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Zebra 3 Public Beta Revision 20399
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- KVRAF
- 2296 posts since 23 May, 2012 from London
Always Read the Manual!
- KVRist
- 152 posts since 4 Oct, 2014 from Russia
Hi, my fl studio 25 froze after I assigned mseg1 to the morph curve, turned on a loop in mseg1 and got a crash at the moment of switching the trigger.
weird, i tried to repeat it, but now everything is fine, i just restarted FL
weird, i tried to repeat it, but now everything is fine, i just restarted FL
Live and learn forever!
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- KVRAF
- 2313 posts since 24 Jun, 2006 from London, England
I'm wondering if the incremental numbering of the product name may lead to people believing it will be back compatible (to be honest I didn't anticipate it wouldn't be until this beta was released), and there'll be a bunch of confused customers wondering why their vast preset collection no longer appears to work in this new version.Urs wrote: Sat Dec 13, 2025 8:41 am So there's been a bit of back and forth about whether Z3 should have been compatible to Z2. There are a whole lot of reasons it isn't, but if we set those aside and only look at the option of "should Zebra 3 be backwards compatible to Zebra 2?"
Maybe rather than a number at the end you could (like Native Instruments did with Massive) call it something like Zebra X ... or Zebra Rebirth ... or u-he Unicorn ... (or something much better) ... to let people know this isn't just Zebra v3 but a near 20 year reimagining of that beast from the late 00s
Last edited by mcbpete on Mon Dec 15, 2025 7:55 pm, edited 2 times in total.
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- KVRist
- 38 posts since 1 Jul, 2017
Loving the depth and power!
Is Zebra 3 going to support importing presets from Zebralette 3?
I tried importing a preset and it kind of worked but wasn’t 100% the same, I had to make a few adjustments.
Will this comparability be improved?
Is Zebra 3 going to support importing presets from Zebralette 3?
I tried importing a preset and it kind of worked but wasn’t 100% the same, I had to make a few adjustments.
Will this comparability be improved?
- u-he
- Topic Starter
- 30188 posts since 8 Aug, 2002 from Berlin
- KVRAF
- 37396 posts since 14 Sep, 2002 from In teh net
Just place the Zebralette preset folder in the Zebra 3 preset folder and you can access them all from the Z3 browser. Some are a bit different but I'm finding most are Ok or close. Bear in mind they will replace an osc if you are loading them when you already have a Z3 Preset loaded, so unless you want to do that (it can be fun swapping out oscs) start with an init preset. That might also account for some sound difference as the additional oscs, fx etc would still be present if loading into an existing preset. It won't replace it like a full Z3 preset does.jasperdunn wrote: Mon Dec 15, 2025 12:36 pm Loving the depth and power!
Is Zebra 3 going to support importing presets from Zebralette 3?
I tried importing a preset and it kind of worked but wasn’t 100% the same, I had to make a few adjustments.
Will this comparability be improved?
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- KVRist
- 251 posts since 4 Apr, 2020
I haven't managed to get anything out of Zebra3 that does not sound good. I'm usually an expert at this. What is this witchcraft?
