Note-controlled frequency of a filter
-
- KVRer
- 14 posts since 5 Jun, 2014
Hi! You may know, carefully controlling resonance frequency or some other characteristic of a filter may add a second melody (as in overtone singing). So, possibly VST makers have thought about it and added an option to set resonance (or some other) frequency of their effect’s filter(s) with note events (am I right effect VSTs can handle them?). Do you know some with such a quirk?
-
- KVRAF
- 2802 posts since 31 Aug, 2011
Sounds like you want to 'play' an oscillating filter.
This is generally possible through cutoff frequency modulation, but whether you will be able to have it in tune with the keyboard depends on the synths filter and the modulators 'strength-profile' because not all of them respond in such a way that all 12 notes in an octave will necessarily give you the same 12 tones that a regular oscillator would give you.
But fortunately there are lots that do. Many old analogs for instance had a means to have the filter frequency in (more or less) perfect tune with the keyboard. For example the minimoog has 2 switches in the filter section which IIRC correspond to 25% and 75% keytracking respectively. So when both are engaged keytracking is 100% and as a result the filters cutoff frequency responds just like oscillator pitch does, i.e. when it oscillates you get the right 12 tones within an octave across the whole keyboard range, and at the right basic frequency it will be in tune with the regular oscillators too. Another is KORGs Mono/Poly. This one has a knob that goes over 100% (150% to be precise) so you wouldnt turn it up full. KORGs PolySix, dito. And there are many many more, the list would be gigantic.
One where it doesnt work (not with the 'regular' features anyway) is KORGs MS-20. Although you can patch keyboard CV to cutoff frequency you can not play the oscillating filter(s) like a regular oscillator because regardless of the modulation strength you can not get them to be in tune even within 1 octave, let alone across the whole keyboard range. (So thats one example where keytracking and cutoff freq dont 'gel', so to speak.) However, KORG have added another way to the software which works differently than the patch cord way. There is a section labeled 'External Modulation', which has KBD Track as an option. When this is used (instead of the patch cord) with the strength level set to +2.50 then the oscillating filter(s) will play in tune across the whole keyboard range too.
So like i said, it ultimately depends on the synth. Just slapping keytrack on the cutoff is not guaranteed to work so the best you can do is pick a few synths you like because of their other qualities and see if it works or not. Chances are good that it will because in my experience there are more where it works than there are where it doesnt.
This is generally possible through cutoff frequency modulation, but whether you will be able to have it in tune with the keyboard depends on the synths filter and the modulators 'strength-profile' because not all of them respond in such a way that all 12 notes in an octave will necessarily give you the same 12 tones that a regular oscillator would give you.
But fortunately there are lots that do. Many old analogs for instance had a means to have the filter frequency in (more or less) perfect tune with the keyboard. For example the minimoog has 2 switches in the filter section which IIRC correspond to 25% and 75% keytracking respectively. So when both are engaged keytracking is 100% and as a result the filters cutoff frequency responds just like oscillator pitch does, i.e. when it oscillates you get the right 12 tones within an octave across the whole keyboard range, and at the right basic frequency it will be in tune with the regular oscillators too. Another is KORGs Mono/Poly. This one has a knob that goes over 100% (150% to be precise) so you wouldnt turn it up full. KORGs PolySix, dito. And there are many many more, the list would be gigantic.
One where it doesnt work (not with the 'regular' features anyway) is KORGs MS-20. Although you can patch keyboard CV to cutoff frequency you can not play the oscillating filter(s) like a regular oscillator because regardless of the modulation strength you can not get them to be in tune even within 1 octave, let alone across the whole keyboard range. (So thats one example where keytracking and cutoff freq dont 'gel', so to speak.) However, KORG have added another way to the software which works differently than the patch cord way. There is a section labeled 'External Modulation', which has KBD Track as an option. When this is used (instead of the patch cord) with the strength level set to +2.50 then the oscillating filter(s) will play in tune across the whole keyboard range too.
So like i said, it ultimately depends on the synth. Just slapping keytrack on the cutoff is not guaranteed to work so the best you can do is pick a few synths you like because of their other qualities and see if it works or not. Chances are good that it will because in my experience there are more where it works than there are where it doesnt.
-
- KVRer
- Topic Starter
- 14 posts since 5 Jun, 2014
Thank you all! Am I getting it correct that effect plugins do frequently have keytracking too? I’d wanted to play one thing on a synth and some other with the filter (not from that synth).
-
- KVRian
- 1153 posts since 21 Nov, 2005
You might be able to do this in Ableton with key mapping by using control>k to open the key mapper, click filter cutoff to select it, hold down ctrl and hold down the lowest and highest notes you want to use for the filter to select the range, then adjust the range of the filter cutoff so that the lowest frequency of the filter correlates with the matching pitch (so say if using a range of 110hz to 440hz and a keyboard range of A1-A3 the keymapped notes should trigger resonances within the same range) although any keymapped notes will not also be available to trigger notes in the original synth, being an either/or situation.arseniiv wrote:Thank you all! Am I getting it correct that effect plugins do frequently have keytracking too? I’d wanted to play one thing on a synth and some other with the filter (not from that synth).
You could also do a search for Filter Organ, this is a VST that can play tuned filters over existing audio so you could send audio from the synth track to another audio track, place Filter Organ on the audio track and then route MIDI from an empty MIDI channel to play the filters over the original synth track.
-
- KVRian
- 703 posts since 28 Oct, 2014
all the melda plugins do this, i think. even the free packarseniiv wrote:Thank you all! Am I getting it correct that effect plugins do frequently have keytracking too? I’d wanted to play one thing on a synth and some other with the filter (not from that synth).
-
- KVRian
- 826 posts since 28 Oct, 2014
- Banned
- 4491 posts since 8 Jul, 2008 from UK
If I remember right, Filterbank 3 from Tone2 is a filter/synth sort of thing. Dunno if this is of any use.
Don't trust those with words of weakness, they are the most aggressive
-
- KVRAF
- 5273 posts since 2 Jul, 2005
All the Melda plugins have a giant modulation system that includes midi modulation. They have a few filters and then lots of eqs (that contain more filters) all of which can do what you're talking about.
Another fun thing is smartelectronix Rez Synth by destroyfx. It's basically just a big playable band pass filterbank controlled by midi. It's really old but it works great in a bridge on windows. Not sure about Mac.
Another fun thing is smartelectronix Rez Synth by destroyfx. It's basically just a big playable band pass filterbank controlled by midi. It's really old but it works great in a bridge on windows. Not sure about Mac.
Don't F**K with Mr. Zero.
-
- KVRAF
- 2514 posts since 28 Sep, 2012
Wow this has been something I’ve been looking for for a long time. Thank you so much.
Now, off topic, anybody know something similar using resonators?
- KVRian
- 710 posts since 7 May, 2002 from Phoenix, Arizona, USA
u-he mfm2. but is monophonic midi note trackingperpetual3 wrote:
Now, off topic, anybody know something similar using resonators?
https://www.lmdsp.com/products/superchord/ - polyphonic
melda mcomb can likely be set up to track midi notes monophonically
http://www.kvraudio.com/forum/viewtopic ... 8#p6940078
