One Synth Challenge #136: Odin 2 by The Wave Warden (Photonic Wins!)
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- KVRAF
- 2170 posts since 7 Mar, 2014
I agree with the above … for me, it would be nice to have a delay on the start of LFO especially! Delayed vibrato is used so often for decent expressive play - eg violins, flutes, saxes etc ... and of course, all manner of "electronic" instruments
But, attack and release are important too … so worth considering this, please.
dB
PS Looking to do a 60's styled track re-visiting "Mungo Jerry" … going to be fun with this lovely synth.
But, attack and release are important too … so worth considering this, please.
dB
PS Looking to do a 60's styled track re-visiting "Mungo Jerry" … going to be fun with this lovely synth.
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Gabriel Garcia Gabriel Garcia https://www.kvraudio.com/forum/memberlist.php?mode=viewprofile&u=351740
- KVRist
- 58 posts since 18 Feb, 2015 from Argentina
Hi guys! Long time no see. The quarantine has granted me some time to return to the musical side of my life I think I'll probably give it a shot to this month's OSC, this synth is fantastic really. I'm already liking the tracks some of you have posted, great work!
- KVRist
- 281 posts since 10 Apr, 2020
I forgot to mention, there's another trick apart from the "Modulate ADSR" that was already mentioned:
Use the envelope as a modsource and scale at the same time. If scale is at 100 the curve gets squared, so the linear attack becomes quadratic, the exponential sections become differently curved exponentials.
Plus, you can control the amount of scale, so there's also everything in between.
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- KVRian
- 1284 posts since 9 Jan, 2013 from morf
So I’ve updated my details on my entry
Also had a bit of fun with the Odin2 here
https://soundcloud.com/eauson/eauson-th ... den-odin-2
This is not an entry, just used the same template & made a slower track using all the same sounds:D
Also had a bit of fun with the Odin2 here
https://soundcloud.com/eauson/eauson-th ... den-odin-2
This is not an entry, just used the same template & made a slower track using all the same sounds:D
Man is least himself when he talks in the first person. Give him a mask, and he'll show you his true face
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shadowsoflight shadowsoflight https://www.kvraudio.com/forum/memberlist.php?mode=viewprofile&u=272366
- KVRer
- 20 posts since 8 Jan, 2012 from Calgary
Hello all - this is my first submission to an OSC, and prior to this I've only ever programmed a handful of synth patches. I don't think it comes close to showing off all of the cool stuff that this synth can do, but I'm happy with it as my first attempt at this!
https://soundcloud.com/shadowsoflight/sleipnirs-stride
I used:
11 instances of Odin2
FL Studio as my DAW
That's it - no effects (partially a personal challenge, partially worried about breaking rules).
https://soundcloud.com/shadowsoflight/sleipnirs-stride
I used:
11 instances of Odin2
FL Studio as my DAW
That's it - no effects (partially a personal challenge, partially worried about breaking rules).
- KVRian
- 639 posts since 31 Oct, 2019 from Wonderland
This happens to probably half of the newbies, including me recentlyshadowsoflight wrote: ↑Sun Jun 14, 2020 10:15 pm That's it - no effects (partially a personal challenge, partially worried about breaking rules).
Welcome! Very interesting entry from a musical point of view; pleasant, but keeps you in suspense! I'll add it to my player, in my " favorite from OSC" playlist!
- KVRist
- 166 posts since 5 Dec, 2017 from New Mexico
Nice work!shadowsoflight wrote: ↑Sun Jun 14, 2020 10:15 pm Hello all - this is my first submission to an OSC, and prior to this I've only ever programmed a handful of synth patches. I don't think it comes close to showing off all of the cool stuff that this synth can do, but I'm happy with it as my first attempt at this!
"I can't listen to the Ninth anymore at all."
