Behringer TD-3 Analog Bass Line Synthesizer
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- KVRist
- 305 posts since 23 Feb, 2017
So Sweetwater have just dropped the price from $199 to $149, and now they have started appearing in the UK at £99.
Has Behringer actually just dropped the price on these!?!?
Has Behringer actually just dropped the price on these!?!?
Check out my YouTube channel for dose of Acid: https://www.youtube.com/acidalex
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- addled muppet weed
- 105902 posts since 26 Jan, 2003 from through the looking glass
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- KVRAF
- 11202 posts since 2 Dec, 2004 from North Wales
An analog 303 with analog DS1 distortion for £99 (£80 to me as I am VAT registered) - definitely rude not to get one, the red one can sit next to my Neutron I played with that 303 for years with ReBirth many, many years ago...never thought I would own one!
X32 Desk, i9 PC, S49MK2, Studio One, BWS, Live 12. PUSH 3 SA, Osmose, Summit, Pro 3, Prophet8, Syntakt, Digitone, Drumlogue, OP1-F, Eurorack, TD27 Drums, Nord Drum3P, Guitars, Basses, Amps and of course lots of pedals!
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- KVRAF
- 2418 posts since 9 Nov, 2016
+1 Another one bites the acid.rob_lee wrote: ↑Mon Nov 11, 2019 6:50 pmNah just 1 silver for now. Bargain price this.acid alex wrote: ↑Mon Nov 11, 2019 6:47 pmYep that was it. Bargain!! Did you order both too?rob_lee wrote: ↑Mon Nov 11, 2019 6:46 pm Never mind found them and ordered
https://www.andertons.co.uk/keyboards-p ... ynthesizer
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- KVRAF
- 8074 posts since 16 Oct, 2006
Great I had £18.78 worth of loyalty points at Anderton's so got mine ordered at £80.22
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- Pick Me Pick me!
- 9688 posts since 12 Mar, 2002 from a state of confusion
I don't normally preorder products.. but sort of pondering this one. At this price I could expect to see them sold out for awhile... unless Behringer made a ton of these.
I did get up in the middle of the night and stand in a line to collect a Mini NES and then also a Mini SNES before. But that was because they were limited edition items I wanted to play. These? I think these td3 are a longerish term item in the catalog.
But if Roland drops the bow on them maybe they become a limited edition item?
I did get up in the middle of the night and stand in a line to collect a Mini NES and then also a Mini SNES before. But that was because they were limited edition items I wanted to play. These? I think these td3 are a longerish term item in the catalog.
But if Roland drops the bow on them maybe they become a limited edition item?
- KVRAF
- 8997 posts since 1 Aug, 2003
They must have - and, being the owners of a Chinese industrial city, it may be relatively cheap for 'em to make more.
(My plan is still to wait for a discount / used copy)
- GRRRRRRR!
- 15970 posts since 14 Jun, 2001 from Somewhere else, on principle
Yeah but it's not working out as I had hoped, for precisely that reason - it doesn't sound enough like the recorded versions, certainly nowhere near as good. Still, it's not like they cost me a fortune so it was worth the effort to find out. When you can scratch an itch for so little money, why wouldn't you? It was certainly a lot less costly than the switch to 64 bit has been.
OK but don't forget to mention how they all moved onto something with a patch memory, pretty much as soon as those things became available, and only kept using the Odyssey for that one signature sound (I'm thinking specifically of Ultravox).
How is that related to patch memory (or a lack thereof)? Korg's Prophecy was created to be a "performance" synth and it had tons of patch storage. It even had expansion cartridges if memory serves.in fact I woudl think one of the main reasons the synth was famous and was marketed as a "performance" synthesizer.
