I 100% agree with you !btfnk wrote: Sun Mar 27, 2022 5:28 am I have a DP/4 but prefer to use software when possible for ease of recall etc. At one point I went through every phaser I had or could find to demo to see if I could find one that sounded close to the phaser in the DP/4. I also tried combinations of drive and bit reduction with those phasers.
By far the closest I could get in sound was using the melda phaser and setting it to match the DP/4’s 12 poles and high and low frequency range of the modulation. It has a lot of the same character but isn’t nearly as exact as I would like.
Valhalla delay has a DP/4 phaser mode that unfortunately sounds nothing like the real thing. He admitted on his blog that he never listened to the hardware and “didn’t try too hard” just made a phaser that matched the specs in the DP/4 manual.
If you’re on PC there is a free old smart electronix plugin called supaphaser that is about as close as you can get with the melda but it’s buggy and hard to run on modern Macs.
Another one worth mentioning is the phaser included in the Creative FX Collection from Air. It has a different tonality (clearly different parameters than the ensoniq) but somehow drives things similarly with a mojo that’s very reminiscent of the DP4.
I've been searching for a DP/4 phaser (aka Daft Punk phaser) sound in the VST world for years (decades in fact)
The best option is still SmartElectronix SupaPhaser but as you said it's not supported anymore.
I've bought/tested at least all big companies' VST phasers since 2000 (Soundtoys, D16, Valhalla, Melda, IL, BlueCat's, Tal, stock DAW vst to name a few) and nothing comes close to DP/4 preset.
It's more than just the number of poles and the delays... I'm not an engineer but all VST phasers miss something or introduce some "unexpected" problems:
1- On the original DP/4 you can "feel" the phaser effect in 3D. It's not just about phase and stereo placement; VST effects usually introduce some weird phase issues while switching to mono (yes, phasing fx introduces phase, I know
2- Saturation / drive / distortion. On the original unit, I think a part of the sound is linked to the A/D - D/A signal path (analog mixers and use of DP/4 as send/Aux). Once again VST fx totally miss the point of gain staging, input drive correlated to the effect's intensity
3- Delay (rates/time/wet level). To my ears, it's a part of the 3D sound of DP/4 phaser preset.
as the op said, "Valhalla Delay" tried to, but totally failed (I bought the FX only for that sound). Adding DDL to the preset list doesn't make it sounds good. meh (but it's very good at micro-pitching voices on the other hand)
4- Serial link of phaser and delay in the same program. I've tried to do it in modular environments (Voltage Modular, VAZ, patchers), nothing comes close.
I think this effect (at least this patch) is impossible to reach for 90% of devs. Remembered me of my quest to find a good LM-1 (VPROM) and SP-1200/ S950 sounds (SP950 / RX-950.
Maybe AlyJamesLab, Wavetracing or Inphonik can do the job ?
Want to hear DP/4 phaser in action ? check this video (DP/4 starts at 00:56)
Go back to the beginning of the video to hear how 3Dish the DP4 can sound.