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shadowsoflight shadowsoflight https://www.kvraudio.com/forum/memberlist.php?mode=viewprofile&u=272366
- KVRer
- 20 posts since 8 Jan, 2012 from Calgary
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- KVRist
- 358 posts since 5 Aug, 2006 from St. Louis
+++++ SUBMISSION +++++
https://soundcloud.com/johnny-pumphandl ... s-the-time
My first shot at at the OSC. After checking out the Odin 2 synth, it is fascinating. I had fun creating the presets for my tune (attached zip of presets). The track was developed in FL Studio with a touch of Fruity Reverb and Fruity Limiter on the Master channel. All the channels are strictly Odin 2 presets. I had started on this before I ran across the Odin 2, so even had a few lyrics in mind ...
Now's The Time - Johnny Pumphandle
Now's the time to be alive
Listening to the news at five
Evry where we must prepare
for ma-ad-ness
I remember better times
For great things there were headlines
We heard the news we like to share
With evry day that passes by
We hear of more we must decry
Evry place is a disgrace
Soon it will become so bad
To be able to be sad
Can we find one that will shed a tear?
Now's the time for introspection
Now's the time for new direction
Now's the time for everyone to care
One of the Odin 2 features I found missing was the ability to delay the start of the LFO, which would enhance the articulation for synthesizing instruments. This would be a welcome addition.
https://soundcloud.com/johnny-pumphandl ... s-the-time
My first shot at at the OSC. After checking out the Odin 2 synth, it is fascinating. I had fun creating the presets for my tune (attached zip of presets). The track was developed in FL Studio with a touch of Fruity Reverb and Fruity Limiter on the Master channel. All the channels are strictly Odin 2 presets. I had started on this before I ran across the Odin 2, so even had a few lyrics in mind ...
Now's The Time - Johnny Pumphandle
Now's the time to be alive
Listening to the news at five
Evry where we must prepare
for ma-ad-ness
I remember better times
For great things there were headlines
We heard the news we like to share
With evry day that passes by
We hear of more we must decry
Evry place is a disgrace
Soon it will become so bad
To be able to be sad
Can we find one that will shed a tear?
Now's the time for introspection
Now's the time for new direction
Now's the time for everyone to care
One of the Odin 2 features I found missing was the ability to delay the start of the LFO, which would enhance the articulation for synthesizing instruments. This would be a welcome addition.
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- KVRian
- 600 posts since 14 Apr, 2019
Neither of these are my submission but they're entirely made with Odin2 and I just enjoyed listening to them after sitting on them a couple days. The Belmont reminds me of Supercastlevania 4. So FWIW if you like. For my submission working on something completely different.
https://soundcloud.com/infinitetelemach ... 362-odin23
https://soundcloud.com/infinitetelemach ... 364-odin24
https://soundcloud.com/infinitetelemach ... 362-odin23
https://soundcloud.com/infinitetelemach ... 364-odin24
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wireframewolves wireframewolves https://www.kvraudio.com/forum/memberlist.php?mode=viewprofile&u=465613
- KVRist
- 33 posts since 14 May, 2020
My submission for this comp:
https://soundcloud.com/wireframewolves/seidr
Mostly wanted to see what kind of sound design I could achieve with this (possibly at the expense of melody and harmony and general pleasantness). Apologies for the abrasive track.