I can only assume you didn't really care that much or you were just the keyboard player in the back corner of the stage with other people to distract the audience while you screwed around. I've never had that luxury, I have to keep the audience entertained between songs and minimise the gaps where there is no music playing. The point I made above also applies here - absolutely everyone abandoned those old synths as soon as synths with patch memories came along. In 1985 nobody was still using any of those old things. Why do you think that was?thecontrolcentre wrote: ↑Mon Nov 11, 2019 11:10 amI used various classic mono synths without patch memorys when playing live over many years. Never had an issue dialling in the "right" sound on stage. Maybe its difficult for you BONES
Why would I do that? My opinion is as valid as anyone elses. In fact, as a former owner of two TB 303s, which I actually used on stage many times, I think my opinion is probably far more valid than most.
Last edited by BONES on Tue Nov 12, 2019 2:21 am, edited 1 time in total.
NOVAkILL : Asus RoG Flow Z13, Core i9, 16GB RAM, Win11 | EVO 16 | Studio One | bx_oberhausen, GR-8, JP6K, Union, Hexeract, Olga, TRK-01, SEM, BA-1, Thorn, Prestige, Spire, Legend-HZ, ANA-2, VG Iron 2 | Uno Pro, Rocket.
- KVRAF
- 2752 posts since 15 Feb, 2017 from a worn out vinyl groove
Yup... my Eurorack is definitely a toy...
a big boys toy...
and I love it.. I have not been so inspired since I had my system 100
Actually, it's an instrument.. I patch it and play it.
My needs are different from yours... this is something so repetitive in your posts...
something does not suit you.. if another finds it does suit them... they're an idiot...
we can all be fng idiots...
just some are also stupid...
"When you are dead,
you don't know that you are dead.
It's difficult only for the others.
It's the same when you are stupid"
FTFYI had a Korg Mono/Poly and i was useless on stage so I never bothered with it
So.. a resikned synth will have a different sound...I know how any synth will sound by looking at the GUI in Cubase,
yeah.. I am enlightened...
thanx bossssssss.
FFS>>>
- GRRRRRRR!
- 15970 posts since 14 Jun, 2001 from Somewhere else, on principle
No, if you "play", it's a toy.
If there is anything repetitive, it's the responses to my questions, or lack there of. Everyone gets a chance to prove they're not an idiot, few manage to do so. Your response here is a good example "your needs are different to mine". Well, derrr, how dumb would you have to be not to see that? It doesn't say anything beyond the bleeding obvious. It sheds no light on anything. A rational, sane, non-idiotic response might be along the lines of "patch memory would be nice but I can get by without it", rather than the implication that it is completely unnecessary and you wouldn't want it even if you could have it.this is something so repetitive in your posts...
something does not suit you.. if another finds it does suit them... they're an idiot...
I think this is where a lot of you fall down a lot of the time, you cannot think logically. Anyone could look at the same synth with the same settings, using 100 different skins and they would all tell that person the exact same thing (assuming they weren't broken). There is no logic to your comment at all. Possibly that's because you didn't read my comment in context but, whatever it was, it makes you look stupid.So.. a resikned synth will have a different sound...
NOVAkILL : Asus RoG Flow Z13, Core i9, 16GB RAM, Win11 | EVO 16 | Studio One | bx_oberhausen, GR-8, JP6K, Union, Hexeract, Olga, TRK-01, SEM, BA-1, Thorn, Prestige, Spire, Legend-HZ, ANA-2, VG Iron 2 | Uno Pro, Rocket.
- KVRAF
- 1574 posts since 19 May, 2011 from North Carolina
The 303-style synths are simple enough that you could probably get along in a live set playing without patch memory. Even a MIni Moog, sticking to a few closely related sounds and having your shit rehearsed.
The Odyssey was a bit more complicated by the small switches and (IMHO) a slightly more convoluted layout, but you could get used to it. Still, no one I knew played more than a few patches in a set (and yes, I gigged in my teen years, in the 70s - my first synth was an Arp OMNI - simple enough that I could get away without patch memory, and we were the only band with a poly synth around )
But in the 80s, playing with a DX7 (LMAO at THAT without patch memory!), Matrix 6, Casio CZ etc. - no way. We used vastly different patches often within the same track. My current band uses an Ultranova on stage now and switch between things like wurli and mellotron sounds between verse and chorus on some tracks and about 20 other sounds (not that the Ultranova would lend itself well to manual patching at all).
