need a compressor for the lead vocal
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- KVRAF
- 12977 posts since 29 Sep, 2003 from Ottawa, Canada
I know I'm in the minority, but for that kind of "in your face" vocal, I just squish the hell out of it with a limiter rather than a compressor. With low enough threshold, there aren't even enough "peaks and valleys" left to tell whether it has been compressed with a more 'normal' compression ratio or that 50:1 of a limiter.
I use George Yohng's W1, which will let you set a pretty crushing threshold without many artifacts.
Greg
I use George Yohng's W1, which will let you set a pretty crushing threshold without many artifacts.
Greg
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Left Headphone Left Headphone https://www.kvraudio.com/forum/memberlist.php?mode=viewprofile&u=19118
- KVRian
- 945 posts since 30 Mar, 2004
Here's some good info: http://www.computermusic.co.uk/tutorial/effects1/1.aspjshonuff wrote:can you tell me a good vst compressor for the lead vocal
and the settings you use. I do R&B/ Rap
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- KVRist
- 274 posts since 6 Sep, 2004
I like the UA 1176, great sound for vocals but you will have to buy their card to use it.
Waves also has a great one, build just for vocals.
Waves also has a great one, build just for vocals.
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- KVRAF
- 2828 posts since 31 Dec, 2004 from Canarias
Lunch Money, you've got it right and you're not alone !
Cheers,
Max... .. .
Cheers,
Max... .. .
Carpo diem ergo sum !
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- KVRist
- 478 posts since 14 Jan, 2003 from Denmark
- KVRAF
- 9064 posts since 1 Aug, 2003
I adore my Voxengo Voxformer: a complete audio channel geared towards vocals and acoustic guitar mainly.
- KVRAF
- 6478 posts since 16 Dec, 2002
no you don't.jshonuff wrote:i still need ratios that you use and or presets that you use.
- AcousticHippie
- 4769 posts since 12 Mar, 2003
I'm with Greg on this one... though I also love to use the SSL Listen Mic Compressor fully cranked and mixed 50/50 with the dry signal... works really well on vocalsLunch Money wrote:I know I'm in the minority, but for that kind of "in your face" vocal, I just squish the hell out of it with a limiter rather than a compressor. With low enough threshold, there aren't even enough "peaks and valleys" left to tell whether it has been compressed with a more 'normal' compression ratio or that 50:1 of a limiter.
I use George Yohng's W1, which will let you set a pretty crushing threshold without many artifacts.
Greg
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- KVRist
- 36 posts since 4 Oct, 2005 from Trondheim, Norway
+1I adore my Voxengo Voxformer: a complete audio channel geared towards vocals and acoustic guitar mainly.
Per-Otto
http://snotpope.com
http://snotpope.com
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- KVRist
- Topic Starter
- 38 posts since 12 May, 2004
ok heres what i got that i have tested so far that works for me.
GPP Kjaerhus Audio
Track plug wave arts
tc works comp desser
retro vox blue tube
blue tubes limiter w/ the eq
SSL listen mic
and the GAC Kjaerhus Audio
voxformer and George Yohng's W1 didnt work for me
still doing research on the others
GPP Kjaerhus Audio
Track plug wave arts
tc works comp desser
retro vox blue tube
blue tubes limiter w/ the eq
SSL listen mic
and the GAC Kjaerhus Audio
voxformer and George Yohng's W1 didnt work for me
still doing research on the others
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- KVRian
- 1219 posts since 12 Aug, 2002
Once it's digital to stay, I generally prefer a serial compressor combination.
I like the Waves C1 to shape and focus the tone, or ride gain on any peaky frequency ranges, followed by a Ren Comp or Timeworks CompX for texturing. The C1 is wonderfully surgical, and if set up properly can be exceptionally transparent. Ren Comp has a very nice Opto detector response, and I admire the graceful behavior of it's auto release control...you can work this compressor pretty hard and it does not sound like it. Depending on the vocal style I might hit its limiter a bit off the end of the compression. CompX is an old favorite for vox, nice range of possible variations in it's response character...it can be prissy or rude, and it stubbornly resists pinching the lows or sinking the highs of your source. It also has an input gain so you can kick the compressor going in without reaching way down with the threshold.
But yeah...I'm a bit old fashioned.
I like the Waves C1 to shape and focus the tone, or ride gain on any peaky frequency ranges, followed by a Ren Comp or Timeworks CompX for texturing. The C1 is wonderfully surgical, and if set up properly can be exceptionally transparent. Ren Comp has a very nice Opto detector response, and I admire the graceful behavior of it's auto release control...you can work this compressor pretty hard and it does not sound like it. Depending on the vocal style I might hit its limiter a bit off the end of the compression. CompX is an old favorite for vox, nice range of possible variations in it's response character...it can be prissy or rude, and it stubbornly resists pinching the lows or sinking the highs of your source. It also has an input gain so you can kick the compressor going in without reaching way down with the threshold.
But yeah...I'm a bit old fashioned.
To the mind that is still, the whole universe surrenders - Lao Tzu
- Rad Grandad
- 38041 posts since 6 Sep, 2003 from Downeast Maine
+1cptgone wrote:I adore my Voxengo Voxformer: a complete audio channel geared towards vocals and acoustic guitar mainly.
The highest form of knowledge is empathy, for it requires us to suspend our egos and live in another's world. It requires profound, purpose‐larger‐than‐the‐self kind of understanding.
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- KVRist
- 274 posts since 6 Sep, 2004
Voxengo Voxformer is great for the budget, good on quality.Musicisbest wrote:I like the UA 1176, great sound for vocals but you will have to buy their card to use it.
Waves also has a great one, build just for vocals.