Ableton Suite (all effects stock Ableton)
Instances: Odin2 (23), EQ8 (20, in many cases just low or high cut for mixing), Compressor (6), Saturator (4), Reverb (4)
Kick: Odin2 (Sine wave with enveloped lowpass + Noise with bandpass in Odin2), EQ8, Compressor, Saturator, Channel EQ
Snare: [Instrument rack slot 1: Odin2 (Sine wave with enveloped lowpass), Instrument rack slot 2: Odin2 (ChiptuneOsc Noise and NoiseOsc, distortion), Reverb], EQ8, Compressor, Saturator
Hihat 1: Chord MIDI effect to duplicate notes, Odin2 (NoiseOsc and ChipTuneOsc Noise, lowpass, comb, distortion), Compressor
Hihat 2: Same as above with different parameters
Crash cymbal: Same as above with different parameters
Drum buss: Compressor, EQ8
Sub: Odin2 (Triangle wave, lowpass), EQ8 (lowcut), Compressor sidechained to kick
Bass 1: Odin2 (FMOsc, Comb, lots of automation), EQ8
Bass 2: Same as above with different parameters
Bass 3: Odin2 (MultiOsc, lowpass, comb), EQ8, Reverb
Bass 4: Odin2 (PMOsc, lowpass, distortion, OH-12, automation of params), EQ8
Bass 5: Odin2 (WavetableOsc, NoiseOsc, OH-12, Comb, distortion, automation), EQ8
Bass 6: Odin2 (MultiOsc, NoiseOsc, OH-12, OH-12, distortion, OH-12, automation), EQ8
Bass 7: Odin2 (MultiOsc, NoiseOsc, lowpass, OH-12, distortion, OH-12, automation, delay), EQ8, Saturator
Bass 8: Odin2 (MultiOsc, NoiseOsc, lowpass, OH-12, distortion, OH-12, automation), EQ8
Bass 9: Odin2 (FMOsc, AnalogOsc, NoiseOsc, lowpass, comb, distortion, OH-12, automation), EQ8
Bass buss: Bass mono utility, Compressor, EQ8, Compressor sidechained to kick
Lead 1: Odin2 (ChipTuneOsc, lowpass, comb, distortion, automation of distortion boost), EQ8
Lead 2: same as above with different params
Lead 3: Odin2 (WavetableOsc, NoiseOsc, comb, bandpass, distortion, lowpass, delay, arpeggiator
Lead 4: Odin2 (FMOsc, lowpass, delay), EQ8
Scream effect: Odin2 (NoiseOsc, Formant, distortion, delay, chorus), EQ8, reverb (automated dry/wet)
Long riser: Odin2 (WavetableOsc, WavetableOsc, NoiseOsc, highpass, distortion, delay, automation), EQ8
Short riser: Odin2 (ChiptuneOsc, lowpass, formant, distortion, flanger)
Reverb send: Reverb
Master: Autofilter (automated highpass), Autofilter (automated lowpass), EQ8, Saturator, Hofa 4 U project timer (17 hours), Voxengo SPAN
I also did a lot of MIDI pitchbend automation, which I found kind of fights with Ableton. Whenever the MIDI pitchbend changes, Ableton wants to automate the Odin2 pitchbend parameter (distinct from midi pitchbend) which would also break Ableton's undo function. Aside from that, a really versatile synthesizer and fun to use!
https://soundcloud.com/wireframewolves/seidr
Mostly wanted to see what kind of sound design I could achieve with this (possibly at the expense of melody and harmony and general pleasantness). Apologies for the abrasive track.
Ableton Suite (all effects stock Ableton)
Instances: Odin2 (23), EQ8 (20, in many cases just low or high cut for mixing), Compressor (6), Saturator (4), Reverb (4)
Kick: Odin2 (Sine wave with enveloped lowpass + Noise with bandpass in Odin2), EQ8, Compressor, Saturator, Channel EQ
Snare: [Instrument rack slot 1: Odin2 (Sine wave with enveloped lowpass), Instrument rack slot 2: Odin2 (ChiptuneOsc Noise and NoiseOsc, distortion), Reverb], EQ8, Compressor, Saturator
Hihat 1: Chord MIDI effect to duplicate notes, Odin2 (NoiseOsc and ChipTuneOsc Noise, lowpass, comb, distortion), Compressor
Hihat 2: Same as above with different parameters
Crash cymbal: Same as above with different parameters
Drum buss: Compressor, EQ8
Sub: Odin2 (Triangle wave, lowpass), EQ8 (lowcut), Compressor sidechained to kick
Bass 1: Odin2 (FMOsc, Comb, lots of automation), EQ8
Bass 2: Same as above with different parameters
Bass 3: Odin2 (MultiOsc, lowpass, comb), EQ8, Reverb
Bass 4: Odin2 (PMOsc, lowpass, distortion, OH-12, automation of params), EQ8
