Which couple of music related books have inspired you most?

Anything about MUSIC but doesn't fit into the forums above.
RELATED
PRODUCTS

Post

Hi Everybody

This is probably just a crafty attempt to expand my music reading, but I am also interested in books that other musicians feel have given them most food for thought or some mind-blowing ideas in how to approach their music-making.

If possible, please are you able to provide a short explanation as to how or why a particular book has left such a great mark on your thinking.

Avoidance of long lists with little in the way of comment will be much appreciated, thanks.
Don't worry if one of your books is quite narrow in its focus, or if it tackles an issue or genre that is not very well known. Sometimes the lesser known topics and books provide the greatest interest.

For me, the books that I keep on going back to and taking new lessons from are:


1) Arranging Techniques for Synthesists by Eric Turkel:

Image

I'm not the most advanced of musicians, so this book about how to build better compositions and arrangements is a great one to return to, particularly when creating a song in a genre that I'm not so familiar with.
The book starts with Rhythm, Styles, Melody, Harmony, Advanced Harmony Substitution and voice arrangement etc. Then it takes a structured look at the different sections of the band (Rhythm, Brass, Woodwinds, Strings). It explains how each works, instrument ranges, how to write parts for each etc.
Very useful.


2) Dub: Soundscapes and Shattered Songs in Jamaican Reggae by
Michael E. Veal:

Image
This is the best book on dub reggae imho, and dub reggae is my favourite genre.
The book covers not only the historical and cultural context of why Jamaican dub arrived, but also extremely usefully it analyses many well known dub tunes by masters such as King Tubby and Lee Perry, showing where and why certain effects were used to help build the sonic landscape of the song.
It doesn't limit itself just to the golden era of Jamaican dub (1970s-1980s) but looks before / after this time and also outside of the country, it gives a decent account of early Jamaican soundsystem / studio operation and features many insightful quotes by well known dub producers too.


3) Mixing Secrets for the Small Studio by Mike Senior:

Image

An excellent book that provides a vision and strategy to enable your mixes to compete in the commercial sphere. It offers great tips about how to achieve mix stability and how / why certain techniques and effects work towards this.
Comments from renowned producers / engineers serve to highlight lessons within the chapters and also to provide different thoughts about the mixing process.
For anyone wishing to learn more about mixing - or just to seek some new angles on information that they may already know - this book is a great help.


Thanks for all your suggestions and interesting books.

Doug

Post

"On Sonic Art" by Wishart

"Musical Applications of Microprocessors" by Chamberlin

"Computer Music Tutorial" by Roads
An idiot on Set Theory:
"In some cases there is an object called red that contains everything that is red. In much the same way a pot is a plate."

Post

whyterabbyt wrote:"On Sonic Art" by Wishart

"Musical Applications of Microprocessors" by Chamberlin

"Computer Music Tutorial" by Roads
Thanks mate - it seems a very interesting area covered in those books; I've only briefly looked them up on Amazon just now but I'll check their summaries and reviews out more thoroughly in the next few hours.


( And to think, when I saw your nametag for this thread on the latest KVR posts list, I genuinely feared I'd be greeted with ''Baroque for Budgies''! :oops: )

Post

jeff noon - needle in the groove

a work of fiction, in dub!
read it often and it inspires thoughts about music...
:ud:

Post

oh, you want a couple..

more sound design but
http://www.amazon.co.uk/Sound-Design-Ex ... pd_sim_b_8
:ud:

Post

Inside the Music - Dave Stewart (yes, the It's My Party... Dave Stewart)

Irreverent take on music theory. If only all music theory books were written like this. Genuinely inspiring. Possibly a bit basic if you're not a beginner but still has tips even for people who've done the basics and more.

Composer's Handbook - Bruce Cole or Composing Music - William Russo - both are great sourcebooks in melody and music writing. Cole aims at a younger audience but the exercises are very well thought out so don't be put off by the '11-18 age' thing on the back. Composing Music has the benefit of being spiral bound as well as being a bit more sophisticated. But I'd take either.

Tuning, Timbre, Spectrum, Scale - William Sethares. I'm always going on about this one but it's the best take IMHO we've got so far on building a theory of music that could marry microtonal with old-style tonal. A good foil to Curtis Roads' works. It's 'scientific' in approach but Sethares does his own microtonal composition.

For dance music, Unlocking the Groove - Mark Butler, changed my perspective on it. Some of the ideas I think are not quite there but I've slowly come round to some of the others. And let's face it, you can count dance musicology books on the fingers of one foot.
Last edited by Gamma-UT on Tue Apr 16, 2013 11:50 am, edited 1 time in total.

