Cherry Audio Voltage modular

VST, AU, AAX, CLAP, etc. Plugin Virtual Instruments Discussion
Post Reply New Topic
RELATED
PRODUCTS
Voltage Modular Core + Electro Drums Voltage Modular Ignite Voltage Modular Nucleus

Post

It’s a Juno 106 module from the graphic on their homepage
Image
Last edited by WatchTheGuitar on Thu Oct 01, 2020 5:20 pm, edited 1 time in total.

Are you safe?
"For now… a bit like a fish on the floor"
https://tidal.com/artist/33798849

Post

Image

Cherry Audio is excited to introduce DCO-106, the newest instrument in Cherry Audio’s expanding product line. DCO-106 is a virtual polyphonic synthesizer precisely modelling every aspect of the beloved classic Juno-106 synthesizer, from its characteristic self-oscillating filter, to its dreamy chorus effect. The classic design has been expanded with new, contemporary features, and we've packed it full of of over 330 presets, including all of the original Juno-106 factory presets. With an inspiring, vintage sound, and a jaw-dropping low price, the DCO-106 is a powerhouse virtual instrument from a company with a passion for vintage synthesizers.

https://youtu.be/QPzn3kkHcI0

Blast from the Past

First released in 1982, the Juno-6 and Juno-60 synthesizers were an immediate success. Reliable, great sounding, affordable, and easy to use, these instruments became a major part of the synth-rich sound of 80’s pop music. In 1984, the Juno-106 was released, adding MIDI to the Juno feature set. With this powerful addition, the Juno-106 became a fixture in thousands of MIDI studios, and went on to become a legendary classic analog synthesizer. Today, the Juno series of synthesizers are coveted by modern musicians, and the classic Juno sound can now be found everywhere, from chart-topping songs by artists like The Weeknd, Deadmau5, and Tame Impala, to the cutting-edge soundtracks of television shows like Stranger Things.

Cherry Audio set out to build an absolutely faithful recreation of the Juno-106. We avoided the temptation to add features that would deter from the Juno's rapid and simple workflow. Instead, we modelled every aspect of the oscillators, filters, and envelope generators, as well as the classic, rich stereo chorus effect. We added new capabilities that transport the Juno concept to the next level, including an arpeggiator (much like the one found on the earlier Juno-60), chord memory mode, MPE support, new LFO waveforms, up to 16 voices of polyphony, a moody delay effect, Cherry Audio’s shimmering new reverb effect, and an incredibly powerful detunable unison mode, for massive sounds never possible on the original.

The result is an instrument that sounds and feels like hardware. The interface is familiar and immediate, the 64-bit high definition sound quality is exceptional, the effects are absolutely professional, and CPU usage is light and efficient. DCO-106 captures the tone and soul of the timeless, classic Juno synthesizers, and carries on the spirit of the legendary original.

An Instrument for the Future

DCO-106 pays tribute to the past, but it’s designed for the future. All parameters are automatable within a DAW and through MIDI Learn. MIDI-mapped controls all feature adjustable min/max values and response curves. Cherry Audio’s powerful 64-bit sound engine, proprietary DSP, and alias-free oscillators produce high-fidelity audio that easily fits into any mix. DCO-106’s preset browser is fast, searchable, and very easy to use. DCO-106's LFO speed, arpeggiator rate, and delay time are all syncable to host tempo.

Perhaps most impressively, DCO-106 offers tight integration with MPE (MIDI Polyphonic Expression) controllers. All DCO-106 polyphonic controls are mappable to the X, Y, and Z axes, with both absolute and relative mapping modes, plus adjustable min/max values and response curves. Playing the DCO-106 with an MPE controller is an awe-inspiring experience - the combination of MPE’s cutting-edge technology and DCO-106’s vintage tone will leave you breathless.

Refreshingly, DCO-106 doesn’t use irritating dongles or annoying plug-in managers. Instead, DCO-106 seamlessly and automatically keeps itself up-to-date, and DCO-106 can be simultaneously used on up to four computers.

