help for everyone!(chords quality:))

[psychoxkps]

please.. one of last helps for me:)) i little learning musical theory now.. u know:D but i need know when iam writing music some(for that songs sets) chord progression....

i learned major quality is happy....
minor is sad....
augmented is wide....
dominant is narrow....
i dont know bitonal..
i dont know atonal....
predominant - u know:DDD
mixed sounds nice....
suspended(is last triad but too dont know:))))
M3+d5(this is what, major triad - diminished fourth?:DDD iam stupid:DD)

help me.. help people.... we need you:))

and god-damn dont buy anything instead of m-audio & native instruments....:DDD i cant let it for myself....

[psychoxkps]

my first car will be porsche;)

[Spiritos]

I don't see the quesion...

Having said that, go by ear creating music that sounds good to you and along side of that take one or half an hour a day to read up on music theory.

[psychoxkps]

i dont need music theory.. i need this!

[Spiritos]

i dont need music theory.. i need this!

And what is 'this'? I don't see your question

[psychoxkps]

individual.... someone else please?:/ iam very sleepless so sorry if i dont writed it directly but that description i will very happy hear.. please:/

[tranel]

i dont need music theory.. i need this!

<cough> You DO need music theory. In fact what you are asking IS music theory.

I think what you are asking is the emotional quality of each type of chord is that right, eg. minor is "sad," major is "happy" etc.

Do you know scales?

I'm happy to help you out but will need a more precisely defined question.

Best,

A

[psychoxkps]

my dudes.. i want to make you it simplier.. i know first four from eleven right that is too little help for you how i imagine it.... emotion or whatever, right....

[psychoxkps]

hey, god.. help me!:DD

[Spiritos]

my dudes.. i want to make you it simplier.. i know first four from eleven right that is too little help for you how i imagine it.... emotion or whatever, right....

Dude, get some sleep then try again in the morning. Seriously..

[psychoxkps]

my lollipop.... i want to that eleven colours know what they r..

major = happy
minor = sad
augmented = wide
diminished = narrow
.
.
.
.
.
.
.

understand?

[whyterabbyt]

blue
wiggly
hard
lemon
busty
corrugated
and
fallow

in that order.

[psychoxkps]

major = happy
minor = sad
augmented = wide
dominant = narrow
indeterminate = blue
bitonal = wiggly
atonal = hard
predominant = lemon
mixed = busty
suspended = corrugated
M3+d5 = fallow

yop, this is true.... thanks god and whyterrabyt:)) lets make some chord progression:DDD

must learn this to my mind from sides upwards down:DD

[JumpingJackFlash]

I'm afraid music is nowhere near as simple as you seem to think it is.

Things are a lot more complicated than simply saying "Major=happy" and so on.

If you're really interested, you need to spend time slowly learning the basics. If not, then feel free to just put random notes together until you get something you're happy with.

Some reading for you:

An Introduction to Music Theory
Scales, Modes and Chords

[Ogg Vorbis]

Here's another list that you can refer to. If you incorporate bitonality involving F# minor, you can obtain a wiggly dress biter.

From Christian Schubart's Ideen zu einer Aesthetik der Tonkunst (1806) translated by Rita Steblin in A History of Key Characteristics in the 18th and Early 19th Centuries. UMI Research Press (1983).
C major Completely pure. Its character is: innocence, simplicity, naïvety, children's talk.
C minor Declaration of love and at the same time the lament of unhappy love. All languishing, longing, sighing of the love-sick soul lies in this key.
Db major A leering key, degenerating into grief and rapture. It cannot laugh, but it can smile; it cannot howl, but it can at least grimace its crying.--Consequently only unusual characters and feelings can be brought out in this key.
D major The key of triumph, of Hallejuahs, of war-cries, of victory-rejoicing. Thus, the inviting symphonies, the marches, holiday songs and heaven-rejoicing choruses are set in this key.
D minor Melancholy womanliness, the spleen and humours brood.
D# minor Feelings of the anxiety of the soul's deepest distress, of brooding despair, of blackest depresssion, of the most gloomy condition of the soul. Every fear, every hesitation of the shuddering heart, breathes out of horrible D# minor. If ghosts could speak, their speech would approximate this key.
Eb major The key of love, of devotion, of intimate conversation with God.
E major Noisy shouts of joy, laughing pleasure and not yet complete, full delight lies in E Major.
F major Complaisance & calm.
F minor Deep depression, funereal lament, groans of misery and longing for the grave.
F# major Triumph over difficulty, free sigh of relief utered when hurdles are surmounted; echo of a soul which has fiercely struggled and finally conquered lies in all uses of this key.
F# minor A gloomy key: it tugs at passion as a dog biting a dress. Resentment and discontent are its language.
G major Everything rustic, idyllic and lyrical, every calm and satisfied passion, every tender gratitude for true friendship and faithful love,--in a word every gentle and peaceful emotion of the heart is correctly expressed by this key.
G minor Discontent, uneasiness, worry about a failed scheme; bad-tempered gnashing of teeth; in a word: resentment and dislike.
Ab major Key of the grave. Death, grave, putrefaction, judgment, eternity lie in its radius.
Ab minor Grumbler, heart squeezed until it suffocates; wailing lament, difficult struggle; in a word, the color of this key is everything struggling with difficulty.
A major This key includes declarations of innocent love, satisfaction with one's state of affairs; hope of seeing one's beloved again when parting; youthful cheerfulness and trust in God.
A minor Pious womanliness and tenderness of character.
Bb major Cheerful love, clear conscience, hope aspiration for a better world.
Bb minor A quaint creature, often dressed in the garment of night. It is somewhat surly and very seldom takes on a pleasant countenance. Mocking God and the world; discontented with itself and with everything; preparation for suicide sounds in this key.
B major Strongly coloured, announcing wild passions, composed from the most glaring coulors. Anger, rage, jealousy, fury, despair and every burden of the heart lies in its sphere.
B minor This is as it were the key of patience, of calm awaiting ones's fate and of submission to divine dispensation.