Bass 5: Odin2 (WavetableOsc, NoiseOsc, OH-12, Comb, distortion, automation), EQ8
Bass 6: Odin2 (MultiOsc, NoiseOsc, OH-12, OH-12, distortion, OH-12, automation), EQ8
Bass 7: Odin2 (MultiOsc, NoiseOsc, lowpass, OH-12, distortion, OH-12, automation, delay), EQ8, Saturator
Bass 8: Odin2 (MultiOsc, NoiseOsc, lowpass, OH-12, distortion, OH-12, automation), EQ8
Bass 9: Odin2 (FMOsc, AnalogOsc, NoiseOsc, lowpass, comb, distortion, OH-12, automation), EQ8
Bass buss: Bass mono utility, Compressor, EQ8, Compressor sidechained to kick
Lead 1: Odin2 (ChipTuneOsc, lowpass, comb, distortion, automation of distortion boost), EQ8
Lead 2: same as above with different params
Lead 3: Odin2 (WavetableOsc, NoiseOsc, comb, bandpass, distortion, lowpass, delay, arpeggiator
Lead 4: Odin2 (FMOsc, lowpass, delay), EQ8
Scream effect: Odin2 (NoiseOsc, Formant, distortion, delay, chorus), EQ8, reverb (automated dry/wet)
Long riser: Odin2 (WavetableOsc, WavetableOsc, NoiseOsc, highpass, distortion, delay, automation), EQ8
Short riser: Odin2 (ChiptuneOsc, lowpass, formant, distortion, flanger)
Reverb send: Reverb
Master: Autofilter (automated highpass), Autofilter (automated lowpass), EQ8, Saturator, Hofa 4 U project timer (17 hours), Voxengo SPAN
I also did a lot of MIDI pitchbend automation, which I found kind of fights with Ableton. Whenever the MIDI pitchbend changes, Ableton wants to automate the Odin2 pitchbend parameter (distinct from midi pitchbend) which would also break Ableton's undo function. Aside from that, a really versatile synthesizer and fun to use!
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- KVRian
- 600 posts since 14 Apr, 2019
I think this sounds great. Yours last month was one of my favorites BTW. (My 8th 5 where the other 7 placed 1 to 7). Thanks for giving so much detail about this track.
- KVRist
- 166 posts since 5 Dec, 2017 from New Mexico
These are both pretty nice! But you've got my curiosity now on the "something completely different..."empphryio wrote: ↑Tue Jun 16, 2020 1:05 am Neither of these are my submission but they're entirely made with Odin2 and I just enjoyed listening to them after sitting on them a couple days. The Belmont reminds me of Supercastlevania 4. So FWIW if you like. For my submission working on something completely different.
"I can't listen to the Ninth anymore at all."
- KVRian
- 575 posts since 27 Oct, 2015
[deleted]
*NOTE TO ADMINS: NOT AN ENTRY!*
I might not be able to participate this month - but here's an OSC-rule tune made with my Odin 2 presets.
It's a bit of a mess - partly by design. Def. lo-fi. I don't use a click + tuning is weird. It started out as a free form improvisation, but ended up as (wonkily) pulse-based after all - not the kind of workflow I would recommend! I think it's kinda neat, though, it sometimes reminds me of early electronic B-film soundtracks made without a sequencer.
[Evening update: Tightened the wonkiness a little bit, added a few db to the mix]
https://soundcloud.com/terjefjelde/disbelief
*NOTE TO ADMINS: NOT AN ENTRY!*
I might not be able to participate this month - but here's an OSC-rule tune made with my Odin 2 presets.
It's a bit of a mess - partly by design. Def. lo-fi. I don't use a click + tuning is weird. It started out as a free form improvisation, but ended up as (wonkily) pulse-based after all - not the kind of workflow I would recommend! I think it's kinda neat, though, it sometimes reminds me of early electronic B-film soundtracks made without a sequencer.
[Evening update: Tightened the wonkiness a little bit, added a few db to the mix]
https://soundcloud.com/terjefjelde/disbelief
Last edited by schiing on Tue Jun 23, 2020 9:33 am, edited 1 time in total.
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- KVRian
- 600 posts since 14 Apr, 2019
Thanks. Just different for me. I'm just wanting to make some industrial/trance/techno stuff. Never had any success doing so. Trying again.