Post

vurt wrote:oh, you want a couple..

more sound design but
http://www.amazon.co.uk/Sound-Design-Ex ... pd_sim_b_8
:tu: on that.
An idiot on Set Theory:
"In some cases there is an object called red that contains everything that is red. In much the same way a pot is a plate."

Post

Bert Weedon - Play in a Day
http://www.amazon.co.uk/gp/aw/d/0571529658

Beatles In Their Own Words
http://www.amazon.co.uk/gp/aw/d/0825639255

:wink:

Post

:ud:

Post

An idiot on Set Theory:
"In some cases there is an object called red that contains everything that is red. In much the same way a pot is a plate."

Post

those little 33 1/3 rpm books too.
reviews and/or insights into the making of various classic albums, everything from pop through to industrial.

ive particularly enjoyed the piper at the gates of dawn, low, reign in blood, closer and 20 jazz funk greats books.
i have a few others too, generally as theyre pocket sized i use e on journeys rather than home reading :)
:ud:

Post

First my personal bible:
http://www.amazon.fr/La-Partition-int%C ... 2907891030
"la partition intérieure" from Jacques Siron is about musical theory oriented toward improvisacional musician. 700 pages of clarity and musical (not technical) inspiration. It may be seen as something only for jazz, but really it is more than that. It is putting the act of listening as the base of all musical action, and technic grows on that base.
I still go read a few pages from time to time, when having a doubt or just to get fresh ideas from old buckets.

Then "Technique de mon language musical" from Olivier Messiaen:
http://books.google.com.mx/books/about/ ... edir_esc=y

A lot of ideas there, I read it when I was starting to grow interest for polyrhytmia, polytonality, classical indian music, and well, Messiaen is the master of mixing those kind of ideas in a musical way that is at the end of the day really personal. The book is well furnished with musical exemples, and only for that I'll recommend it to anyone interested in composition.

Then "Diabolus in musica" ( http://www.electrocd.com/fr/cat/mgld_1908/ )by François Bayle and Jean-Christophe Thomas, it is an essai about musical composition by Bayle, written mostly by Thomas. It cames with a CD to listen to the pieces that are being analyzed, and a visual representation of the composition (acousmographies, here you can download the software and do your own: http://www.inagrm.com/accueil/outils/acousmographe ).
It is not musical "classic" analysis, a lot more like a personal view, emotional too, of the pieces, so to me it is a lot more interesting for inspiration that anything else. And even though I am not a big fan of Bayle's music, I enjoyed reading it a lot.

Also on a more down to earth note, "mixing audio" by Roey Izhaki ( http://www.amazon.fr/Mixing-Audio-Conce ... 0240520688 ). A really good book about mixing with a lot of exemples etc. Helped me make clearer things I do in the box.

Finally four more that doesn't have anything to do with music, but have been an inspiration, "la methode, volume 1, 2 & 3" by Edgar Morin, and "The embodied mind" by Francisco Varela.
"The method" is an atempt at exposing an other way to acquire new knowledge (not only in sciences, but mainly) by trying to focus on dynamic systems, allways finding why and how apparently opposit ideas finally work together in a bigger system, it is not an hippy level ying yang crap, I just explain it really bad. Oh and I LOVE the tittlse of those first three volumes: "The nature of nature","The life of life", and"The knowledge of knowledge" (I did not check oficial traductions those are badly homemade.
"The embodied mind" is in my opinion the best book my Varela, and I like them ALL. He was a cognition sciences researcher, first focused on brain biology, but to me what he gave to science is the link between Merleau-Ponty and tibetan knowledge. A way to put the body first in knowledge, wich is a way to put percepcion first and last. "Percepcion is the stuff reality is really made of" is someone's signature here, I don't remember who (sorry about that) but I loved it!
Those books are important to me because of the way I want to developpe my music: percepcion IS an action, it IS creative, and it IS the first musical action I do when composing. (and electroacoustic music IS about that to me, changing the "epoche" paradigm from Schaeffer to the "enaction" paradigm)

Thank you Doug1978 for this thread!

Post

@Doug:

1) Arranging Techniques for Synthesists by Eric Turkel:
Honestly what a great book. I think it should be required reading.

If there is one book I would advise to anyone recording or performing it would be.....

The Inner Game of Music by Barry Green and Timothy Gallwey
Image

It helps to get the junk out of ones system.
Dell Vostro i9 64GB Ram Windows 11 Pro, Cubase, Bitwig, Mixcraft Guitar Pod Go, Linntrument Nektar P1, Novation Launchpad

Post

sorry, Doug, ive just realised you were after rationales too. i'll post some later...
An idiot on Set Theory:
"In some cases there is an object called red that contains everything that is red. In much the same way a pot is a plate."

Post


Post Reply

Return to “Everything Else (Music related)”