best compressor for bassguitar
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- KVRist
- 319 posts since 19 Mar, 2004 from vienna
i am thinking about, buying a hardware compressor for bass-guitar.
does anybody have a special alternative in software?
i'm after a punchy attack (james jamerson, but without stringdamping)
cheers:
www.myspace.com/tombalcony
does anybody have a special alternative in software?
i'm after a punchy attack (james jamerson, but without stringdamping)
cheers:
www.myspace.com/tombalcony
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- KVRian
- 639 posts since 19 Apr, 2007 from Frankfurt, Germany
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- KVRist
- Topic Starter
- 319 posts since 19 Mar, 2004 from vienna
what do you think of this one?bootsie wrote:that is the 1176 w/o any doubt ...i am thinking about, buying a hardware compressor for bass-guitar.
http://www.thomann.de/at/fmr_audio_rnc_1773.htm
www.myspace.com/tombalcony
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- KVRAF
- 2118 posts since 1 Apr, 2004 from Athens, Greece
Definitely cheaper than the 1176! A friend is using it on acoustic guitars and voice and he makes it sound good.
I've never used a real LA-3A but the UAD plugin version is my favorite for bass. Extremely easy to set and always sounds good.
I've never used a real LA-3A but the UAD plugin version is my favorite for bass. Extremely easy to set and always sounds good.
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- KVRAF
- 1580 posts since 22 Apr, 2011 from The House of Zaid
I think the SSL channel comps on slow attack are very punchy for bass guitar.
Has anybody ever really been far even as decided to use even go want to do look more like?
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- KVRist
- 206 posts since 12 Sep, 2007
That's the only application where the RNC doesn't sound "good". Bass waveforms are detected as several very fast peaks, which leads to unnatural distortion-like behaviour...premiumcrap wrote:what do you think of this one?
http://www.thomann.de/at/fmr_audio_rnc_1773.htm
www.myspace.com/tombalcony
My choice would be an old dbx 160 or even 163X.
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- KVRian
- 1064 posts since 21 Mar, 2005
Uad dbx is very nice. So is the la3a. the Abbey road Tg1 can get you a unique colour. For a cleaner sound try Fabfilters Pro-C
My favorit hardware comp for bass is the chandler germanium comp. For cheap the fmr rnla can be usefull.
Pedals can also be good. I have a Mad Professor FGC, which is works good with both guitar and bass.
My favorit hardware comp for bass is the chandler germanium comp. For cheap the fmr rnla can be usefull.
Pedals can also be good. I have a Mad Professor FGC, which is works good with both guitar and bass.
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- KVRAF
- 14739 posts since 19 Oct, 2003 from Berlin, Germany
In my opinion, every feedback type compressor does the trick.
I tend to often use a LA-typish compressor or mostly IKM's OPTO comp.
I tend to often use a LA-typish compressor or mostly IKM's OPTO comp.
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- KVRAF
- 7095 posts since 22 Jan, 2005 from Sweden
If pedal EBS Multicomp:
http://www.bass.se/2009/multicomp.htm
Their pedals are really high quality - well, everything they do.

http://www.bass.se/2009/multicomp.htm
Their pedals are really high quality - well, everything they do.
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- KVRist
- Topic Starter
- 319 posts since 19 Mar, 2004 from vienna
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- KVRist
- 216 posts since 11 Apr, 2005 from Hamburg, Germany
Well, I'm soundengineer and bassist.
Used the 1176 (hardware) quite often for bass, back in the day ...
As most comps with very fast attack times settings, it can also distort
on bass sounds (which can be a nice effect).
Also liked the various valley people, we had.
DBXs also do a good job.
Today, I really love the DC8C (software) on bass ( and many other sources )!
Can stay clean even on difficult signals, with fast attack settings.
Can work as feedback and feed forward ( and anything in between ).
Can add some dirt with it's saturation modes.
Has sidechain filters and even a a sidechain tilt filter !
( I'd recommend to reduce the gain reduction smoothing, for dynamically played bass.)
At 20,- EUR intro offer, it's a gift.

And sure enough, COMPassion is a great, very versatile Bass comp.
Also has a convincing fet (= 1176) mode.
Jan
Used the 1176 (hardware) quite often for bass, back in the day ...
As most comps with very fast attack times settings, it can also distort
on bass sounds (which can be a nice effect).
Also liked the various valley people, we had.
DBXs also do a good job.
Today, I really love the DC8C (software) on bass ( and many other sources )!
Can stay clean even on difficult signals, with fast attack settings.
Can work as feedback and feed forward ( and anything in between ).
Can add some dirt with it's saturation modes.
Has sidechain filters and even a a sidechain tilt filter !
( I'd recommend to reduce the gain reduction smoothing, for dynamically played bass.)
At 20,- EUR intro offer, it's a gift.
And sure enough, COMPassion is a great, very versatile Bass comp.
Also has a convincing fet (= 1176) mode.
Jan
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- KVRAF
- 1580 posts since 22 Apr, 2011 from The House of Zaid
You also have to know how you are approaching the compression.
I like to think of 2 basic styles of approaching track compression like for bass guitar -
You can either use a low ratio, like 2:1 or 3:1, and dig in deep, with a slow attack, basically compressing the whole signal. You have to be more careful with your attack and release settings with the lower threshold.
Or you can use a higher ratio and faster attack and release, almost like a limiter, only affecting the peaks (and maybe a little bit on the sustain) of the signal. And you will use a higher threshold so the lower parts are unaffected.
I typically go for the 2nd way, using higher ration, fast attack and fast release, and compressing on the peaks between 3-6db. Sometimes even more, the bass can be pretty dynamic when going DI so I often will do up to 10db of compression on the track, using the SSL channel comp.
I like to think of 2 basic styles of approaching track compression like for bass guitar -
You can either use a low ratio, like 2:1 or 3:1, and dig in deep, with a slow attack, basically compressing the whole signal. You have to be more careful with your attack and release settings with the lower threshold.
Or you can use a higher ratio and faster attack and release, almost like a limiter, only affecting the peaks (and maybe a little bit on the sustain) of the signal. And you will use a higher threshold so the lower parts are unaffected.
I typically go for the 2nd way, using higher ration, fast attack and fast release, and compressing on the peaks between 3-6db. Sometimes even more, the bass can be pretty dynamic when going DI so I often will do up to 10db of compression on the track, using the SSL channel comp.
Has anybody ever really been far even as decided to use even go want to do look more like?
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Brother Charles Brother Charles https://www.kvraudio.com/forum/memberlist.php?mode=viewprofile&u=271995
- KVRian
- 1112 posts since 3 Jan, 2012 from Alberta, Canada