Voices Carry

“Just like the original hardware, it is so easy to immediately carve, sculpt or create a sound you are looking for,” says Phil Bennett, keyboard player for 80’s mega-band Starship. “Such a beautiful, elegant interface and such amazing accessibility and immediate functionality, just like my old Juno-106! And that glorious sound... I love the authenticity of DCO's legendary chorus, and with such simple extra functionality and added effects, it is instant satisfaction!”

https://youtu.be/IKNaC7eFPPg

“The sound quality is fantastic, convincing and inspiring even with all effects turned off,” says Eric Levy, keyboard player for 80’s arena rockers Night Ranger. “The UI is wonderful, and it's easy to see everything. Top notch! MIDI Learn is a snap too. From forging ideas to recording them, I can’t imagine any synth getting me there quicker than the DCO-106, while sounding absolutely beautiful along the way.”

“The Juno-106 was my favorite keyboard back in my top-40 days,” recalls Blake Sakamoto, former keyboard player for 80’s synthpop band Animotion and 80's funk band Dan Reed Network. “It had all of the sounds I needed and more. This is so much fun to play with! You turned back the clock to when things were simpler and full of discovery. I think you’ve hit it out of the park!”

An Astonishing Price for an Astonishing Instrument

Today, vintage Juno-106 synthesizers are in high demand and often sell for US$1,500 to $2,500. Common issues include failing voice chips, broken keys, and noisy sliders, making these vintage classics an expensive proposition to own and maintain. Now this beloved 80’s polysynth is available to anyone for a fraction of the cost, with perfect reliability.

Cherry Audio’s DCO-106 is available now at cherryaudio.com, for only $25. Yes, really. It’s available for both Windows and macOS, in AU, VST, VST3, AAX, and standalone formats, with a free 30-day demo.
Last edited by cherryDan on Thu Oct 01, 2020 5:47 pm, edited 2 times in total.

Post

No wonder none of us guessed it, the Juno 106 was released in 1984.

Are you safe?
"For now… a bit like a fish on the floor"
https://tidal.com/artist/33798849

Post

Not a synth I particularly wanted as its been done to death and I have the Roland 106 VST (and a DM12!). I would have much preferred it in modular/rack form but I will give it a go- its certainly cheap enough but I cant see me getting this unless there is a rack version as I (and I suspect many people) have the 106 sound covered.
X32 Desk, i9 PC, S49MK2, Studio One, BWS, Live 12. PUSH 3 SA, Osmose, Summit, Pro 3, Prophet8, Syntakt, Digitone, Drumlogue, OP1-F, Eurorack, TD27 Drums, Nord Drum3P, Guitars, Basses, Amps and of course lots of pedals!

Post

Do I understand correctly, this is not a module for Voltage Modular?

Post

future-bit wrote: Thu Oct 01, 2020 5:27 pm Do I understand correctly, this is not a module for Voltage Modular?
Nope- Its a stand alone VST (Stand alone, VST2, VST3 and AAX)
X32 Desk, i9 PC, S49MK2, Studio One, BWS, Live 12. PUSH 3 SA, Osmose, Summit, Pro 3, Prophet8, Syntakt, Digitone, Drumlogue, OP1-F, Eurorack, TD27 Drums, Nord Drum3P, Guitars, Basses, Amps and of course lots of pedals!

Post

Not interesting then! I do not want another VST plugin. I like Voltage Modular because you don't have to install a bunch of plugins, just one install.

Post

OK-I have had 10 minutes with it. Sounds great, lovely scalable GUI, a lot borrowed from VM in the 'framework' - absolute barging at $25 if you don't have a good 106 emulation already.

I won't be buying it (in this form) as I have the 106 covered...I suspect a lot of KVRers will have this icon sound covered and some existing VSTs like Diva to make it a bit more interesting by taking the features further and a mix and max approach. That would of course have been the case if this was a rack module, which I am sure will come (and I will buy it then :-))
X32 Desk, i9 PC, S49MK2, Studio One, BWS, Live 12. PUSH 3 SA, Osmose, Summit, Pro 3, Prophet8, Syntakt, Digitone, Drumlogue, OP1-F, Eurorack, TD27 Drums, Nord Drum3P, Guitars, Basses, Amps and of course lots of pedals!

