Impulses of vinyl record?
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- KVRist
- 346 posts since 7 Sep, 2004
Do some convo. impulses exists of vinyl records? Does this even make sense?
That is, I would load up an impulse of a vinyl record, and the processed sound would sound like it was coming from vinyl.
That is, I would load up an impulse of a vinyl record, and the processed sound would sound like it was coming from vinyl.
- KVRian
- 513 posts since 6 Jul, 2005 from Berlin
Dunno about an impulse based effect, but Izotope Vinyl is pretty nifty.
http://www.izotope.com/products/audio/vinyl/
http://www.izotope.com/products/audio/vinyl/
I'm Kieran, aka dblue, aka illformed | illformed.com | Glitch 2 now available for Windows, Mac and Linux!
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- KVRist
- Topic Starter
- 346 posts since 7 Sep, 2004
Yes, thanks. I have that one already. It's cool....dblue wrote:Dunno about an impulse based effect, but Izotope Vinyl is pretty nifty.
http://www.izotope.com/products/audio/vinyl/
But since people can do things like Voxengo Tape Bus, perhaps a "vinyl" version could be done? I would find that equally as useful.
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- KVRAF
- 6937 posts since 4 Jun, 2004 from Utrecht, Holland
DIY vinyl "impulse":
* Dig out yer ole pick-up (as in record player)
* connect it through a suitable phono preamp to your pc
* get one vinyl disk with a scratch
* set the pc to record
* put needle next to the scratch
* cut out the "tick" exclusively with an audio editor.
-> this is your impulse to feed e.g. SIR !!
* Dig out yer ole pick-up (as in record player)
* connect it through a suitable phono preamp to your pc
* get one vinyl disk with a scratch
* set the pc to record
* put needle next to the scratch
* cut out the "tick" exclusively with an audio editor.
-> this is your impulse to feed e.g. SIR !!
My MusicCalc is temporary offline.
We are the KVR collective. Resistance is futile. You will be assimilated.
We are the KVR collective. Resistance is futile. You will be assimilated.
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- KVRian
- 520 posts since 13 Aug, 2002 from Salzburg, Austria
Wouldn't do better if you record a noisy part instead of one tick?
The problem is, where to find a white noise section on a vinyl? perhaps some old work by Xenakis?
The problem is, where to find a white noise section on a vinyl? perhaps some old work by Xenakis?
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- KVRAF
- 1868 posts since 26 Oct, 2002 from San Francisco
Find a solo'd crash cymbal on a record and scratch (wiggedy-wiggedy) over the sample a hundred times. It'll sound like white-noise and also pick up some lovely vinyl crackle in no time 
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- Waaaaahhh
- 2224 posts since 30 Jul, 2001 from montreal, quebec,canada
no i think a better way to have an vynil impulse is to, record a sine wav onto vynil(probably with the aid of someone who has those recordable vynil thinggie..cheap compared to pro pressing but good nonetheless
and then record the vynils sine wave into your computer and use that as the impulse files
if im not mistaken the best way to get the best impulse is to generate a sine wave and play it back thru the gear/space you want to emulate and the record the output of the gear/space back into the computer .. that way you have an impulse that has the whole frequency response of what the gear/space does at each frequencies...or lack there of
and then record the vynils sine wave into your computer and use that as the impulse files
if im not mistaken the best way to get the best impulse is to generate a sine wave and play it back thru the gear/space you want to emulate and the record the output of the gear/space back into the computer .. that way you have an impulse that has the whole frequency response of what the gear/space does at each frequencies...or lack there of
If your plugin is a Synth-edit/synth-maker creation, Say So.
If not Make a Mac version of your Plugins Please.
https://soundcloud.com/realmarco
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If not Make a Mac version of your Plugins Please.
https://soundcloud.com/realmarco
...everyone is out to get me!!!!!!!
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- KVRian
- 623 posts since 9 May, 2003 from Tumwater, WA
I have the super vintage Opcode Fusion Vinyl plug-in.
