How/why did the major scale was born independently by different civilizations?
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felipescalador felipescalador https://www.kvraudio.com/forum/memberlist.php?mode=viewprofile&u=260599
- KVRer
- 21 posts since 13 Jul, 2011
So my teacher ask me to research this. How/why did the major scale was born independently by different civilizations?
How is it possible different people long time ago arrived to the major scale independently?
How is it possible different people long time ago arrived to the major scale independently?
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- KVRAF
- 1676 posts since 17 Dec, 2002 from Yorkshire
That's what I was thinking about recently. Microtuning was the reason for that and I've end up with asking myself pretty the same question.
The most intriguing thing about it is that there's a serious math behind it
and can't take "pleasingly sounding" factor as the definitive answer.
The most intriguing thing about it is that there's a serious math behind it
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- KVRAF
- 7837 posts since 20 Jan, 2008
Wikipedia, Google, bing, public library. You'll have to provide references to your teachers. having a published printed document will go over much better then "Some guy at KVR told me this because I was too lazy to look it up."
Dell Vostro i9 64GB Ram Windows 11 Pro, Cubase, Bitwig, Mixcraft Guitar Pod Go, Linntrument Nektar P1, Novation Launchpad
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- KVRAF
- 2285 posts since 20 Dec, 2002 from The Benighted States of Trumpistan
Blame Pythagoras...
To wit, it's because when you take each harmonic and scale it to the same octave, you get a pretty fair approximation of the (equal temperament) major scale: 1, 9/8, 6/5, 4/3, 3/2, 5/3, 7/4 (or 15/8).
To wit, it's because when you take each harmonic and scale it to the same octave, you get a pretty fair approximation of the (equal temperament) major scale: 1, 9/8, 6/5, 4/3, 3/2, 5/3, 7/4 (or 15/8).
Wait... loot _then_ burn? D'oh!
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- KVRAF
- 2217 posts since 15 Jul, 2003
i woukld guess it has something to do with the overtone series
physics and math before it was 'reduced' to physics and math
physics and math before it was 'reduced' to physics and math
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- KVRian
- 1084 posts since 12 Sep, 2008 from Your basement
I am no ethnomusicologist, but I don't think that the major scale IS a universal pitch order. It doesn't show up in Indian classical music, Chinese ancient or traditional music, Hopi, Cheynene, Haudenosaunee, Aboriginal Australian music, Javanese music, music of ancient Persia, Canadian Inuit music or even Andean pan flute music.
I've read theories of "proto scales" involving pentatonic stem scales, but even this is not widely accepted because it assumes that there is a "tonal evolution" towards western scales which is rather western-centric thinking.
Maybe someone could argue that by and large the octave is widely divided into 7 note scales which is related to the natural harmonic series, but you'd have to account for a lot of exceptions.
Is the premise of the assignment even valid?
I've read theories of "proto scales" involving pentatonic stem scales, but even this is not widely accepted because it assumes that there is a "tonal evolution" towards western scales which is rather western-centric thinking.
Maybe someone could argue that by and large the octave is widely divided into 7 note scales which is related to the natural harmonic series, but you'd have to account for a lot of exceptions.
Is the premise of the assignment even valid?
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- KVRAF
- 2285 posts since 20 Dec, 2002 from The Benighted States of Trumpistan
Good points, and you've pretty much settled this -- although I wish to save a tiny bit of face and point out that there are (a few) ragas which use the 7-tone major scale.Ogg Vorbis wrote:I am no ethnomusicologist, but I don't think that the major scale IS a universal pitch order. It doesn't show up in Indian classical music, Chinese ancient or traditional music, Hopi, Cheynene, Haudenosaunee, Aboriginal Australian music, Javanese music, music of ancient Persia, Canadian Inuit music or even Andean pan flute music.
I've read theories of "proto scales" involving pentatonic stem scales, but even this is not widely accepted because it assumes that there is a "tonal evolution" towards western scales which is rather western-centric thinking.
Maybe someone could argue that by and large the octave is widely divided into 7 note scales which is related to the natural harmonic series, but you'd have to account for a lot of exceptions.
