Modulating key change between tracks of an album/ep

Chords, scales, harmony, melody, etc.
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I've been thinking about this recently but couldn't find ANY info or research into this. So I'm wondered if anyone here has some insight and has done their own experiments/research to see if this really has much of an effect on the listener.

For example, I tend to begin making sketches of tracks often using the same key, because it's comfortable and familiar. But what if I put these tracks together, on an EP for instance and each track is in the key of Am. Let's also say they begin and end on that key.

It seems to me, although this is just a thought experiment. That although each track might be great by itself, and with lots of variation within the track etc. The album's effect on the listener as a whole would be a lot more interesting if the key of each proceeding song was different, or the beginning chord of the next track would be a logical progression from the last. The different key/chord could even be used to create tension, dissonance.

Hope this makes sense :) as I say I've only been thinking about this and haven't put it into practice, or studied any commercial albums. It seems like such a basic thing and yet I can't seem to find any theory/info about it.

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Depends if it's a concept album or not.

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some keys following other keys can be jarring. it depends. to formulate 'what is never going to work' isn't so feasible, tho. sometimes it can have the effect on me where I don't get the key at once; but some key changes that might look a problem on paper to someone can be satisfying.

a true album to me should work as a whole, and key relations from track to track part of the design, it's an act of composition.

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I haven't heard concept albums like that since the 70's Very few will endure an entire album these days, They will pick specific tracks and leave it at that. So long as you have sufficent gap time between the tracks so the mind can reset keys don't have to be an issue.
Dell Vostro i9 64GB Ram Windows 11 Pro, Cubase, Bitwig, Mixcraft Guitar Pod Go, Linntrument Nektar P1, Novation Launchpad

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Good point. The longer the gap between tracks the less impact any difference in key would have on the listener. Still, it's an interesting idea I think and the usual 2 second gap isn't THAT long.. I may analyse some of my favourite albums to see if the artists actually do use this idea.

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Usually artists have no control at that point. It's all in the producers hands or the labels. I remember this "greatest hits" album (vinyl) they tried to cram as many songs as possible on to 33. They went so far as to speed up the songs and trim the outro and leave a two second gap between them. I was a DJ and it was a bitch getting the needle in the groove with enough time for the record to latch to the speed. I finally had to do a punch in on a cart machine to get it to start right.

http://www.jimprice.com/prosound/carts.htm
Dell Vostro i9 64GB Ram Windows 11 Pro, Cubase, Bitwig, Mixcraft Guitar Pod Go, Linntrument Nektar P1, Novation Launchpad

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I can't think of any album I ever cared about that wasn't sequenced to be a fricken album.

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