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- KVRist
- 39 posts since 2 Nov, 2011
Can someone with some time and patience explain how can we use the pitches section to create in key harmonies with just one key pressed. I'm sure I'm simply misunderstanding something simple but reading the manual didn't help me to grasp the concept. What I'd want to do is something like playing C=Cmaj7, D=Dmin7, E=Emin7, F=Fmaj7, G=Gmaj7, A=min7, B=Bmin7 for example, is this doable? For example the preset "4 notes of acceptance" does something similar (I'm not referring to the chords following the first if I leave the note pressed) but I can't understand the logic behind it
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Andreya_Autumn Andreya_Autumn https://www.kvraudio.com/forum/memberlist.php?mode=viewprofile&u=553235
- KVRian
- 510 posts since 21 Feb, 2022
If you want the *same* four-note chord on every note, so C∆, D∆, E∆, F∆ etc... then it's easy right. Leave the first one in the default setting and dial in +4, +7, and +11 in the others (or +3.86, 7.02 and 10.88 for a real nice sound). But if you want them all in-scale that's a bit trickier... lemme experiment and see if it's possible.sheeepsss wrote: Mon Dec 15, 2025 2:04 pm Can someone with some time and patience explain how can we use the pitches section to create in key harmonies with just one key pressed. I'm sure I'm simply misunderstanding something simple but reading the manual didn't help me to grasp the concept. What I'd want to do is something like playing C=Cmaj7, D=Dmin7, E=Emin7, F=Fmaj7, G=Gmaj7, A=min7, B=Bmin7 for example, is this doable? For example the preset "4 notes of acceptance" does something similar (I'm not referring to the chords following the first if I leave the note pressed) but I can't understand the logic behind it
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- KVRer
- 9 posts since 3 Mar, 2016
The trick this preset uses is the "Quantize" option in the Pitches section. Note that Pitch4 has a different quantization than the other pitches. Play a scale in each oscillator and see how the quantization differs, but I also find it hard to wrap my head around that, since each pitch is of course also shifted and quantization applies after that. I'm not sure if you can program any combination with that...sheeepsss wrote: Mon Dec 15, 2025 2:04 pm For example the preset "4 notes of acceptance" does something similar (I'm not referring to the chords following the first if I leave the note pressed) but I can't understand the logic behind it
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Andreya_Autumn Andreya_Autumn https://www.kvraudio.com/forum/memberlist.php?mode=viewprofile&u=553235
- KVRian
- 510 posts since 21 Feb, 2022
Like this:
That gives the chords you said you want. The "post transpose" setting on the quantizer of 2 and 4 is important!
If you want it to fully follow the diatonic scale then enable the quantizer on all of them. But you wanted Bm7 not Bm7-5, which is why the perfect fifth (the +7 pitch) doesn't quantize to scale. Turns out that's pretty cool because the root and fifth of each chord work chromatically. So you can get things like C∆7, Db∆7, Dm7, Eb∆7, Em7 etc etc. Lotta fun dub techno chord possibilities here...
If you want it to fully follow the diatonic scale then enable the quantizer on all of them. But you wanted Bm7 not Bm7-5, which is why the perfect fifth (the +7 pitch) doesn't quantize to scale. Turns out that's pretty cool because the root and fifth of each chord work chromatically. So you can get things like C∆7, Db∆7, Dm7, Eb∆7, Em7 etc etc. Lotta fun dub techno chord possibilities here...
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- KVRist
- 152 posts since 4 Oct, 2014 from Russia
In the waveform editor, I can't place a point by double-clicking on a graph line. I have to place a point next to it and align it. Why can't I place it on a graph line?
Live and learn forever!
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- KVRist
- 39 posts since 2 Nov, 2011
Thank you very much sir, I will experiment with those settings and try to understand the logic a bit more with some time.Andreya_Autumn wrote: Mon Dec 15, 2025 2:39 pm Like this:
Like this.png
That gives the chords you said you want. The "post transpose" setting on the quantizer of 2 and 4 is important!
If you want it to fully follow the diatonic scale then enable the quantizer on all of them. But you wanted Bm7 not Bm7-5, which is why the perfect fifth (the +7 pitch) doesn't quantize to scale. Turns out that's pretty cool because the root and fifth of each chord work chromatically. So you can get things like C∆7, Db∆7, Dm7, Eb∆7, Em7 etc etc. Lotta fun dub techno chord possibilities here...![]()
- u-he
- Topic Starter
- 30188 posts since 8 Aug, 2002 from Berlin
Because clicking a line straightens it (as people are used to in Z2 MSEGs... - but I'm happy to change this)atmelcool wrote: Mon Dec 15, 2025 2:41 pm In the waveform editor, I can't place a point by double-clicking on a graph line. I have to place a point next to it and align it. Why can't I place it on a graph line?
- KVRAF
- 4197 posts since 23 May, 2004 from Bad Vilbel, Germany
Here's a simplistic example of my standard method of getting diatonic chords using Mappers:
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