Okay, I must be missing something obvious, but I attribute it to not being as familiar with IK's sampling process over some other more basic samplers which I can just map a single hit wav file to a key and then move to the next one.
How does the naming convention work for instruments that have just the name, like "STNWY PIANO," and also have a specific dynamic with the name BUT are on the same "child" level.
The piano also has a "STNWY PIANO F". What does this mean as far as it's dynamics compared to the one without the dynamic markings? If it's at the same child level, does it ONLY do "f" level dynamics?
I am trying to get organized as far as workflow and productivity to use each insrument/ensemble section with the least amount of patches/instances/etc for the greatest control BUT with the most (or more) simplest steps to make a sequence.
Thanks billions, as usual,
- Paul
Miro patch question
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- KVRAF
- 4692 posts since 28 Jan, 2003 from In these very interwebs
The child presets use the same base samples as the "main" preset. The child presets often have variations in velocity response, subtle filtering, and sometimes effects (like extra reverb, or different EQ). Oh, and by the way, the STNWY PIANO F can do a lot more than just forte! 
-Kim.
-Kim.
