Yes, coupling the two resonators makes them interact and yields very interesting, unusual, unheard results.pdxindy wrote:I have Collision but have not tried the new one to compare. AAS mentions some sort of tying together of the two resonators that looks like it might be a new feature.ariston wrote:Ummm... at first glance, this seems to be Collision repackaged, with a few effects added. I'll try the demo later, but.. any opinions on that from someone who owns Collision?
New: AAS Chromaphone - Creative Percussion Synthesizer
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Sampleconstruct Sampleconstruct https://www.kvraudio.com/forum/memberlist.php?mode=viewprofile&u=191286
- KVRAF
- 16732 posts since 12 Oct, 2008 from Here and there
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Sampleconstruct Sampleconstruct https://www.kvraudio.com/forum/memberlist.php?mode=viewprofile&u=191286
- KVRAF
- 16732 posts since 12 Oct, 2008 from Here and there
Hmm, I don't think Zebra's Combfilter comes anywhere near Chromaphone, also the Attack is much more tweakable and can be even made into a LFO-modulated, sustained noise texture that triggers the Resonators - just check it out...pdxindy wrote:For that sort of sharp attack I use Zebra... It is outstanding... You have much more control over the attack in Zebra than with Collision (haven't tried Chromaphone yet) For the wind chimes and other struck metal I would use Zebra.Sampleconstruct wrote:The decay phase won't be the problem so much but the attacks might be harder to emulate in Chromaphone, those noise bursts can be modelled quite a bit but it's quite hard to make them sound like a real mallet...at least with more metallic instrument emulations.goldenanalog wrote:
Check this out:
http://www.davisblanchardwindchimes.com/
Give a listen to the Westminster Quarters Wind Chime..absolutely gorgeous!
Can this be accurately done with Chromaphone? I'm going to try to spend this weekend giving it a shot.
- KVRAF
- 26929 posts since 3 Feb, 2005 from in the wilds
I love physical modeled sounds! Cannot have too many and look forward to trying Chromaphone. I have Collision, Tassman, String Studio from AAS. Zebra stands right with them for modeling percussion/string sounds.Sampleconstruct wrote:Hmm, I don't think Zebra's Combfilter comes anywhere near Chromaphone, also the Attack is much more tweakable and can be even made into a LFO-modulated, sustained noise texture that triggers the Resonators - just check it out...pdxindy wrote:For that sort of sharp attack I use Zebra... It is outstanding... You have much more control over the attack in Zebra than with Collision (haven't tried Chromaphone yet) For the wind chimes and other struck metal I would use Zebra.Sampleconstruct wrote:The decay phase won't be the problem so much but the attacks might be harder to emulate in Chromaphone, those noise bursts can be modelled quite a bit but it's quite hard to make them sound like a real mallet...at least with more metallic instrument emulations.goldenanalog wrote:
Check this out:
http://www.davisblanchardwindchimes.com/
Give a listen to the Westminster Quarters Wind Chime..absolutely gorgeous!
Can this be accurately done with Chromaphone? I'm going to try to spend this weekend giving it a shot.
The AAS stuff has a rounder sound so for some stuff I like it better and it is easier. Zebra has much better control of the attack.
This is an old struck bell sound I did in Zebra... Quite different from the wind chime, but gets the idea of using a metal rod to strike a bell and that sort of sharp metallic attack. I know Zebra a helluva lot better now than then, but it still stands up well.
http://draigathar.org/zebra/sharp-bell.mp3
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- KVRAF
- 1769 posts since 30 Jul, 2007
i f**king love AAS!
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- KVRAF
- 2169 posts since 7 Dec, 2005
Indeed sounds as you described it, pdxindy!
- Beware the Quoth
- 35428 posts since 4 Sep, 2001 from R'lyeh Oceanic Amusement Park and Funfair
Not holding my breath. Im sure there's other bits of T4 they'll decide to cannibalise and repackage instead.Winstontaneous wrote:Now that AAS have this out of their system, I hope they'll devote their undivided attention to updating Tassman!
An idiot on Set Theory:
"In some cases there is an object called red that contains everything that is red. In much the same way a pot is a plate."
"In some cases there is an object called red that contains everything that is red. In much the same way a pot is a plate."
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- KVRian
- 1097 posts since 27 Nov, 2006
I amGosh wrote:are there still people waiting for the email from aas? i would love to buy this at the reduced price but haven't had an email until now (owner of 5 aas products). cheers
- KVRAF
- 37378 posts since 14 Sep, 2002 from In teh net
Just got mine but I'm in the "W's"
- KVRAF
- 2813 posts since 14 Feb, 2001 from What do you care? :)
Nope. I should have been towards the beginning of the line.
Maybe the problem is... you need to own six!
Maybe wait a day and if you really want to get this just send them a note. That's what I might do. Because... maybe there was some technical issue and the email was sent but didn't go through?
Maybe the problem is... you need to own six!
Maybe wait a day and if you really want to get this just send them a note. That's what I might do. Because... maybe there was some technical issue and the email was sent but didn't go through?
Gosh wrote:are there still people waiting for the email from aas? i would love to buy this at the reduced price but haven't had an email until now (owner of 5 aas products). cheers
Available on iTunes, Amazon, etc.
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- KVRian
- 912 posts since 2 May, 2005
thanks sequent. that is exactly what i'm going to do. btw, has anyone noticed that aas has at least gotten rid of their old preset browser? i never understood why you could hide the browser in the standalone version but not in the vsts.
- KVRAF
- 37378 posts since 14 Sep, 2002 from In teh net
So does this support microtuning (preferably using TUN or SCL)?
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- KVRAF
- 8099 posts since 12 Dec, 2003 from Canada
Nice work indy!pdxindy wrote:This is an old struck bell sound I did in Zebra... Quite different from the wind chime, but gets the idea of using a metal rod to strike a bell and that sort of sharp metallic attack. I know Zebra a helluva lot better now than then, but it still stands up well.
http://draigathar.org/zebra/sharp-bell.mp3
As for Chromaphone, this is probably my favourite subset of the Tassman tools and an area I've wanted to see AAS explore further for a long time... I've never tried the Ableton version... Collision, is it?
Anyhow, this is quite nice imo and really useful for the work I do.

