Musician Zoe Keating reveals iTunes, Spotify and YouTube payouts for 2013

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Want to know how much a musician really makes from digital services like iTunes, Spotify and YouTube? Zoë Keating is one of the more reliable sources.

The cellist, who self-releases her music rather than work with a label, has made a habit of sharing details of how her earnings break down between different sources, for the benefit of her peers and the wider debate around digital music payouts.

Over the weekend, Keating published her latest set of figures as a public document on Google Drive, splitting her recorded-music earnings from 2013 into sales and streams. In short, 92% of her income last year came from sales – $75,341 – with a further $6,380 coming from streaming services.

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Keating’s biggest source of income last year was Apple’s iTunes Store, where sales of 32,170 single tracks and 3,862 albums netted her just over $38,195.

Meanwhile, 185 tracks and 2,899 albums sold through her profile on direct-to-fan site Bandcamp earned a further $25,575, while a mixture of physical and MP3 sales on Amazon earned her a further $11,571.

403,035 Spotify streams earned Keating $1,764, while more than 1.9m views of videos on YouTube – mostly those uploaded by other people featuring her music – earned her $1,248. US personal radio service Pandora generated $3,258 of royalties – but from an undisclosed number of streams.

Keating also notched up 266,331 streams on SoundCloud and 222,226 streams on her Bandcamp site, neither of which generated royalties for her.

She tweeted a link out to the spreadsheet on Friday (21 February) without passing comment on any of the services listed. “2013 music sales & streaming numbers for a middle-aged mom in a non-album cycle,” she tweeted, while noting that Apple keeps 30% of iTunes sales, while Bandcamp takes a 10% cut of sales through its website.

Keating’s per-stream payout for Spotify was thus $0.0044 in 2013. The streaming service said in December 2013 that its average per-stream payout to music rightsholders is between $0.006 and $0.0084 – a figure that includes payouts to publishers as well as labels (or in Keating’s case, self-releasing artists).

Her Spotify payouts were still a long way ahead of YouTube’s $0.00064 per stream: a single Spotify stream was worth nearly seven YouTube streams in 2013. However, it would take 160 Spotify streams to generate the same income for Keating as a single track sale on iTunes.

http://www.theguardian.com/technology/2 ... be-payouts

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Zoë Keating's albums are beautiful

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It'd be interesting to find out whether dropping the lowest-earning services would raise her revenue from others.

YouTube for instance -- without an official presence, chances are those same people will just use unofficial uploads anyway.

The ratio of singles to albums on iTunes vs. Bandcamp vs. Amazon is odd and interesting. I don't use iTunes, and coincidentally, I always buy albums rather than singles. I wonder if there's something about iTunes' design that encourages buying singles over albums, or if it says more about people than services.

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I'm so pissed at her. Went to see one of her shows in SF a little while ago and she was a full hour late, which meant that we missed a lot of her show because we had to get back home to relieve the babysitter. I own all her albums and I'll still buy them, but her next year's live show income will be a few bucks short.
Zerocrossing Media

4th Law of Robotics: When turning evil, display a red indicator light. ~[ ●_● ]~

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Last edited by Uedi on Sun Mar 02, 2014 10:11 pm, edited 1 time in total.
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I think the question will be whether the singles/album sales via itunes/bandcamp/whatever will stay relatively stable in the next years or if streaming will completely take over. I fear for the second, because younger generations grow up with streaming now and will get used to it.
In the case of Zoe Keating she seems to get around on sales, while the streaming maybe can be seen as promotion or additional marketing, but when the balance shifts, she will be in trouble.

Was there ever a poll here regarding who is buying LPs, CDs, downloads or streams? Could be interesting, though maybe not representative.

Bandcamp is a great platform, I'd love to see it expand to Germany, though I am not sure the GEMA would approve...

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$6,380 coming from streaming services
WOW! With all the Pandora lawsuits, I wouldn't have expected streaming this high. Guess it includes paid streaming though, too huh.

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this makes me wonder how fitch is doing ...
well , one hopes ...
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i wonder how much riff raff gets.

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