Good Reverb
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- KVRist
- 34 posts since 7 Apr, 2006
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experimental.crow experimental.crow https://www.kvraudio.com/forum/memberlist.php?mode=viewprofile&u=6258
- KVRAF
- 6895 posts since 9 Mar, 2003 from the bridge of sighs
free ?...MaestroX wrote:What the best reverb for use on orchestral vst instruments?
commercial ?...
there are alot of choices ...
here is a rather nice free one ...
http://www.kvraudio.com/get/919.html

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- KVRian
- 1359 posts since 5 Mar, 2005
my favorite commercial verb is Classik Studio Reverb, i think it is the best. after that i like uad-1 reverbs (dreamverb and plate 140), then wizooverb,masterverb,and gigapulse. These are a few you may want to start with to demo. I find these to be amongs the best out here in my eyes.MaestroX wrote:What the best reverb for use on orchestral vst instruments?
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- KVRian
- 1161 posts since 17 Nov, 2002 from Middlesbrough,UK
I have IK multimedia Miroslav Philharmonik and the built in CSR reverb is superb.
i own a UAD-1 and powercore so i also have the plate 140 and classic verb at my disposal....
i own a UAD-1 and powercore so i also have the plate 140 and classic verb at my disposal....
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- KVRian
- 533 posts since 16 Jan, 2006 from France
ArtsAcoustic Reverb, very realistic and lively verb. Top class VST 'verb with CSR and Wizooverb.
When I think orchestra reverb I instantaneously think AA, when 'room realism' is involved.
When I think orchestra reverb I instantaneously think AA, when 'room realism' is involved.
- KVRAF
- 9064 posts since 1 Aug, 2003
i prefer to listen to orchestral music on the john. fancy a IR?
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- KVRist
- 251 posts since 19 Oct, 2004
CSR
ArtsAcoustic
Silverspike
ConvoBoy = Great inexpensive convo verb
ArtsAcoustic
Silverspike
ConvoBoy = Great inexpensive convo verb
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Polite Company Polite Company https://www.kvraudio.com/forum/memberlist.php?mode=viewprofile&u=95393
- KVRian
- 1193 posts since 23 Jan, 2006 from wrapped up in the fuzz - Boston, MA!
If you're looking for free DaSample's GlaceVerb isn't half bad.
"Music is a hidden arithmetic exercise of the soul, which doesn't know that it is counting." - Gottfried Wilhelm von Leibniz
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e to the i pi plus one equals zero
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e to the i pi plus one equals zero
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- KVRAF
- 6242 posts since 26 Sep, 2003 from right here, as you can see ...
yeah, right ...
though the artsacoustic reverb is a great reverb for that task ... in fact, i never heard a better native algorithmic reverb so far ... no convolution, so you can tweak at very high quality level ...
though the artsacoustic reverb is a great reverb for that task ... in fact, i never heard a better native algorithmic reverb so far ... no convolution, so you can tweak at very high quality level ...
regards,
brok landers
BIGTONEsounddesign
gear is as good as the innovation behind it-the man
brok landers
BIGTONEsounddesign
gear is as good as the innovation behind it-the man
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- KVRAF
- 1933 posts since 29 Apr, 2005 from Beyond all space, time, and dimension.
Ditto. Also good is BuzRoom reverb and xhip effects reverb.PTV wrote:Really good free ones are DX Reverb Light, Glaceverb & Ambience.
Here is my small version:
PLEASE VISIT www.thehungersite.com DAILY AND CLICK THE LINKS. THEY DONATE MONEY TO CHARITY BASED ON AD INCOME. IT'S FREE!
PLEASE VISIT www.thehungersite.com DAILY AND CLICK THE LINKS. THEY DONATE MONEY TO CHARITY BASED ON AD INCOME. IT'S FREE!
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- KVRist
- 262 posts since 8 Jun, 2005
Why do those 'best reverb' threads always end up in a complete list of all avaliable reverbs on the market??? 
Come on, guys, but a reverb like GlaceVerb or Ambience, for classical instruments, I don't think that's a good recommandation... Sure it does work, in the meaning of 'it does produce a kind of reverb', but surly not the most suitable one.
If it comes to orchestral music, you should decide whether you need a real sounding or a showmaker reverb. For the real thing, a convolution reverb might be your first choice. Here you should take care that they can process 'true stereo', means they neither sum the input to mono nor output a panned reverb signal that follows the input panning (i.e. only left input -> only left output). Beeing able to do this needs two impulse responses to be calculated. My recommandation would be AltiVerb(Mac, but also PC soon) or Wizooverb W2.
The disadvantage of convolution is that they are not very tweakable and very CPU intensitive. If you want to go for a realistic algorithmic reverb, I'd take the ArtsAcoustic reverb. IMO at the moment, for orchestral music, the most versatile native reverb. Read the review from Cinemascore, he's a film score composer at hollywood. Nothing to add...
For a showmaker reverb, I would take the CSRfrom IK Multimedia. It's a Lexicon clone, and as Lexicon always said, their reverbs sound better than the real thing
It really sounds damn good, but really not always realistic...
So, my recommandation would be the ArtsAcoustic Reverb, it's a good balance between real and good sounding virtual reverbs. In addition, it's rather cheap, compared to the other top quality reverbs, and dongle-free.
Finally, it's up to you to decide! You should download demo versions and chose the one you like best.
Come on, guys, but a reverb like GlaceVerb or Ambience, for classical instruments, I don't think that's a good recommandation... Sure it does work, in the meaning of 'it does produce a kind of reverb', but surly not the most suitable one.
If it comes to orchestral music, you should decide whether you need a real sounding or a showmaker reverb. For the real thing, a convolution reverb might be your first choice. Here you should take care that they can process 'true stereo', means they neither sum the input to mono nor output a panned reverb signal that follows the input panning (i.e. only left input -> only left output). Beeing able to do this needs two impulse responses to be calculated. My recommandation would be AltiVerb(Mac, but also PC soon) or Wizooverb W2.
The disadvantage of convolution is that they are not very tweakable and very CPU intensitive. If you want to go for a realistic algorithmic reverb, I'd take the ArtsAcoustic reverb. IMO at the moment, for orchestral music, the most versatile native reverb. Read the review from Cinemascore, he's a film score composer at hollywood. Nothing to add...
For a showmaker reverb, I would take the CSRfrom IK Multimedia. It's a Lexicon clone, and as Lexicon always said, their reverbs sound better than the real thing
It really sounds damn good, but really not always realistic...
So, my recommandation would be the ArtsAcoustic Reverb, it's a good balance between real and good sounding virtual reverbs. In addition, it's rather cheap, compared to the other top quality reverbs, and dongle-free.
Finally, it's up to you to decide! You should download demo versions and chose the one you like best.
Last edited by friteuse on Sun May 21, 2006 11:32 am, edited 2 times in total.
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- KVRAF
- 7886 posts since 24 Feb, 2003 from Earth, USA
I'd much rather use Dreamverb over the built in CSR in Philharmonik. With only two parameters to tweak, and it being a bit 'metallic' sounding with certain instruments in the higher registers, I wasn't that thrilled by it. I still need to try the full demo of CSR though.CANE CREEK wrote:I have IK multimedia Miroslav Philharmonik and the built in CSR reverb is superb.
i own a UAD-1 and powercore so i also have the plate 140 and classic verb at my disposal....
Devon
Simple music philosophy - Those who can, make music. Those who can't, make excuses.
Read my VST reviews at Traxmusic!
Read my VST reviews at Traxmusic!
