I want progressions that flows through all the notes of the chromatic scale, and that still are "useful" to wear in a pop song.
I made one:
[do2, sol2, do3, mib3, sol3] = Cm
[lab1, solb, do, mib, lab] = Ab7
[sol1, sol, re, fa, si] = G7
[mi2, sol#, re, mi, si] = E7
[la2, mi, la, do] = Am
[mib2, sol, reb, sol, sib, reb] = Eb7
[re2, fa#, do, fa#, do, re] = D7
[reb2, fa, dob, fa, la, reb] = Db7
[solb2, reb, fab, solb, sib, reb] = Gb7
[sib1, lab, fa, re] = Bb7
[dob(=si1), solb, solb, mib] = Cb
[fa2, la, mib, la, fa] = F7
[sib1, fa, re, sib, fa] = Bb
I then used this chords in a Portuguese march (I added new ones for the intro, and repeated some in the middle):
Marcha de todos os tons
In conclusion: A popular song that uses ALL chords in the chromatic scales.
Any more suggestions?
Can anyone give more progressions like this to be used in another songs?
I find it challenging to create songs that passes to "everywhere".
12 tone Progression
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- KVRist
- 350 posts since 11 May, 2008
Play fair and square!
- KVRAF
- 26033 posts since 20 Oct, 2007 from gonesville
Gonna be like Jesus, teach you how to fish.
Take a song from say a Broadway show.
Look for the thing we call ii-V-I in the changes.
let's say: D minor(7) to G7 to C. flat the fifth of that middle chord. Put that note, Db, in the bass.
vertically, bottom note is the bass note:
A G G
F F E
C B C
D Db C
now, find out how that chord 'C' relates to another chord as if it's that chord's 'ii' chord.
IE: to a Bb chord. or, something very similar, say another D minor. (I'm assuming you understand transposition; I'm showing you relationships, not literally these chords necessarily.) Substitute that like you're moving right along, in a falling 4ths relationship.
G G F F
F F Eb D#
C B Bb A
D Db C B
et cetera.
Take a song from say a Broadway show.
Look for the thing we call ii-V-I in the changes.
let's say: D minor(7) to G7 to C. flat the fifth of that middle chord. Put that note, Db, in the bass.
vertically, bottom note is the bass note:
A G G
F F E
C B C
D Db C
now, find out how that chord 'C' relates to another chord as if it's that chord's 'ii' chord.
IE: to a Bb chord. or, something very similar, say another D minor. (I'm assuming you understand transposition; I'm showing you relationships, not literally these chords necessarily.) Substitute that like you're moving right along, in a falling 4ths relationship.
G G F F
F F Eb D#
C B Bb A
D Db C B
et cetera.
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- KVRian
- 503 posts since 24 Nov, 2008
Two adjacent 7th chords 1/2 step apart is a little too chromatic for my taste, plus they won't fit any 7 tone scale, having 8 notes altogether. If you make A7 just A, then the first 3 chords will be C Harmonic minor, or if G7 is G, then it will be G Double Harmonic. But G7 and E7 are ok and will fit a C Harmonic Major. Its just a problem to my ears when two adjacent chords take up 8 notes or more, but that's just me I guess.
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- KVRAF
- 7836 posts since 20 Jan, 2008
For solo performance
Flight of the bumble bee
Solo from 25 or 6 to four - Chicago
For a fluid chromatic approach check out Chicago's Colour My World
Flight of the bumble bee
Solo from 25 or 6 to four - Chicago
For a fluid chromatic approach check out Chicago's Colour My World