Post

SLiC wrote: Thu Oct 01, 2020 5:42 pm OK-I have had 10 minutes with it. Sounds great, lovely scalable GUI, a lot borrowed from VM in the 'framework' - absolute barging at $25 if you don't have a good 106 emulation already.

I won't be buying it (in this form) as I have the 106 covered...I suspect a lot of KVRers will have this icon sound covered and some existing VSTs like Diva to make it a bit more interesting by taking the features further and a mix and max approach. That would of course have been the case if this was a rack module, which I am sure will come (and I will buy it then :-))
the DC-60 seems to be the rack module.. presented in may this year..
don't know how they compare.

Post

So I guess there's now a need for separate Cherry Audio (NOT Voltage Modular) thread?

FWIW I'm a sucker for anything Juno so I added it to the shedloads I already have. It sounds really good and I've piggybacked it playing preset "Ambient Arp" with TAL-U-NO-LX preset "ARP Berlin School Arpeggion FRM" and UVI plugin Mercury-80 with preset "Dream Tanger" - very nice.

Are you safe?
"For now… a bit like a fish on the floor"
https://tidal.com/artist/33798849

Post

WatchTheGuitar wrote: Thu Oct 01, 2020 5:51 pm So I guess there's now a need for separate Cherry Audio (NOT Voltage Modular) thread?

FWIW I'm a sucker for anything Juno so I added it to the shedloads I already have. It sounds really good and I've piggybacked it playing preset "Ambient Arp" with TAL-U-NO-LX preset "ARP Berlin School Arpeggion FRM" and UVI plugin Mercury-80 with preset "Dream Tanger" - very nice.
so it is great sounding, the price is right. but the DC-60 is also available as module (modules even). are they comparable soundwise? the DCO-106 is of course fully featured.

ow wait. it has MPE support. i am sucker for anything MPE....

Post

I just realised, the Juno 106 is basically the Telecaster of MIDI Poly synths

Are you safe?
"For now… a bit like a fish on the floor"
https://tidal.com/artist/33798849

Post

WasteLand wrote: Thu Oct 01, 2020 5:57 pm so it is great sounding, the price is right. but the DC-60 is also available as module (modules even). are they comparable soundwise? the DCO-106 is of course fully featured.

ow wait. it has MPE support. i am sucker for anything MPE....
The DCO-106 Polyphonic Synthesizer improves on the model that we created for the DCO-60 module, with even more accurate tone, great new effects, and lots of additional features (including chord mode, MPE, detunable unison mode, etc.), in high-performance plug-in and standalone formats.

- Dan @ Cherry Audio

Post

cherryDan wrote: Thu Oct 01, 2020 7:07 pm
WasteLand wrote: Thu Oct 01, 2020 5:57 pm so it is great sounding, the price is right. but the DC-60 is also available as module (modules even). are they comparable soundwise? the DCO-106 is of course fully featured.

ow wait. it has MPE support. i am sucker for anything MPE....
The DCO-106 Polyphonic Synthesizer improves on the model that we created for the DCO-60 module, with even more accurate tone, great new effects, and lots of additional features (including chord mode, MPE, detunable unison mode, etc.), in high-performance plug-in and standalone formats.

- Dan @ Cherry Audio
yes the features i saw, the more accurate emulation i assumed, but why not ask?
and MPE... well i am sucker for MPE, and voltage modular.. curves for MPE, i made recquest for curves in the MPE module... but perhaps another module is coming, in the future, that can do it...

so i will demo it, random notes, that is new... for a demo...

Post

WatchTheGuitar wrote: Thu Oct 01, 2020 5:51 pm So I guess there's now a need for separate Cherry Audio (NOT Voltage Modular) thread?
Agreed... the DCO-106 looks lovely and it's a great price, but it's not related to Voltage.
Ceej
aka Chris Hillery

Post Reply

Return to “Instruments”