What is this guitar chord?
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- KVRist
- 427 posts since 24 Sep, 2009
Hi,
I wanted to know what chords were being played in RHCP's Behing the Sun, so I looked at a tab.
It says:
7
7
7
6
7
x
and
9
9
9
7
x
x
The first one is evident, it's a E9.
But I'd like to ask you guys what you call the second one.
G#dim(11)?
I often add 11 when I play dim or half-dim on the piano, is it also what guitarists often do?
I wanted to know what chords were being played in RHCP's Behing the Sun, so I looked at a tab.
It says:
7
7
7
6
7
x
and
9
9
9
7
x
x
The first one is evident, it's a E9.
But I'd like to ask you guys what you call the second one.
G#dim(11)?
I often add 11 when I play dim or half-dim on the piano, is it also what guitarists often do?
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- KVRist
- Topic Starter
- 427 posts since 24 Sep, 2009
Stupid me. I always confuse the D string and G string.
But still, can anyone tell me if it's rare for guitarists to add 11 when playing dim or half-dim?
But still, can anyone tell me if it's rare for guitarists to add 11 when playing dim or half-dim?
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- KVRist
- 33 posts since 26 Jan, 2011 from US
I am having a bit of trouble finding many feasible fingerings for such a chord. I resorted to my usually very complete chord dictionary, selected a dim chord, and the option to add 11 was in fact grayed out.halfstep wrote:But still, can anyone tell me if it's rare for guitarists to add 11 when playing dim or half-dim?
Theoretically, any dimadd11 chord played on guitar could probably be interpreted as some other, much simpler chord. I defy someone to find a guitar chord that is almost exclusively dimadd11.
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- KVRist
- Topic Starter
- 427 posts since 24 Sep, 2009
OK, thanks for your help.djaeke wrote:I am having a bit of trouble finding many feasible fingerings for such a chord. I resorted to my usually very complete chord dictionary, selected a dim chord, and the option to add 11 was in fact grayed out.halfstep wrote:But still, can anyone tell me if it's rare for guitarists to add 11 when playing dim or half-dim?
Theoretically, any dimadd11 chord played on guitar could probably be interpreted as some other, much simpler chord. I defy someone to find a guitar chord that is almost exclusively dimadd11.
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- KVRAF
- 7837 posts since 20 Jan, 2008
Every chord holds the possibiltiy of being another chord.
G dim add 11
omit the third and you have...
G - C# - E - C
or a A7#9 inversion no root.
G dim add 11
omit the third and you have...
G - C# - E - C
or a A7#9 inversion no root.
Dell Vostro i9 64GB Ram Windows 11 Pro, Cubase, Bitwig, Mixcraft Guitar Pod Go, Linntrument Nektar P1, Novation Launchpad
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- KVRist
- Topic Starter
- 427 posts since 24 Sep, 2009
Sorry, I made another mistake!halfstep wrote:OK, thanks for your help.djaeke wrote:I am having a bit of trouble finding many feasible fingerings for such a chord. I resorted to my usually very complete chord dictionary, selected a dim chord, and the option to add 11 was in fact grayed out.halfstep wrote:But still, can anyone tell me if it's rare for guitarists to add 11 when playing dim or half-dim?
Theoretically, any dimadd11 chord played on guitar could probably be interpreted as some other, much simpler chord. I defy someone to find a guitar chord that is almost exclusively dimadd11.
What I wanted to say was, not add 11 but, replacing the 3rd with the 11th.
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- KVRAF
- 7837 posts since 20 Jan, 2008
I would be feasible but not practical
C F# A F
Cdim11
1 - F
x
2 - A
4 - F#
3 - C
x
C F# A F
Cdim11
1 - F
x
2 - A
4 - F#
3 - C
x
Dell Vostro i9 64GB Ram Windows 11 Pro, Cubase, Bitwig, Mixcraft Guitar Pod Go, Linntrument Nektar P1, Novation Launchpad
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- KVRist
- Topic Starter
- 427 posts since 24 Sep, 2009
All right. Thanks.tapper mike wrote:I would be feasible but not practical
C F# A F
Cdim11
1 - F
x
2 - A
4 - F#
3 - C
x
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- KVRist
- Topic Starter
- 427 posts since 24 Sep, 2009
Another question,
at first he is doing Dm G7 C F7 Bb E7 A.
But then from 03:03 on, he is playing weird chords instead of the secondary dominants.
Do you know what those chords are called?
at first he is doing Dm G7 C F7 Bb E7 A.
But then from 03:03 on, he is playing weird chords instead of the secondary dominants.
Do you know what those chords are called?
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- KVRAF
- 7837 posts since 20 Jan, 2008
He plays,,,,
An Am then a F#dim(or if you prefer an F#/Am spelled F#-C-A-C) then a Gmaj7
(G-B-F#) the odd one is a Gm6(G-Bb-E) before the last chord which is an F
He has odd voicings to me. A jazz guitarist wouldn't play those chords like that. On a jazz guitar they would sound to muddy.
An Am then a F#dim(or if you prefer an F#/Am spelled F#-C-A-C) then a Gmaj7
(G-B-F#) the odd one is a Gm6(G-Bb-E) before the last chord which is an F
He has odd voicings to me. A jazz guitarist wouldn't play those chords like that. On a jazz guitar they would sound to muddy.
Dell Vostro i9 64GB Ram Windows 11 Pro, Cubase, Bitwig, Mixcraft Guitar Pod Go, Linntrument Nektar P1, Novation Launchpad
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- KVRist
- Topic Starter
- 427 posts since 24 Sep, 2009
Ah, I thought I knew how secondary dominants without the bass sounded like, but just because it was a guitar and not a piano, I didn't recognize it. 
- KVRAF
- 26033 posts since 20 Oct, 2007 from gonesville
an 11th over a min7b5 is not an at all unusual voicing for guitar (min7b5 is considered in 'harmony class' as a 'half-diminished 7' chord, a dim. triad with a minor 7th).
but, often enough that 11 is in place of the third of the chord as if a suspension like a 4-3.
(from bass upwards) E Bb D A, the A could move to G.
tabbed:
(x)
10 - 8
7
8
7
x
as a ii chord, key of D minor, moving to tonic:
E Bb D, w. A down to G in the top voice;
Eb A C#, w. G down to F in the top voice;
D (A) C F
note that the ii7b5 chord moved in parallel a half step down produces the V7b5 chord, showing equivalence.
in a case where the 11th isn't in lieu of or moving directly to the 10th or 3rd, it might voice like so:
{incl tabbed}:
3 - G
3 - D
2 - A
2 - E
1 - Bb
(O - E)
In fourths.
but, often enough that 11 is in place of the third of the chord as if a suspension like a 4-3.
(from bass upwards) E Bb D A, the A could move to G.
tabbed:
(x)
10 - 8
7
8
7
x
as a ii chord, key of D minor, moving to tonic:
E Bb D, w. A down to G in the top voice;
Eb A C#, w. G down to F in the top voice;
D (A) C F
note that the ii7b5 chord moved in parallel a half step down produces the V7b5 chord, showing equivalence.
in a case where the 11th isn't in lieu of or moving directly to the 10th or 3rd, it might voice like so:
{incl tabbed}:
3 - G
3 - D
2 - A
2 - E
1 - Bb
(O - E)
In fourths.