How in the world do you play a BbMaj9??
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- KVRist
- 100 posts since 21 Mar, 2010
what keys does a BbMaj9 chord consist of?
thanks for any help..tried to google this but didn't come up with anything
thanks for any help..tried to google this but didn't come up with anything
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- KVRAF
- 6937 posts since 4 Jun, 2004 from Utrecht, Holland
Well, since C Maj9 = C-E-G-B-D (essentially a Maj7 chord with added 9th), Bb Maj9 would be Bb-D-F-A-C. But there are more possibilities. Inversions and such...
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- KVRist
- 360 posts since 27 Mar, 2008
How in the world do you play a BbMaj9??
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- KVRist
- Topic Starter
- 100 posts since 21 Mar, 2010
thanks cookie.....cookie?----> cookie? <--- COOKIE!!
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Last edited by Majestic290 on Tue Aug 17, 2010 2:10 pm, edited 1 time in total.
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- KVRAF
- 6937 posts since 4 Jun, 2004 from Utrecht, Holland
Wouldn't that be the "plain" Bb9 chord? Where's the Maj then? Often in these jazzy-type chords, the 7 is implied, even when omitted in the name.robojam wrote:Or without the A
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- Banned
- 9890 posts since 14 Nov, 2006
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- KVRAF
- 4436 posts since 26 Jan, 2006 from :noitacoL
adding an A would make it a Maj7 chord. A BbMaj9 would be Bb-D-F-A-C (i'd omit the F) while Bb-D-F-C would be a Badd9 in my book, but what do i know? i just play the chords and hope it sounds OK...
Edit: @cookie: yes, it's normally implied that in an 9th chord the 7th is included. thus a, e.g., D9 is D-F#-A-C-E. the Maj is to distinguish the major 7th from a dominant seven, IIRC.
Edit: @cookie: yes, it's normally implied that in an 9th chord the 7th is included. thus a, e.g., D9 is D-F#-A-C-E. the Maj is to distinguish the major 7th from a dominant seven, IIRC.
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- KVRian
- 903 posts since 14 May, 2003
In any dissonant chord, if a note is to be omitted, then the consonant 5th is the note to omit, otherwise, the distinguishing characteristic of the dissonance is destroyed. Hence: BbM9 = Bb,D,(F),A,C; EM9 = E,G#,(B),D#,F#; and so on.
(NB: These are root position chords.)
(NB: These are root position chords.)
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- KVRist
- 244 posts since 16 Feb, 2003 from Switzerland
To underline Download SOphist:robojam wrote:Or without the A:
Bb-D-F-C
The C is the 9th and the other 3 notes are the BbM
It needs the A to qualify as a Bbmaj9 chord.
Omitting the A makes it a Bbadd9
Bb9 would include a minor seventh making it a dominant chord - a totally different animal altogether.
Another way to look at Bbmaj9 is to see it as a Dmin7 with a Bb in the bass
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- Pedantry in musical nomenclature since 1985 -
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- KVRian
- 1084 posts since 12 Sep, 2008 from Your basement
Hi!
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- KVRAF
- 4436 posts since 26 Jan, 2006 from :noitacoL
yo!
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- "The" Jazz
- 4615 posts since 18 Aug, 2004 from California, United States
Bbmaj9 is: Bb, D, F, A, C
The A (major 7th) is assumed present in the maj9 chord unless the chord specifies "omit 7th", or is written "Bbmaj(add 9)".
And no, jazz players do not assume random dominant 7ths in chords. That's just not the way it works.
The A (major 7th) is assumed present in the maj9 chord unless the chord specifies "omit 7th", or is written "Bbmaj(add 9)".
And no, jazz players do not assume random dominant 7ths in chords. That's just not the way it works.
Greg Schlaepfer
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- KVRist
- 395 posts since 14 Aug, 2009
I see it as two major chords on top of each other, built on the fifth of the first chord. How you choose to play it depends on the song and what the other instruments play. If it sounds good... (aaah...)
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- KVRAF
- 4436 posts since 26 Jan, 2006 from :noitacoL
who implied otherwise?Gregjazz wrote:And no, jazz players do not assume random dominant 7ths in chords. That's just not the way it works.
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