kind of tutorial: Making a sawtooth bass on a 4 op FM synth
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Muzik 4 Machines Muzik 4 Machines https://www.kvraudio.com/forum/memberlist.php?mode=viewprofile&u=9550
- KVRAF
- 7829 posts since 6 Oct, 2003 from Quebec
- KVRian
- 926 posts since 15 Mar, 2004 from Tokyo, Japan
The next question is of course: WHY would you want to make a sawtooth bass on a TX81z, when most of us have sawtooth-sources in abundance anyway?Muzik 4 Machines wrote:
Bass though is something that it does extremely well, just ask my neighbours...
(sorry, don't mean to rain on your parade there, Muzik 4 Machines, just asking...)
Eion Flow: Lush, cinematic electronica from the urban galaxy that is Tokyo, Japan. More on eionflow.com | Facebook | Soundcloud
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- Banned
- 239 posts since 14 May, 2008
lmfaoo, this is exacttlly what i was goign to say when i first saw the titel of this post.tranel wrote:The next question is of course: WHY would you want to make a sawtooth bass on a TX81z, when most of us have sawtooth-sources in abundance anyway?Muzik 4 Machines wrote:
- KVRAF
- 13124 posts since 7 May, 2006 from Southern California
Thanks dude! That was pretty cool. I'd really like to have a better understanding of FM synthesis because I have a feeling that I haven't even explored a small part of what can be done with a multi-operator FM synth (and I have gotten pretty deep with FM8). Little tutorials like this one make the simpler concepts behind programming FM synths more approachable and the math behind the more complex concepts a little less scary.
Cheers.
Cheers.
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- Banned
- 239 posts since 14 May, 2008
when i approach an fm synth my brain starts to melt liek the witch in teh wizard of oz.
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- KVRAF
- 1595 posts since 17 Nov, 2007 from Seattle, WA
Why?
Because perhaps someone would want to use an FM synth for it's possiblities, and then morph the sound over time into a more familiar axe.
Among other reasons.
And for petes sake Audio Gnostic, could you please start spell checking?
Because perhaps someone would want to use an FM synth for it's possiblities, and then morph the sound over time into a more familiar axe.
Among other reasons.
And for petes sake Audio Gnostic, could you please start spell checking?
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Muzik 4 Machines Muzik 4 Machines https://www.kvraudio.com/forum/memberlist.php?mode=viewprofile&u=9550
- KVRAF
- Topic Starter
- 7829 posts since 6 Oct, 2003 from Quebec
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- KVRAF
- 2070 posts since 5 Oct, 2005
Not all saw tooth sources sound the same and because "most of us" have an abundance of Saw tooth sources doesn't mean everyone has.tranel wrote: The next question is of course: WHY would you want to make a sawtooth bass on a TX81z, when most of us have sawtooth-sources in abundance anyway?
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tony tony chopper tony tony chopper https://www.kvraudio.com/forum/memberlist.php?mode=viewprofile&u=3103
- KVRAF
- 3561 posts since 20 Jun, 2002
I didn't fully watch the video because if I wanted to stare at an old LCD crap, I'd sit in front of my printer, but is it a 'real' saw, or a saw-sounding shape?making a sawtooth bass on a 4 operators FM synth
Because on FM synths a quick & dirty saw-sounding shape is just a sine with FM feedback, no need to look further.
DOLPH WILL PWNZ0R J00r LAWZ!!!!
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Aroused by JarJar Aroused by JarJar https://www.kvraudio.com/forum/memberlist.php?mode=viewprofile&u=191505
- KVRian
- 1048 posts since 16 Oct, 2008
A sawtooth with FM is a great idea because you can "filter" it without filters, by varying the modulation index. And detuning can be a whole different story- for example, 1:1 is the basic ratio but what happens if you layer it with another saw(like) wave at 1.01:1? It's not the same as detuned saws from an analog, for the fundamental of the second saw-like wave can be in unison (with different phase) with the first, but it partials are stretched.
And even if you never use an FM sawtooth, it's "FM 101" to start with a "saw" (1:1), a "square" (2:1) and a "pulse" (3:1).
Phase modulation (FM, PD, etc.) actually isn't hard if you take it step by step like this.
And even if you never use an FM sawtooth, it's "FM 101" to start with a "saw" (1:1), a "square" (2:1) and a "pulse" (3:1).
Phase modulation (FM, PD, etc.) actually isn't hard if you take it step by step like this.
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Aroused by JarJar Aroused by JarJar https://www.kvraudio.com/forum/memberlist.php?mode=viewprofile&u=191505
- KVRian
- 1048 posts since 16 Oct, 2008
That depends on the modulation index, regardless if it's one sine modulating another or itself. There's a point where it "is" a theoretical sawtooth, but just like any non-aliasing wavetable sawtooth for example, or an analog sawtooth through an AD for that matter (or any saw in our reality actually) it's bandlimited.tony tony chopper wrote:I didn't fully watch the video because if I wanted to stare at an old LCD crap, I'd sit in front of my printer, but is it a 'real' saw, or a saw-sounding shape?making a sawtooth bass on a 4 operators FM synth
Because on FM synths a quick & dirty saw-sounding shape is just a sine with FM feedback, no need to look further.
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tony tony chopper tony tony chopper https://www.kvraudio.com/forum/memberlist.php?mode=viewprofile&u=3103
- KVRAF
- 3561 posts since 20 Jun, 2002
is it? I think it reaches noise before it gets the full brightness/the higher harmonics of a sawtoothThere's a point where it "is" a theoretical sawtooth
DOLPH WILL PWNZ0R J00r LAWZ!!!!
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Aroused by JarJar Aroused by JarJar https://www.kvraudio.com/forum/memberlist.php?mode=viewprofile&u=191505
- KVRian
- 1048 posts since 16 Oct, 2008
I put "is" in quotes because I was meaning "practical reality". I don't know if you can get a truly "perfect" saw, and I would be kind of suprised if you could. Would it reach noise or would the energy just go into the highs too much? Don't know.tony tony chopper wrote:is it? I think it reaches noise before it gets the full brightness/the higher harmonics of a sawtoothThere's a point where it "is" a theoretical sawtooth
But in practical reality, if you don't alias, you do get what are clearly different flavors of bandlimited saws, and maybe even more theoretically accurate than on various analogs (certainly more accurate "saws" than some VAs have put out).
- KVRAF
- 8072 posts since 9 Jan, 2003 from Saint Louis MO
That's correct. In FM8 about as close as you can get is 42 feedback on the modulator, 33 from the modulator into the carriers:tony tony chopper wrote:is it? I think it reaches noise before it gets the full brightness/the higher harmonics of a sawtoothThere's a point where it "is" a theoretical sawtooth

Any more modulation and you start to lose the sawtooth shape:

Any more feedback and you add noise:

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Muzik 4 Machines Muzik 4 Machines https://www.kvraudio.com/forum/memberlist.php?mode=viewprofile&u=9550
- KVRAF
- Topic Starter
- 7829 posts since 6 Oct, 2003 from Quebec