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- jaaathmaster
- 2690 posts since 1 Jun, 2001 from Marlow, S. Bucks, UK
Nearly right.. In fact you just want a full spectrum 'click' sound for the best results. But yeah, you need to record the click onto vinyl first. Might make the needle jump about in interesting ways if it's loud enough toorealmarco wrote:no i think a better way to have an vynil impulse is to, record a sine wav onto vynil(probably with the aid of someone who has those recordable vynil thinggie..cheap compared to pro pressing but good nonetheless
Music with dinner is an insult both to the cook and the violinist.
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- KVRAF
- 1868 posts since 26 Oct, 2002 from San Francisco
Bah, my method's WAY more fun.realmarco wrote:no i think a better way to have an vynil impulse is to, record a sine wav onto vynil(probably with the aid of someone who has those recordable vynil thinggie..cheap compared to pro pressing but good nonetheless
and then record the vynils sine wave into your computer and use that as the impulse files
if im not mistaken the best way to get the best impulse is to generate a sine wave and play it back thru the gear/space you want to emulate and the record the output of the gear/space back into the computer .. that way you have an impulse that has the whole frequency response of what the gear/space does at each frequencies...or lack there of
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- KVRAF
- 7829 posts since 6 Oct, 2003 from Quebec
- KVRAF
- 12615 posts since 7 Dec, 2004
i've said i wouldnt post on kvr anymore, so dont bother reminding me.
to answer the original question: no, it doesnt make sence.
an impulse responce can only be used to measure and reproduce a perfectly linear system. many of the effects involved with vinyl and audio reproduction from vinyl are non-linear and even time dependant.
short answer: not possible.
to answer the original question: no, it doesnt make sence.
an impulse responce can only be used to measure and reproduce a perfectly linear system. many of the effects involved with vinyl and audio reproduction from vinyl are non-linear and even time dependant.
short answer: not possible.
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- KVRian
- 520 posts since 13 Aug, 2002 from Salzburg, Austria
wot?
they send a signal, record that stuff and you get a impulse...yes I admit to me this is more for the sake of experimentation (get cool sounds) than getting that perfect vinyl sound on an impulse to apply into a mix.
someone should do an impulse from a fart
they send a signal, record that stuff and you get a impulse...yes I admit to me this is more for the sake of experimentation (get cool sounds) than getting that perfect vinyl sound on an impulse to apply into a mix.
someone should do an impulse from a fart
- KVRAF
- 12615 posts since 7 Dec, 2004
that would be called an impulse tail, or responce, although it wouldnt be related to in impulse in any way at all.
to take an impulse responce measurement, you need an impulse generator. generally you would generate a very fast pulse (maybe 1us or less, with 500ns rise/fall) and send that into the input of the measured device.
you then record the output, if digitally, at the highest sample rate possible. then you decide what rate is acceptable for representing and by compromise the actual responce. generally a good threshold rule could be output below -96db and above 20khz will be disregarded.
now, to recreate the responce of the system, you take input in the form of impulses, which for instance pcm happens to be. in the real world, pcm is output by generating flat areas between pulses, but the pcm stream is actually intended to represent infinitely fine pulses at the sample point. (and perfect regeneration of a pcm stream can be accomplished by using sinc pulses centered at the samples and running at half the target frequency)
with the simplist method of convolution, instead of using infinitely fine pulses, or bandlimited sinc, you would use the recorded impulse responce in place of every impulse in the pcm.
that means, the number of active impulses at any one time (for the basic convultion) is equal to the length of the impulse responce recording.
to take an impulse responce measurement, you need an impulse generator. generally you would generate a very fast pulse (maybe 1us or less, with 500ns rise/fall) and send that into the input of the measured device.
you then record the output, if digitally, at the highest sample rate possible. then you decide what rate is acceptable for representing and by compromise the actual responce. generally a good threshold rule could be output below -96db and above 20khz will be disregarded.
now, to recreate the responce of the system, you take input in the form of impulses, which for instance pcm happens to be. in the real world, pcm is output by generating flat areas between pulses, but the pcm stream is actually intended to represent infinitely fine pulses at the sample point. (and perfect regeneration of a pcm stream can be accomplished by using sinc pulses centered at the samples and running at half the target frequency)
with the simplist method of convolution, instead of using infinitely fine pulses, or bandlimited sinc, you would use the recorded impulse responce in place of every impulse in the pcm.
that means, the number of active impulses at any one time (for the basic convultion) is equal to the length of the impulse responce recording.

