Making remix - how to choose correct/right scale for vocal?
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- KVRAF
- 2210 posts since 20 Sep, 2013 from Poland
Yeah, use your ear to play the vocal line's notes on piano, then see what notes you got and which note it all resolves to (which note sounds like it could be "the end" when you play it). Then you should know what notes the scale contains (maybe not all of them but most) and what the root is.
You could probably try something else, like running the vocals through autotune and see which scale makes the least difference in the sound, but that would probably take longer.
You could probably try something else, like running the vocals through autotune and see which scale makes the least difference in the sound, but that would probably take longer.
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- KVRist
- Topic Starter
- 52 posts since 3 Oct, 2011
Thx, but what about the melody plays with 2 notes.
It's very popular last time.
It's part of some chords/triads?
...or maybe the intervals are the same, eg: melody with 1 note + 5th...?
It's very popular last time.
It's part of some chords/triads?
...or maybe the intervals are the same, eg: melody with 1 note + 5th...?
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- KVRAF
- 2210 posts since 20 Sep, 2013 from Poland
Two notes makes it even easier. If you only have two notes then one of them will be your tonal center/tonic/root (though "root" is technically not the correct word to use here). You can then use any scale which has that note as the tonic and also contains the other note, but generally start with a minor or major scale to make it easy.
So let's say your notes are Bb and Db. Then you've got Bb minor. If the notes are Bb and F, then you can either do Bb minor or Bb major.
So let's say your notes are Bb and Db. Then you've got Bb minor. If the notes are Bb and F, then you can either do Bb minor or Bb major.
- KVRAF
- 12190 posts since 7 Sep, 2006 from Roseville, CA
Neither of the two notes in question have to be the root/tonic. Hell, that would probably be boring anyway. It might be more interesting if, for example, they were the 7th or 9th over one chord, 3rd and 5th over another chord, etc. But, the most important thing is to start by figuring out what the two notes are, then determine which keys they will work in (probably many, since it's only two notes).
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- KVRist
- 70 posts since 24 Nov, 2011
It is a much better idea, to import the audio into Melodyne or Cubase 7 or something similar and let it analyse.Steinberg wrote: Is it good idea to play vocal in loop & try to play piano over those vocal?
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thecontrolcentre thecontrolcentre https://www.kvraudio.com/forum/memberlist.php?mode=viewprofile&u=76240
- KVRAF
- 37262 posts since 27 Jul, 2005 from Scottish Borders
- KVRist
- 455 posts since 31 May, 2013 from Space is the Place
I usually do it by listening and playing along with an instrument.
However, I've found Photosounder Spiral useful for finding the pitches. Just play the vocal through it and watch for which notes are present. Also useful for looking at tuning discrepancies
However, I've found Photosounder Spiral useful for finding the pitches. Just play the vocal through it and watch for which notes are present. Also useful for looking at tuning discrepancies