Most widespread/well supported format ?
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- KVRAF
- 1958 posts since 16 Jan, 2005 from France's Dirty South
I'm in sampler hell right now, about to switch from one to another, i have a bunch of different formats supported by one, not the other etc...
Long story short, i'd like to convert everything to a "buffer" format, something safe and easy that won't screw up the mappings and enveloppes, and allow me to make a database of raw patches (read no crazy modulations or sampler specific stuff).
Seems like the best choice will be either akai, or sf2 ...?
Any comments ?
cheers
Long story short, i'd like to convert everything to a "buffer" format, something safe and easy that won't screw up the mappings and enveloppes, and allow me to make a database of raw patches (read no crazy modulations or sampler specific stuff).
Seems like the best choice will be either akai, or sf2 ...?
Any comments ?
cheers
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- KVRAF
- 4707 posts since 16 Mar, 2004 from Columbia, MD
AKAI is still widely supported, but somewhat frustrating to use and underpowered. SF2 is also underpowered. Kontakt 1.x is probably the most accessible format out there, and it's highly programmable.
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- Beware the Quoth
- 35517 posts since 4 Sep, 2001 from R'lyeh Oceanic Amusement Park and Funfair
sfz isnt the most common, but as a 'buffer format' it might offer the most flexibility. not sure what the current state of translation-software support is, though.
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"In some cases there is an object called red that contains everything that is red. In much the same way a pot is a plate."
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- KVRist
- 339 posts since 22 Feb, 2004
I know what you mean...I got sick of issues like that,too.So now I use Kontakt 2 only.If something doesnt work with it, hell with it.LIfe's too short and there's too much music to be made to spend hours buggering around with this stuff.disturb wrote:I'm in sampler hell right now, about to switch from one to another, i have a bunch of different formats supported by one, not the other etc...
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- KVRian
- 650 posts since 7 Oct, 2006
exs - other than SF2 or Akai (S1000) it supports 24bits, quite a lot of mappings, also alternations.
can be read by Kontakt, HALion, Ableton Sampler, every conversion software ......
best
can be read by Kontakt, HALion, Ableton Sampler, every conversion software ......
best
- KVRian
- 888 posts since 26 Aug, 2003 from SWEDEN
The universal format is SoundFont (Sf2) but it lacks some really nice features. If that is not necessary it's THE format to trust.
The converter to use that I like very much is Extreme sampler converter. It can convert HALion and Kontakt to Sf2 for example, but only the features available in Sf2, of course.
Be aware of and avoid release samples and key switches, and accept 16bit.
The converter to use that I like very much is Extreme sampler converter. It can convert HALion and Kontakt to Sf2 for example, but only the features available in Sf2, of course.
Be aware of and avoid release samples and key switches, and accept 16bit.
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- KVRist
- 440 posts since 9 Mar, 2003 from Denver Co
Sfz supports so many features you won't need to lose the 24bit release/switches.
Awave supports covert to sfz from a big list of other formats.
Awave supports covert to sfz from a big list of other formats.
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SFZ+,P5. And two kick ass DawBox machines!
SFZ+,P5. And two kick ass DawBox machines!
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- KVRAF
- 3476 posts since 9 Apr, 2003 from NE Ohio, USA
I'd say either Kontakt1 or sfz. EXSC can produce both, and several products can read either-or. IIRC, right now none of the sfz players stream - they require RAM-based samples. You won't get a Sampletekk piano into DimPro without a LOT of RAM.
Doug
Doug
Logic is a pretty flower that smells bad - Spock, in "I, Mudd"
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- KVRist
- 446 posts since 24 Apr, 2002
To take an opposing point of view, I wouldn't go for a "buffer" format until you get the sampler you really like. THEN that will indicate what buffer format you want.disturb wrote:I'm in sampler hell right now, about to switch from one to another, i have a bunch of different formats supported by one, not the other etc...
Long story short, i'd like to convert everything to a "buffer" format, something safe and easy that won't screw up the mappings and enveloppes, and allow me to make a database of raw patches (read no crazy modulations or sampler specific stuff).
Seems like the best choice will be either akai, or sf2 ...?
I would strongly NOT recommend SoundFont. It stores samples as mono, and makes stereo samples by "linking" two mono samples. Awfully '90's. There are a couple other reasons.
Really, Giga would be the choice, but then again if you aren't using Giga that seems silly. But to me, the idea of converting all your sounds to singular format that may not be the natice one of the sampler you are going to get seems impractical and without reason.
Your new sampler will indicate what that format is. Just wait for it.
A good conversion program can help keeping tabs of all this; you aren't restricted by the imports of the sampler. There are those that were mentioned, plus Translator www.chickensys.com and CDXtract www.cdxtract.com
- KVRAF
- 7367 posts since 19 Apr, 2002 from Utah
Hey Garth,
I haven't spoken to you since my "EPS classic" days (Back in the days of floppies and when DOS was still used quite regularly). I used to be a registered user of your EPS software. How are you? How are things going?
@disturb: Garth makes a very valid point. You could use any of the translator programs, but it won't mean much if you don't take into consideration the actual sampler/player you are going to use.
--Sean
I haven't spoken to you since my "EPS classic" days (Back in the days of floppies and when DOS was still used quite regularly). I used to be a registered user of your EPS software. How are you? How are things going?
@disturb: Garth makes a very valid point. You could use any of the translator programs, but it won't mean much if you don't take into consideration the actual sampler/player you are going to use.
--Sean
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- KVRist
- 446 posts since 24 Apr, 2002
Doing great! Are you Burns? I looked through my list...)
- KVRAF
- 7367 posts since 19 Apr, 2002 from Utah
Sorry, I didn't get a chance to check my messages until now. No, I'm Sean Ercanbrack. 
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- KVRist
- 446 posts since 24 Apr, 2002
Oh yeah - great to hear from you. It's been a long time since those days. Things sure have changed.
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- KVRian
- 711 posts since 8 Sep, 2005
Exactly.chickeneps wrote:To take an opposing point of view, I wouldn't go for a "buffer" format until you get the sampler you really like. THEN that will indicate what buffer format you want.
However, if you're using a few of them, as many do, you're bound to carry some redundancy with you. SampleTank, Kontakt2, Giga, Reason (NN-XT)...just try and pick one. I dare ya!
So, having a sampler converter/translator is almost a standard utility in the sampling arena.
- KVRAF
- 2910 posts since 26 Jul, 2005 from dun unda
Of course one has to consider the sacrifices made when switching between formats, it's always a good idea to keep the original copies regardless of whether you are going to use them or not. (Original is always the best...though there's some exceptions in terms of usability. DLS compared to SF2/sfz for instance.)
To answer the question, the most 'widespread/well-supported' format I would have to say is SF2, despite its limitations, I have seen SoundFont support in a lot of things nowadays, and is easily interchangeable to another format since it doesn't contain too many 'format-specific' features like most others do.
To answer the question, the most 'widespread/well-supported' format I would have to say is SF2, despite its limitations, I have seen SoundFont support in a lot of things nowadays, and is easily interchangeable to another format since it doesn't contain too many 'format-specific' features like most others do.