And certainly no cover / nostalgia band (and they are making up a large percentage of live acts) could gig without patch memory unless they are a tribute band for an act that used a limited palette of sounds. I hardly see anyone gigging with mono-synths, etc.
The guys I know doing electronic / dance music sometimes work without patch memory, but again - it's significantly rehearsed and you have to plan your sounds around it. Some dudes (and dudettes) are just knob twiddling, which is fine, but that's not the same as most gigging musicians.
This looks like a fun synth for the nostalgia value and with limited live use. In the studio I'm not sure what the purpose would be except (and I'm guilty of this) - sometimes you just like a knobby piece of hardware at this price.
The Odyssey was a bit more complicated by the small switches and (IMHO) a slightly more convoluted layout, but you could get used to it. Still, no one I knew played more than a few patches in a set (and yes, I gigged in my teen years, in the 70s - my first synth was an Arp OMNI - simple enough that I could get away without patch memory, and we were the only band with a poly synth around )
But in the 80s, playing with a DX7 (LMAO at THAT without patch memory!), Matrix 6, Casio CZ etc. - no way. We used vastly different patches often within the same track. My current band uses an Ultranova on stage now and switch between things like wurli and mellotron sounds between verse and chorus on some tracks and about 20 other sounds (not that the Ultranova would lend itself well to manual patching at all).
And certainly no cover / nostalgia band (and they are making up a large percentage of live acts) could gig without patch memory unless they are a tribute band for an act that used a limited palette of sounds. I hardly see anyone gigging with mono-synths, etc.
The guys I know doing electronic / dance music sometimes work without patch memory, but again - it's significantly rehearsed and you have to plan your sounds around it. Some dudes (and dudettes) are just knob twiddling, which is fine, but that's not the same as most gigging musicians.
This looks like a fun synth for the nostalgia value and with limited live use. In the studio I'm not sure what the purpose would be except (and I'm guilty of this) - sometimes you just like a knobby piece of hardware at this price.
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- KVRAF
- 2418 posts since 9 Nov, 2016
I guess it's purpose would be to make music.
It's iconic for a reason.
Acid music would be the obvious choice but it has it's place in various genres.
Carbon Based Lifeforms has used it to great effect in their Ambient tracks for example.
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- KVRian
- 1286 posts since 7 Dec, 2013 from Earth
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- KVRAF
- 15135 posts since 7 Sep, 2008
“Actually, throughout my life, my two greatest assets have been mental stability and being, like, really smart,”
-Bones
-Bones
"I was wondering if you'd like to try Magic Mushrooms"
"Oooh I dont know. Sounds a bit scary"
"It's not scary. You just lose a sense of who you are and all that sh!t"
"Oooh I dont know. Sounds a bit scary"
"It's not scary. You just lose a sense of who you are and all that sh!t"
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- KVRAF
- 11202 posts since 2 Dec, 2004 from North Wales
Jesus, I say I 'play' the guitar....turns out I have been using the wrong word for what I do for the last forty years....I will now make sure I tell people I 'operate the guitar with learned dexterity in a rhythmic and defined tonal scale manner'
Can you all please ensure that you are operating your instruments in the most efficient manner and under no circumstances do anything spontaneous, frivolous or fun....its not supposed to be playtime people, this is a serious business!
X32 Desk, i9 PC, S49MK2, Studio One, BWS, Live 12. PUSH 3 SA, Osmose, Summit, Pro 3, Prophet8, Syntakt, Digitone, Drumlogue, OP1-F, Eurorack, TD27 Drums, Nord Drum3P, Guitars, Basses, Amps and of course lots of pedals!