Reacomp
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- KVRist
- 351 posts since 25 Feb, 2005 from Houston, TX
How good is this. Is it suitable for both mixing and mastering and where can I find a help file or manual. I mainly don't know where to adjust the threhold and how the wet and dry buttons effect the signal on a compressor. Thanks
- KVRAF
- 16802 posts since 8 Mar, 2005 from Utrecht, Holland
Is that a statement or a question?jmbriley wrote:How good is this.
Yeah, they all say that... In my experience if they want to excell in both they also slightly fail at bothjmbriley wrote:Is it suitable for both mixing and mastering
Where all the other online helpfiles are:jmbriley wrote:where can I find a help file or manual.
http://www.cockos.com/wiki/index.php/Re ... umentation
or to be more specific:
http://www.cockos.com/wiki/index.php/ReaComp
Haven't used it myself, but I guess the "dry" button bypasses the compressor, so by switching wet / dry / wet / dry you can have a listen and compare how the settings have affected your track.jmbriley wrote:how the wet and dry buttons effect the signal on a compressor.
We are the KVR collective. Resistance is futile. You will be assimilated. 
My MusicCalc is served over https!!
My MusicCalc is served over https!!
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championrabbit championrabbit https://www.kvraudio.com/forum/memberlist.php?mode=viewprofile&u=53166
- KVRian
- 559 posts since 30 Dec, 2004
It's a good, vanilla compressor. It has no colour, but it's pretty tweakable.
The wet/dry controls would be handy for lazy NY compression I guess...
The wet/dry controls would be handy for lazy NY compression I guess...
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- KVRist
- 349 posts since 18 Jan, 2003
ReaComp is meant to be a building block from which to build the type of compressor you want. It has MANY detector options and allows feedforward or feedback mode as well
The key to making "character" from reacomp is to either figure out the detetecttor type of a compressor you like, or better yet, tailoring the RMS setting to he sound you are working with, using the help of a tool such as PSP Vintage Meter (free)
See these vdeos for some basic help on ReaComp:
http://www.reaper.fm/~pipeline/REAPERVi ... %203mb.wmv
http://www.reaper.fm/~pipeline/REAPERVi ... %203mb.wmv
The key to making "character" from reacomp is to either figure out the detetecttor type of a compressor you like, or better yet, tailoring the RMS setting to he sound you are working with, using the help of a tool such as PSP Vintage Meter (free)
See these vdeos for some basic help on ReaComp:
http://www.reaper.fm/~pipeline/REAPERVi ... %203mb.wmv
http://www.reaper.fm/~pipeline/REAPERVi ... %203mb.wmv
REAPER Chat: http://www.mixxnet.net/java/?channel=reaper
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- KVRist
- 137 posts since 15 Aug, 2005 from Port Neches , Texas
The Wet/Dry controls are for parallel compression.
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- KVRian
- 736 posts since 27 Apr, 2006 from Charleston, WV
Reacomp is the best freeware compressor out there....it took me a little bit to get my head around the extra options....I can't believe he(Justin) is giving this away...I own reaper but I have been able to use the reaper plugs in Sonar6 now....Reafir is very powerful too...kind of soniformer-ish if you use the comp option.
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championrabbit championrabbit https://www.kvraudio.com/forum/memberlist.php?mode=viewprofile&u=53166
- KVRian
- 559 posts since 30 Dec, 2004
Why?JamieSkeen wrote:Reacomp is the best freeware compressor out there.
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- KVRist
- 349 posts since 18 Jan, 2003
ReaComp puts you in control, simply. Its the closest thing Ive seen, besides maybe synthmaker, to giving you a soldering iron, transformers, tubes, optoisolators and other goodies to experiment with creating dynamics processing.championrabbit wrote:Why?JamieSkeen wrote:Reacomp is the best freeware compressor out there.
That said, Loser's Digital Versatile Compressor is going to give ReaComp a serious run for the money. Adding the hold control is like taking Transient Modeller to the next step, while keeping ReaComp's versatility. DVC hasnt got meters yet, so till then, grab PSP Vintage Meter and ReaComp and see what you can do
REAPER Chat: http://www.mixxnet.net/java/?channel=reaper
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championrabbit championrabbit https://www.kvraudio.com/forum/memberlist.php?mode=viewprofile&u=53166
- KVRian
- 559 posts since 30 Dec, 2004
That's really not an accurate/honest description though, is it?Pipelineaudio wrote:Its the closest thing Ive seen, besides maybe synthmaker, to giving you a soldering iron, transformers, tubes, optoisolators and other goodies to experiment with creating dynamics processing.
The things you describe impart colouration to the signal, but Reacomp can impart colouration only by it's processing of dynamics.
You cannot (for example) create two settings with identical dynamic response, yet with differing tonal colouration. You would be able to do this if Reacomp was really as you described.
Some of the most significant aspects of desirable compressors are related to coloration, not dynamic processing which is why we have a kazillion 'vintage' VST compressors.
Reacomp is a great, vanilla compressor, but a bag of tubes and transistors it ain't.
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- KVRist
- 349 posts since 18 Jan, 2003
most "coloration" I can think of from my collection of hardware compressors (everything but a real Fairchild, I DO have a Fairman however), comes from the detector circuit. Nothing else has as much affect on the "character" of the compressor.
People think tooooooobz in a compressor have a drastic amount of distortion, or phat or warmth or some other b.s.
They dont
Properly made, tube compressors are clean as glass
With the real world sidechain inputs of reacomp you could put m/s or better eq's as well
Most of the "color" possible in any classis, not broken compressor is available in reacomp
People think tooooooobz in a compressor have a drastic amount of distortion, or phat or warmth or some other b.s.
They dont
Properly made, tube compressors are clean as glass
With the real world sidechain inputs of reacomp you could put m/s or better eq's as well
Most of the "color" possible in any classis, not broken compressor is available in reacomp
REAPER Chat: http://www.mixxnet.net/java/?channel=reaper
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- KVRist
- 137 posts since 15 Aug, 2005 from Port Neches , Texas
Actually that's true, and some transistor models are very heavily colored.Pipelineaudio wrote: People think tooooooobz in a compressor have a drastic amount of distortion, or phat or warmth or some other b.s.
They dont
Properly made, tube compressors are clean as glass
- KVRAF
- 19156 posts since 13 Feb, 2003 from Vancouver, Canada
Loser's Digital Versatile Compressor? Haven't heard of that one! What's up with that??Pipelineaudio wrote:ReaComp puts you in control, simply. Its the closest thing Ive seen, besides maybe synthmaker, to giving you a soldering iron, transformers, tubes, optoisolators and other goodies to experiment with creating dynamics processing.championrabbit wrote:Why?JamieSkeen wrote:Reacomp is the best freeware compressor out there.
That said, Loser's Digital Versatile Compressor is going to give ReaComp a serious run for the money. Adding the hold control is like taking Transient Modeller to the next step, while keeping ReaComp's versatility. DVC hasnt got meters yet, so till then, grab PSP Vintage Meter and ReaComp and see what you can do
I'm sure Championrabbit will disagree, but I just love this compressor. Nice, simple interface with all the controls one needs to accurately control their dynamics. Excellent work by Cockos.
I'm not sure if it's going to remain free forever - it's just beta right now, no?
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- KVRist
- 137 posts since 15 Aug, 2005 from Port Neches , Texas
Oh, Duffy! Grab the DVC, it's freakin' awesome!
- KVRAF
- 19156 posts since 13 Feb, 2003 from Vancouver, Canada
