist they interview revolutionized all music?herodotus wrote: But the top award goes to the people who write record reviews at Rolling Stone.
I can fully understand this - as most of u know i'm also doing noisy/industrial music - but i also want to learn playing piano and about music theory. I believe my music can only benfit from this.funkadil wrote:One of my friends is the complete opposite. He is hugely into noise and experimental type of music but for some reason he wants to take music theory classes. He wants to know about song writing and traditional song structures even though he never creates any music that would rely on it anyways.
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