Additive Editor
-
- KVRer
- 28 posts since 1 Dec, 2007
I'm looking at the Additive Editor in RHINO. I've been reading Tutorial 4 off Big Ticks website and are wondering if the analyzed waveforms I do put in can sound like the original?
Mr B.
-
- KVRist
- 273 posts since 5 Mar, 2003 from US
The additive editor is very good at reproducing the harmonic content of the analyzed sound. However, since the output will be a single cycle wave, animation must be programmed in Rhino. Samples that are too long won't be valued correctly so keep them short.
One thing that can be done is to take 6 slices of the sound at different times, loaded each into a different oscallitor and then crossfaded them over time. Of course, there is also access to the fantastic modulation possibities and fx in Rhino.
One thing that can be done is to take 6 slices of the sound at different times, loaded each into a different oscallitor and then crossfaded them over time. Of course, there is also access to the fantastic modulation possibities and fx in Rhino.
-
- KVRer
- Topic Starter
- 28 posts since 1 Dec, 2007
Daniel,
Thanks for that information.(Thanks for updating the MP3's in the other thread also).
I will look into the single cycle stuff a bit more. I was looking at possibly putting some sounds I did on my Kurzweil K2's into RHINO to see(hear) how they came out. Most of the waveforms are quite complex, and are more multicycle then single cycle.
Thanks for that information.(Thanks for updating the MP3's in the other thread also).
I will look into the single cycle stuff a bit more. I was looking at possibly putting some sounds I did on my Kurzweil K2's into RHINO to see(hear) how they came out. Most of the waveforms are quite complex, and are more multicycle then single cycle.
Mr B.
-
- KVRAF
- 3388 posts since 29 May, 2001 from New York, NY
Then, loading them as samples may be a better option.
'Tick
'Tick
-
- KVRist
- 273 posts since 5 Mar, 2003 from US
I agree with 'Tick; samples are the way to go in your case. Once inside Rhino, you can do fun things like modulate the sample start point with velocity or the MW. Or, try splicing multiple short samples together in a wave editor to create custom wave tables. Sample an arpeggio and drown it in Rhino's fx...