Is the premise of the assignment even valid?
Wait... loot _then_ burn? D'oh!
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- Banned
- 12367 posts since 30 Apr, 2002 from i might peeramid
i concurwrench45us wrote:i woukld guess it has something to do with the overtone series
physics and math before it was 'reduced' to physics and math
i don't think it's universal either - personally i think there has been much more intercultural dialogue than historical accounts indicated (at elast when i was in school).
in a similar vein, consider the regular vowels, a, i, u, e, o. again, not universal, but pretty close to it considering the number of dialects they are present in. without thinking too deeply about it, i would expect a strong parallel to any linear resonator.
you come and go, you come and go. amitabha neither a follower nor a leader be tagore "where roads are made i lose my way" where there is certainty, consideration is absent.
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- KVRian
- 750 posts since 30 Aug, 2011 from somewhere in universe
Major scale was predominantly used in Western civilization. Because of rather easy cross-culture communications on Eurasia and Africa continent major scale might also be found in non-Western civilization. However the further from Europe you go, the less used it was. For example, traditional Japanese music sounds quite strange for European ears.
So tell your teacher that he is asking incorrect question.
So tell your teacher that he is asking incorrect question.
Wonder whether my advice worth a penny? Check my music at Soundcloud and decide for yourself.
re:vibe and Loki Fuego @ Soundcloud
re:vibe and Loki Fuego @ Soundcloud
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felipescalador felipescalador https://www.kvraudio.com/forum/memberlist.php?mode=viewprofile&u=260599
- KVRer
- Topic Starter
- 21 posts since 13 Jul, 2011
he told me nobody knows how different people arrive to that relationship of intervals we know as the major scale..
He suggest it could maybe aliens teach humas centuries ago.
I didnt expect such coocked answer
He suggest it could maybe aliens teach humas centuries ago.
I didnt expect such coocked answer
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felipescalador felipescalador https://www.kvraudio.com/forum/memberlist.php?mode=viewprofile&u=260599
- KVRer
- Topic Starter
- 21 posts since 13 Jul, 2011
makes sense.Jafo wrote:Good points, and you've pretty much settled this -- although I wish to save a tiny bit of face and point out that there are (a few) ragas which use the 7-tone major scale.Ogg Vorbis wrote:I am no ethnomusicologist, but I don't think that the major scale IS a universal pitch order. It doesn't show up in Indian classical music, Chinese ancient or traditional music, Hopi, Cheynene, Haudenosaunee, Aboriginal Australian music, Javanese music, music of ancient Persia, Canadian Inuit music or even Andean pan flute music.
I've read theories of "proto scales" involving pentatonic stem scales, but even this is not widely accepted because it assumes that there is a "tonal evolution" towards western scales which is rather western-centric thinking.
Maybe someone could argue that by and large the octave is widely divided into 7 note scales which is related to the natural harmonic series, but you'd have to account for a lot of exceptions.
Is the premise of the assignment even valid?
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- Skunk Mod
- 21249 posts since 10 Jun, 2004 from Pony Pasture
Tell him aliens taught humanity to play that five-note theme from "Close Encounters," but humans had to go and complicate things. He can't disprove it, so it must be correct.
(Note: Do this only if you don't care whether he gives you a bad grade.)
(Note: Do this only if you don't care whether he gives you a bad grade.)
- KVRAF
- 5703 posts since 8 Dec, 2004 from The Twin Cities
Ogg is right, the major scale is only universal because the popularity of Western music has made it so. The indigenous scales of many cultures may parallel it to a certain extent (e.g the Balinese Slendro scale can sound similar, depending on the ensemble), but they are by no means identical.
If any scale could possibly claim to be universal, it would be the pentatonic. But this, too, is subject to all kinds of local variants.
If any scale could possibly claim to be universal, it would be the pentatonic. But this, too, is subject to all kinds of local variants.
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- KVRian
- 1084 posts since 12 Sep, 2008 from Your basement
Here is a question I haven't thought of before... is 4/4 a universal metric pulse? Hmm...